The Heart of Ma Yuan: The Search for a Southern Song Aesthetic by Richard Edwards

2013 ◽  
Vol 42 (1) ◽  
pp. 480-486
Author(s):  
Elizabeth Kindall
Keyword(s):  
Southern Song ◽  
Ma Yuan

scholarly journals Characterizing the sealing materials of the merchant ship Nanhai I of the Southern Song Dynasty

2021 ◽  
Vol 9 (1) ◽  
Author(s):  
Yihang Zhou ◽  
Kai Wang ◽  
Jian Sun ◽  
Yong Cui ◽  
Dongbo Hu
Keyword(s):  
Surface Coating ◽  
Song Dynasty ◽  
Weight Ratio ◽  
Tung Oil ◽  
Southern Song Dynasty ◽  
Southern Song ◽  
Merchant Ship ◽  
Main Components ◽  
Analytical Approaches ◽  
Sealing Materials

AbstractNanhai I is a highly valuable shipwreck of the Southern Song Dynasty for studying various topics, including the shipbuilding techniques. The sealing materials are of significant importance to ensure the ship’s reliability during the voyage across the ocean and they were rarely analyzed. Therefore, the sealing materials of this ship were analyzed by several analytical approaches. The sealing materials included two types, i.e., gap filler with jute fibers and surface coating without any oakum. The main components of both types of putty are calcite with minor Tung oil. The weight ratio of Ca(OH)2/Tung oil range from 4.3:1 to 7.9:1 for surface coating samples and the weight ratio of Ca(OH)2/organics is 3.1:1 for the gap filler sample. Additionally, we first find that the surface coating has a layered structure, where outer layers contain more Tung oil than inner layers. The innermost layer of the surface coating sample might be altered by organic acids from wood deterioration, causing its loose structure and grey color. The composite layers with different formula might be a result of balancing the costs and performances of the putty.

scholarly journals A Sinicised Religion Under Foreign Rule: Buddhism in the Jurchen Jin Dynasty (1115–1234)

2018 ◽  
Vol 22 (1) ◽  
pp. 23-52
Author(s):  
Hang Lin
Keyword(s):  
Material Culture ◽  
Cultural History ◽  
Zen Buddhism ◽  
Primary Sources ◽  
Cultural Traditions ◽  
Southern Song ◽  
Jin Dynasty ◽  
Time Period ◽  
Medieval China ◽  
Historical Writings

Buddhism in the Jurchen Jin (1115–234) dynasty has been regarded as a peripheral phenomenon; as such, it remains largely overlooked by traditional historiography. When placed into a broader context, however, both Buddhism under Jin rule and the dynasty itself functioned as a significant link in the long chain of Chinese cultural history. The Jin witnessed a crucial time period during which Chan (Zen) Buddhism, later the most popular Buddhist school in China, gained dominance and began its transmission of several major lines. Jin Buddhism also created a large corpus of material culture, thereby providing invaluable primary sources for the study of Buddhism in China. Based on an analysis of historical writings and archaeological evidence, this article examines the development and various characteristics of Buddhism during the Jin, its relationship with the Jurchen rulers and its influence on the Jin society as a whole. To a large extent, the Jin was at least as important to the development of Buddhism as the Southern Song (1127–276). Moreover, knowledge of Jin Buddhism is indispensable to understanding the Jin culture which, in turn, is essential to understanding the general development of the multifaceted cultural traditions in medieval China.

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