Sean O'Casey: A Bibliography by Ronald Ayling and Michael J. Durkan, and: John Millington Synge: A Reference Guide by Edward A. Kopper, Jr. (review)

Modern Drama ◽  
1981 ◽  
Vol 24 (1) ◽  
pp. 119-121
Author(s):  
Charles A. Carpenter
Keyword(s):  
John Millington Synge ◽  
Sean O'casey ◽  
Reference Guide

Gregory, Augusta (1852–1932)

2018 ◽  
Author(s):  
Emilie Pine
Keyword(s):  
William Butler Yeats ◽  
George Bernard Shaw ◽  
John Millington Synge ◽  
The West ◽  
Sean O'casey ◽  
Abbey Theatre ◽  
Colonial Culture ◽  
A Site ◽  
Bernard Shaw ◽  
Irish Folklore

Born Isabella Augusta Persse in County Galway, Ireland in 1852, Lady Augusta Gregory was a playwright, folklore collector, essayist, and co-founder of the Abbey Theatre. Following the death of husband Sir William Gregory of Coole Park in 1892, she became a leading member of the Irish Revival, working to establish Irish culture as an alternative to colonial culture and rule. To this end, she published several collections of Irish folklore and established a branch of the Gaelic League at her home at Coole in the west of Ireland. In addition, Gregory hosted and fostered writers at her home in Coole Park, which became a site of meeting and inspiration for writers, including William Butler Yeats, John Millington Synge, George Bernard Shaw, George Russell, and Sean O’Casey. Her most significant contribution to Irish cultural life was through her collaboration with W. B. Yeats, with whom she and Edward Martyn established the Irish Literary Theatre in 1899. Gregory also co-wrote Kathleen ni Houlihan (1902) with Yeats, and the two launched the Abbey Theatre in Dublin in 1904, together with J. M. Synge. Gregory wrote plays for the Abbey stage and piloted its development as one of the nation’s most important institutions, overseeing productions of key works by J. M. Synge, George Bernard Shaw, and Sean O’Casey.

A Review of 21 iPad Applications for Augmentative and Alternative Communication Purposes

2012 ◽  
Vol 21 (2) ◽  
pp. 60-71 ◽  
Author(s):  
Ashley Alliano ◽  
Kimberly Herriger ◽  
Anthony D. Koutsoftas ◽  
Theresa E. Bartolotta
Keyword(s):  
Augmentative And Alternative Communication ◽  
Cost Effective ◽  
Alternative Form ◽  
Alternative Communication ◽  
Text To Speech ◽  
Reference Guide ◽  
Expressive Communication ◽  
Communication Needs ◽  
User Friendly ◽  
Ipad Applications

Abstract Using the iPad tablet for Augmentative and Alternative Communication (AAC) purposes can facilitate many communicative needs, is cost-effective, and is socially acceptable. Many individuals with communication difficulties can use iPad applications (apps) to augment communication, provide an alternative form of communication, or target receptive and expressive language goals. In this paper, we will review a collection of iPad apps that can be used to address a variety of receptive and expressive communication needs. Based on recommendations from Gosnell, Costello, and Shane (2011), we describe the features of 21 apps that can serve as a reference guide for speech-language pathologists. We systematically identified 21 apps that use symbols only, symbols and text-to-speech, and text-to-speech only. We provide descriptions of the purpose of each app, along with the following feature descriptions: speech settings, representation, display, feedback features, rate enhancement, access, motor competencies, and cost. In this review, we describe these apps and how individuals with complex communication needs can use them for a variety of communication purposes and to target a variety of treatment goals. We present information in a user-friendly table format that clinicians can use as a reference guide.

‘listening to this rude and beautiful poetry’: John Millington Synge as Song Collector in the Aran Islands

2016 ◽  
Vol 46 (2) ◽  
pp. 243-259
Author(s):  
Deirdre Ní Chonghaile
Keyword(s):  
John Millington Synge ◽  
Lady Gregory ◽  
Aran Islands

To date, little attention has been given to the songs in Synge's The Aran Islands, items that Tim Robinson imagines are not ‘fully thought into the texture of the work’. They come from a collection of songs in Irish and in English that was created by Synge in Inis Oírr in 1901 in the company of the local poet Mícheál Ó Meachair. This essay investigates Synge's song collection and the local singers and poets whom he met, including Seághan Seoige of Baile an Fhormna, Inis Oírr and Marcuisín Mhichil Siúinéara Ó Flaithbheartaigh of Cill Rónáin, Árainn. It examines how the music of Aran impacted on Synge during his four visits between 1898 and 1901, what his collection tells us about the song tradition of Aran, and what inspired him to collect songs there. Did Douglas Hyde's Love Songs of Connacht prompt him to create his own collection? What parts did Lady Gregory and W.B. Yeats play? Considering Synge was a trained musician and composer, why did he not collect the airs that accompanied the songs? Recognising the influence of sean-nós song on Synge's dramatic oeuvre, this essay questions whether or not the songs of Aran affected his work.

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