This chapter focuses on the role of Harry T. Burleigh's wife and family in his career as an “eminent baritone.” Due to his success in singing for the English royal and noble families, Burleigh returned to perform in England the following summer, but it also led to his wife's determination to create an identity distinct from her role as the wife of “the eminent baritone.” In fall 1909 Louise took their son Alston to England, where she placed him at Malden College for Boys just outside London. Then, assuming the stage name of Princess Redfeather, she “played in her own Indian Act in London music halls.” After the “real” Princess Redfeather, Princess Tsianina Redfeather, appeared and demanded that Louise must find another stage name, Louise became Ojibway Princess Nadonis, and later Princess Nadonis Shawa. This chapter considers Louise Alston Burleigh's separation from Harry and her decision to pursue a career as a performer in New York City, with particular emphasis on her American Indian presentations and her joint recitals.