Robert E. Stillman, ed. Spectacle and Public Performance in the Late Middle Ages and the Renaissance. Studies in Medieval and Reformation Traditions. Leiden: Brill Academic Publishers, 2006. xxiv + 258 pp. index. illus. tbls. bibl. $120. ISBN: 90-04-14928-7.

2007 ◽  
Vol 60 (1) ◽  
pp. 242-244
Author(s):  
Jonathan Walker
Mediaevistik ◽  
2018 ◽  
Vol 31 (1) ◽  
pp. 431-431
Author(s):  
Albrecht Classen

On the one hand, this new edition, or rather translation, of Christine de Pizan’s The Book of the City of Ladies (1405) certainly deserves to be reviewed in Mediaevistik because Christine still falls squarely into the late Middle Ages. On the other, the publication date of this translation, 1521, places it certainly outside of that period. However, a translation is always an important mirror of the reception history, which proves to be particularly rich in Christine’s case. Brian Anslay’s English translation was the first and only one to appear in print (by Henry Pepwell), at least before the twentieth century. However, we know of twenty-seven surviving manuscripts, whereas there are only five copies of Anslay’s printed work available. It is worth noting that the issues addressed here by Christine, helping women to find their own realm and identity, was apparently of significance also for her male audience since Anslay was sponsored by Richard Grey, third earl of Kent.


Mediaevistik ◽  
2018 ◽  
Vol 31 (1) ◽  
pp. 489-490
Author(s):  
Albrecht Classen

We can only be thankful for any efforts to make major or minor medieval texts available to our students today because the knowledge of medieval Latin or vernacular languages is disappearing at an alarming rate. Christina M. Fitzgerald here presents in a very reader-friendly version a selection of pageants in The York Corpus Christi Play from the late fourteenth century (earliest, 1376), consisting of 47 plays in total, 27 of which are reproduced here, and couples those with a selection of contemporary texts to illustrate better the global interest in religious topics for public performance at that time. This is a most important literary document mirroring popular culture during the late Middle Ages, and so we cannot overestimate the <?page nr="490"?>pedagogical value of this new text selection. After all, The York Corpus Christi Play consists of over 300 speaking parts and more than 14,000 lines, which required a large involvement of the urban population to carry out the performance, very similar to the continental religious plays during the entire late Middle Ages and beyond.


2003 ◽  
Vol 54 (1) ◽  
pp. 23-46
Author(s):  
A. D. M. Barrell

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