Echoes of Women's Voices: Music, Art, and Female Patronage in Early Modern Florence (review)

Notes ◽  
2006 ◽  
Vol 63 (2) ◽  
pp. 348-349
Author(s):  
Anne MacNeil
Keyword(s):  
Early Modern ◽  
Women's Voices ◽  
Female Patronage

Echoes of Women's Voices. Music, Art and Female Patronage in Early Modern Florence

2006 ◽  
Vol 92 (2) ◽  
pp. 411
Author(s):  
Florence Alazard ◽  
Kelley Harness
Keyword(s):  
Early Modern ◽  
Women's Voices ◽  
Female Patronage

scholarly journals Echoes of Women’s Voices. Music, Art, and Female Patronage in Early Modern Florence.

1969 ◽  
Vol 32 (3) ◽  
pp. 121-125
Author(s):  
Kelley Harness (book author) ◽  
Pascale Duhamel (review author)
Keyword(s):  
Early Modern ◽  
Women's Voices ◽  
Female Patronage

scholarly journals The Materiality of Meaning: identity and multiple-authorship in Sor María Manuela de Santana’s Esquelas originales de correspondencia espiritual y poesías místicas

2018 ◽  
Vol 10 (2) ◽  
pp. 28-50
Author(s):  
Constance G Janiga-Perkins
Keyword(s):  
Early Modern ◽  
Spanish America ◽  
Spiritual Life ◽  
Multiple Authorship ◽  
Women's Voices ◽  
Modern Age

This article analyzes the spiritual correspondence of María Manuela de Santana from two perspectives. First, we examine the study of identity carried out in the rhetoric of the Peruvian nun’s letters, with an eye to identifying the messages she is trying to give the reader regarding her spiritual life here on earth. Then we discuss the effects of multiple-authorship on María Manuela de Santana’s voice in the Esquelas by examining the material role in the text of the editing subject. We will center our efforts on the development of María Manuela as both narrator and protagonist, and show how the material manifestations of multiple- authorship affect our perception of women’s voices during the Early Modern age in Spanish America.

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