ALONE: KAZUO ISHIGURO AND THE PROBLEM OF MUSICAL EMPATHY

2012 ◽  
Vol 100 (2) ◽  
pp. 78-98
Author(s):  
MARK MAZULLO
Keyword(s):  
Kazuo Ishiguro

Discrepant Solace

2019 ◽  
Author(s):  
David James
Keyword(s):  
Literary History ◽  
Doris Lessing ◽  
Kazuo Ishiguro ◽  
Joan Didion ◽  
Julian Barnes ◽  
Ethical Implications ◽  
History Of ◽  
Late Twentieth ◽  
Ian Mcewan ◽  
Affective Meanings

Consolation has always played an uncomfortable part in the literary history of loss. But in recent decades its affective meanings and ethical implications have been recast by narratives that appear to foil solace altogether. Illuminating this striking archive, Discrepant Solace considers writers who engage with consolation not as an aesthetic salve but as an enduring problematic for late twentieth- and twenty-first-century fiction and memoir. Making close readings of emotion crucial to understanding literature’s work in the precarious present, David James examines writers who are rarely considered in conversation, including Sonali Deraniyagala, Colson Whitehead, Cormac McCarthy, W.G. Sebald, Doris Lessing, Joan Didion, J. M. Coetzee, Marilynne Robinson, Julian Barnes, Helen Macdonald, Ian McEwan, Colm Tóibín, Kazuo Ishiguro, Denise Riley, and David Grossman. These figures overturn critical suppositions about consolation’s kinship with ideological complaisance or dubious distraction, producing unsettling perceptions of solace that shape the formal and political contours of their writing.

Violence, Memory, and History: Geoffrey of Monmouth and Kazuo Ishiguro’s The Buried Giant

2021 ◽  
Vol 8 (3) ◽  
pp. 323-344
Author(s):  
Jonathan Brent
Keyword(s):  
Middle Ages ◽  
Geoffrey Of Monmouth ◽  
King Arthur ◽  
The Novel ◽  
Kazuo Ishiguro ◽  
History Of ◽  
The Creation

Kazuo Ishiguro has suggested that his work of medieval fantasy, The Buried Giant (2015), draws on a “quasi-historical” King Arthur, in contrast to the Arthur of legend. This article reads Ishiguro’s novel against the medieval work that codified the notion of an historical King Arthur, Geoffrey of Monmouth’s History of the Kings of Britain (c. 1139). Geoffrey’s History offered a largely fictive account of the British past that became the most successful historiographical phenomenon of the English Middle Ages. The Buried Giant offers an interrogation of memory that calls such “useful” constructions of history into question. The novel deploys material deriving from Geoffrey’s work while laying bear its methodology; the two texts speak to each other in ways sometimes complementary, sometimes deconstructive. That Ishiguro’s critique can be applied to Geoffrey’s History points to recurrent strategies of history-making, past and present, whereby violence serves as a mechanism for the creation of historical form.

Kazuo Ishiguro : « J’écris sur la face cachée de la mémoire »

Books ◽  
2015 ◽  
Vol N° 66 (6) ◽  
pp. 18-20
Author(s):  
Kazuo Ishiguro ◽  
Minh Tranh Huy
Keyword(s):  
Kazuo Ishiguro

COGNITIVE FOUNDATIONS OF IMPLEMENTING NOVEL GENRE CHARACTERISTICS (based on the analysis of “Never Let Me Go” by Kazuo Ishiguro)

2021 ◽  
pp. 5-20
Author(s):  
N.N. Boldyrev ◽  
◽  
B.S. Zhumagulova ◽  
D.T. Kurmanbayeva ◽  
◽  
...  
Keyword(s):  
Dominant Role ◽  
Matrix Analysis ◽  
The Novel ◽  
Theoretical Assumption ◽  
Matrix Space ◽  
Cognitive Approach ◽  
Kazuo Ishiguro ◽  
Close Relationship ◽  
Individual Interpretation

The article analyses the role of chronotope in implementing genre characteristics of different types of novels within the frame of one novel in a cognitive approach perspective. The authors proceed from the theoretical assumption that the content of any novel represents a multidimensional knowledge of the matrix format comprising various types of conceptual domains as specific cognitive contexts. These contexts refer to the knowledge not only about the plot and the composition of the novel, but also about its genre characteristics and their individual interpretation by the author of the novel. Accordingly, they choose cognitive matrix analysis as the methodological basis of the research. Particular attention is focused on the analysis of general principles and mechanisms of the author's individual interpretation and implementation of the concept of chronotope, suggested by M.M. Bakhtin, within the framework of a specific novel. In relation to the novel under discussion the authors of the article model chronotope in the form of the cognitive matrix SPACE-TIME CONTINUUM and analyze its conceptual structure as it is seen by the author of the novel, as well as his choice of means of its representation in language. The results of the cognitive matrix and linguistic analysis lead to the conclusion that typical genre features of the novel are implemented through characteristics of the basic concepts of the respective conceptual domains and means of their linguistic representation. The article also argues close relationship between all of these characteristics and the dominant role of some of them in relation to the others.

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