Atoms for Sale?: Cold War Institution-Building and the South Korean Atomic Energy Project, 1945–1965

2010 ◽  
Vol 51 (3) ◽  
pp. 589-618 ◽  
Author(s):  
John DiMoia
2020 ◽  
Vol 25 (3) ◽  
pp. 365-382
Author(s):  
Myungji Yang

Through the case of anti-impeachment rallies held in South Korea in 2016-2017, this article examines why the large-scale, rightwing mobilization emerged in the midst of democratic and peaceful demonstrations. Analyzing the widespread emotions and narratives shared by protesters, I argue that rightwing elites and intellectuals mobilized civil society by evoking specific historical experiences that arouse intense fear and outrage among older citizens. Capitalizing on positive and successful historical experiences of anticommunist nation building and national modernization, the South Korean right has tried to rebuild its political legitimacy and symbolic power during the postauthoritarian period (1987-present). Drawing from ethnographic observations and in-depth interviews undertaken in Seoul, I emphasize the prominence of Cold War geopolitics and authoritarian legacies in shaping the discourse and mobilization strategies of the South Korean right. This article enhances a critical understanding of the internal workings of rightwing mobilization in existing Western-centric scholarship on the far right.


2018 ◽  
Vol 23 (1) ◽  
pp. 135-152 ◽  
Author(s):  
Hye Seung Chung

Abstract This article examines the commercially successful multicultural film Punch (Wan-dŭk i, Yi Han, 2011) as an example of new “enlightenment” (kaemong) cinema, one that—like its precedents in the South Korean Golden Age cinema of the 1950s and 1960s—supports the official government policy. While classic enlightenment films made during the Cold War era endorsed state-sanctioned narratives of anticommunism, modernization, and development, Punch toes the line of the South Korean government’s millennial project of multiculturalism (tamunhwa). Despite its intent to create a hopeful, affirmative message of tolerance and inclusion, Punch ironically silences the dissenting voice of a migrant bride character (played by Jasmine Lee, a Philippine-born TV personality-turned-representative in the National Assembly) who remains marginalized and peripheral in the masculine narrative wherein male bonding and mentoring reign supreme.


Author(s):  
Su Yeon Roh ◽  
Ik Young Chang

To date, the majority of research on migrant identity negotiation and adjustment has primarily focused on adults. However, identity- and adjustment-related issues linked with global migration are not only related to those who have recently arrived, but are also relevant for their subsequent descendants. Consequently, there is increasing recognition by that as a particular group, the “1.5 generation” who were born in their home country but came to new countries in early childhood and were educated there. This research, therefore, investigates 1.5 generation South Koreans’ adjustment and identity status in New Zealand. More specifically, this study explores two vital social spaces—family and school—which play a pivotal role in modulating 1.5 generation’s identity and adjustment in New Zealand. Drawing upon in-depth interviewing with twenty-five 1.5 generation Korean-New Zealanders, this paper reveals that there are two different experiences at home and school; (1) the family is argued to serve as a key space where the South Korean 1.5 generation confirms and retains their ethnic identity through experiences and embodiments of South Korean traditional values, but (2) school is almost the only space where the South Korean 1.5 generation in New Zealand can acquire the cultural tools of mainstream society through interaction with English speaking local peers and adults. Within this space, the South Korean 1.5 generation experiences the transformation of an ethnic sense of identity which is strongly constructed at home via the family. Overall, the paper discusses that 1.5 generation South Koreans experience a complex and contradictory process in negotiating their identity and adjusting into New Zealand through different involvement at home and school.


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