Selbstorganisation in der romantischen Ästhetik und Theorie des Staates: Friedrich Wilhelm Joseph Schelling, Friedrich Schlegel und Adam Müller

Detlef Kremer

doi:10.1353/mln.0.0027

Selbstorganisation in der romantischen Ästhetik und Theorie des Staates: Friedrich Wilhelm Joseph Schelling, Friedrich Schlegel und Adam Müller

MLN ◽

10.1353/mln.0.0027 ◽

2008 ◽

Vol 123 (3) ◽

pp. 551-569 ◽

Cited By ~ 1

Author(s):

Detlef Kremer

Keyword(s):

Friedrich Schlegel ◽

Friedrich Wilhelm Joseph Schelling

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Schelling's Critique of Hegel

Religious Studies ◽

10.1017/s0034412500016528 ◽

1984 ◽

Vol 20 (4) ◽

pp. 543-557

Author(s):

Bernard M. G. Reardon

Keyword(s):

Early Years ◽

Friedrich Schlegel ◽

The World ◽

The Future ◽

Friedrich Wilhelm Joseph Schelling

Not only during his lifetime but for some years after his death Friedrich Wilhelm Joseph Schelling remained a figure of controversy. Few academic philosophers have been more execrated by their opponents, since with him intellectual differences quickly turned into personal animosities. That this was so was not simply his ill–luck; Schelling was always an ‘awkward customer’ to deal with. His vanity, which was inordinate, was no doubt basically temperamental, but it had been stimulated by the remarkable literary success of his early years, in which he appeared before the world as a prodigy. Increasingly touchy and irritable as he grew older, the least criticism struck him as a personal affront and disagreement as intended injury. The bitterness of his response, to intellectual equals and inferiors alike, was almost invariably such as to end in severed relationships. Thus he quarrelled in turn with Jacobi, with Fichte and with Friedrich Schlegel, as well as with lesser lights such as Baader and Eschenmayer, and even with his own pupils –J. J. Wagner, Krause, Stahl, Kohn and others. Those who managed to stay on good terms with him – men like Windischmann, Victor Cousin and his own publisher Cotta – had to learn to put up with his rancour. But of all with whom he fell foul the most eminent was Hegel, whom he regarded as his arch–enemy. The reason, little creditable to Schelling, is not far to seek. Originally fellow–students at Tübingen, they later became colleagues at Jena, where Schelling, the younger of the two, had already acquired national fame. By contrast the future author of the Phenomenology of Spirit was evidently as yet no more than a worthy but hardly scintillating collaborator with his academic senior in running a philosophical journal.

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Comprender lo femenino desde la propuesta filosófica de Friedrich Schleiermacher

Revista de Filosofia Moderna e Contemporânea ◽

10.26512/rfmc.v6i1.20413 ◽

2018 ◽

Vol 6 (1) ◽

pp. 305-322

Author(s):

Catalina E Elena Dobre

Keyword(s):

Friedrich Schleiermacher ◽

Friedrich Schlegel

En este trabajo nos proponemos analizar la propuesta del concepto de femenino en el pensamiento de Friedrich Schleiermacher, un análisis no muy común cuando se trata de uno de los principales teólogos modernos. Sin embargo, pocos saben que Schleiermacher ha sido entre los primeros filósofos que eleva el tema de lo femenino a objeto de reflexión filosófica. Por lo cual, nos proponemos, partiendo de su escrito llamado Cartas Confidenciales a la novela Lucinde de Friedrich Schlegel, comprender el valor de la virtud femenina necesaria crear comunidad y cultura. Para esto, primero presentaremos un breve contexto en el cual surge el pensamiento de Friedrich Schleiermacher; después expondremos la intención y el mensaje de la novela Lucinde de Friedrich Schlegel, para de allí analizar cuál fue la intención de Schleiermacher al escribir la Cartas Confidenciales y como llega a considerar que uno de los principios fundamentales de la vida ética es una virtud femenina. La vigencia de esta propuesta de Schleiermacher para nuestros tiempos es muy importante para hacernos comprender hoy que lo femenino no se tiene que imponer mediante una ideología de género, sino que la mujer tiene que aprender descubrir y valorar lo valiosos en su propia naturaleza para así contribuir, como siempre lo ha hecho, al desarrollo de la cultura.

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