From Coverture to Supreme Court Justice: Women Lawyers and Judges in Oregon History

2012 ◽  
Vol 113 (3) ◽  
pp. 360-381
Author(s):  
Janice Dilg
2010 ◽  
Vol 15 (2) ◽  
pp. 135-158 ◽  
Author(s):  
Sally Kenney

Rosalie Wahl's appointment to the Minnesota Supreme Court and her subsequent election reveals how emotions make events historical, how they signal symbolic meanings, and how they mobilize social movements. The treatment of political women in the 1970s engendered the emotions that Wahl's appointment and campaign surfaced. Relegating women party activists to the role of chore doers rather than decision makers humiliated them. Homemakers felt discarded and downwardly mobile after divorce. Exclusion and discrimination stung women lawyers. Feminism surfaced the powerful emotions of anger, exhilaration, solidarity, and hope that women would break down barriers. By deconstructing the rhetorical arguments of Wahl's speeches, interviewing participants in the campaigns, reading the letters that Minnesotans sent to Wahl, and examining my own emotional reactions, I uncover the emotional dimensions of these events. Understanding what catalyzed intense emotional identifications and what this historical event symbolized to participants facilitates theorizing gender as a social process and understanding why other women first to hold public office or first women candidacies generally do not become historical events.


1988 ◽  
Vol 32 (4) ◽  
pp. 391
Author(s):  
Mark C. Rahdert ◽  
R. Kent Newmyer

Author(s):  
Anna Siomopoulos

This chapter analyses how Hollywood focused on recognizable and venerable architectural representations of federal institutions to symbolise the new relationship that had developed between the citizenry and the national government under the aegis of the New Deal. Through case studies of three films respectively featuring the executive, legislative and judicial edifices of the national state – Gabriel over the White House (1933), Mr Smith Goes to Washington (1939), and The Talk of the Town (1942) – become sites of masculine transformations, as the three male protagonists each experience private revelations that help them take on new roles as president, senator and Supreme Court Justice respectively. Though each contains a romantic sub-plot, none of the movies ends with the expected scene of romantic coupling whose trajectory was established in the early scenes. Accordingly the male leads become defined less by private heterosexuality than by public involvement in the Roosveltian state.


Author(s):  
Linda Greenhouse

There are no formal requirements for becoming a Supreme Court justice. “The justices” explains that the role of justice is open to anyone who can be nominated by the president and confirmed by a majority vote. The current Supreme Court consists of nine justices. The first membership was entirely Protestant, and there were no women until 1981. The modern court lacks diversity of professional backgrounds; many of the justices were formerly judges. Some appointments, both historical and recent, have been controversial. It is not unheard of for a justice’s ideology to drift after his or her appointment, in some cases amounting to considerable changes in outlook during that justice’s time in the Court.


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