Queering Homoerotic Desire, Silence, and Violence in Zeno Wilde's Blue Jeans: A Performance-Sensitive Reading for the Twenty-first Century

2004 ◽  
Vol 56 (3) ◽  
pp. 373-394
Author(s):  
Claudio Medeiros
Keyword(s):  
First Century ◽  
Twenty First Century ◽  
Blue Jeans ◽  
A Performance

scholarly journals Performing gender in the studio and postmodern musical

2012 ◽  
pp. 19-35
Author(s):  
Michael Charlton
Keyword(s):  
First Century ◽  
Marilyn Monroe ◽  
Female Roles ◽  
Studio System ◽  
Twenty First Century ◽  
Judy Garland ◽  
Studio Era ◽  
Howard Hawks ◽  
Historical Periods ◽  
A Performance

This essay explores two distinct historical periods in the Hollywood musical through a Butlerian reading of gender as a performance. The two example films from the studio era, Howard Hawks’ Gentlemen Prefer Blondes (1953) and the restored version of George Cukor’s A Star is Born (1954), are contextualised not only within the studio system but through the constructed star personae of their leads—Marilyn Monroe and Judy Garland. Baz Luhrmann’s Moulin Rouge! (2001) and Rob Marshall’s Chicago (2002), the two example films from the twenty first century, are contextualised within a Jamesonian post-modern aesthetic and as examples of the non-studio, non-star filmic text as act of nostalgia. In contrasting these historical periods, the essay posits that the studio musical was, in fact, always already “post-modern” in its fragmentation of narrative in favour of the star performance, which constructs the gendered persona of the star. In addition, it is suggested that the sub-textual subversion of traditional female roles within the studio star performance is in many ways more effectively critical of gender conventions than the intentionally parodic aesthetics of Luhrmann and Marshall.

Managing Networks of Twenty-First Century Organisations

2006 ◽  
Author(s):  
Perri Six ◽  
Nick Goodwin ◽  
Edward Peck ◽  
Tim Freeman
Keyword(s):  
First Century ◽  
Twenty First Century

Freud, sex, and the soul: does Freud’s focus on sex obscure his relevance to the twenty-first century soul-searcher?

2020 ◽  
Vol 5 (1) ◽  
pp. 65-73
Author(s):  
Eliza Preston
Keyword(s):  
Sigmund Freud ◽  
Psychotherapy Training ◽  
Human Experience ◽  
First Century ◽  
Clinical Approach ◽  
Early Stages ◽  
Modern Reader ◽  
Human Psyche ◽  
Twenty First Century

This article explores what the work of Sigmund Freud has to offer those searching for a more spiritual and philosophical exploration of the human experience. At the early stages of my psychotherapy training, I shared with many peers an aversion to Freud’s work, driven by a perception of a mechanistic, clinical approach to the human psyche and of a persistent psychosexual focus. This article traces my own attempt to grapple with his work and to push through this resistance. Bettelheim’s (1991) treatise that Freud was searching for man’s soul provides a more sympathetic lens through which to explore Freud’s writing, one which enabled me to discover a rich depth which had not previously been obscured. This article is an account of my journey to a new appreciation of Freud’s work. It identifies a number of challenges to Bettelheim’s argument, whilst also indicating how his revised translation allowed a new understanding of the relevance of Freud’s work to the modern reader. This account may be of interest to those exploring classical psychotherapeutic literature as well as those guiding them through that process.

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