Home is Where the (He)art is: The Family Romance in Late Twentieth-Century Mexican and Argentine Theater (review)

2009 ◽  
Vol 43 (1) ◽  
pp. 216-217
Author(s):  
Amalia Gladhart
Keyword(s):  
Twentieth Century ◽  
Family Romance ◽  
The Family ◽  
Late Twentieth ◽  
Late Twentieth Century

Conclusion

2016 ◽  
Author(s):  
Tracy A. Thomas
Keyword(s):  
Twentieth Century ◽  
Gender Equality ◽  
Family Law ◽  
Cultural Ideals ◽  
Second Wave Feminism ◽  
The Family ◽  
Late Twentieth ◽  
Second Wave ◽  
Domestic Roles ◽  
Late Twentieth Century

The conclusion reveals how Elizabeth Cady Stanton’s proposed reforms for gender equality in the family were achieved by the late twentieth century. It traces the movements in second-wave feminism and developments in family law, such as no-fault divorce, that came almost sixty years after Stanton. It shows how Stanton’s feminist legacy has been misappropriated, such as by anti-abortion advocates like the group Feminists for Life, who claim Stanton as an arch pro-life advocate. The chapter concludes by showing the persistence of cultural ideals of women’s domestic roles and the resistance to full gender autonomy and equality in the family, which Stanton envisioned.

scholarly journals The Crisis of Masculinity: Jez Butterworth’s Mojo

2017 ◽  
Vol 14 (1) ◽  
pp. 22-30 ◽  
Author(s):  
Ahmet Gökhan Biçer ◽  
Mesut Günenç
Keyword(s):  
Twentieth Century ◽  
Rock And Roll ◽  
Male Identity ◽  
Royal Court ◽  
The Family ◽  
Late Twentieth ◽  
Crisis Of Masculinity ◽  
Masculinity Crisis ◽  
Stage Play ◽  
Late Twentieth Century

Abstract During the late twentieth century, crisis of masculinity appears in all societal settings; at work, at school, on the street and in the family. The crisis of fatherhood, anxiety, power, and abuse create the crisis of masculinity. As a concrete example of the masculinity crisis Jez Butterworth’s most discussed stage play Mojo was first performed at London’s Royal Court in 1995. This paper takes Mojo under observation as a frontier play depicting a male identity that portrays rock and roll culture, gangland violence, and male Soho gangsters of the 1950s. With these concepts in mind, this paper analyses the contemporary anxieties related to masculinity through witty, absurd dialogues and homoerotic relationships of this striking play.

Nine Centuries of Man

2017 ◽  
Keyword(s):  
Twentieth Century ◽  
Diverse Range ◽  
Gender Expectations ◽  
Court Records ◽  
The Past ◽  
Wide Range ◽  
Police Reports ◽  
Late Twentieth ◽  
Scottish History ◽  
Late Twentieth Century

What did it mean to be a man in Scotland over the past nine centuries? Scotland, with its stereotypes of the kilted warrior and the industrial ‘hard man’, has long been characterised in masculine terms, but there has been little historical exploration of masculinity in a wider context. This interdisciplinary collection examines a diverse range of the multiple and changing forms of masculinities from the late eleventh to the late twentieth century, exploring the ways in which Scottish society through the ages defined expectations for men and their behaviour. How men reacted to those expectations is examined through sources such as documentary materials, medieval seals, romances, poetry, begging letters, police reports and court records, charity records, oral histories and personal correspondence. Focusing upon the wide range of activities and roles undertaken by men – work, fatherhood and play, violence and war, sex and commerce – the book also illustrates the range of masculinities that affected or were internalised by men. Together, the chapters illustrate some of the ways Scotland’s gender expectations have changed over the centuries and how, more generally, masculinities have informed the path of Scottish history

Trey Ellis's Platitudes: Redefining Black Voices

2009 ◽  
Vol 32 (1) ◽  
pp. 55-76
Author(s):  
Quan Manh Ha
Keyword(s):  
Twentieth Century ◽  
African American ◽  
American Literature ◽  
African American Literature ◽  
Black Experience ◽  
Racial Issues ◽  
Black Voices ◽  
Late Twentieth ◽  
One Year ◽  
Late Twentieth Century

Trey Ellis has emerged as a prominent African American writer of the late-twentieth century, despite the small number of his published works. “The New Black Aesthetic,” an essay that he first published in CaUaloo in 1989, one year after the publication of his first novel, Platitudes, stands as a manifesto that defines and articulates his perspective on the emerging black literary voices and culture of the time, and on “the future of African American artistic expression” in the postmodern era.1 According to Eric Lott, Ellis's novel parodies the literary and cultural conflict between such male experimental writers as lshmael Reed and such female realist writers as Alice Walker.2 Thus, Ellis's primary purpose in writing Platitudes is to redefine how African Americans should be represented in fiction, implying that neither of the dominant approaches can completely articulate late-twentieth-century black experience when practiced in isolation. In its final passages, Platitudes represents a synthesis of the two literary modes or styles, and it embodies quite fully the diversity of black cultural identities at the end of the twentieth century as it extends African American literature beyond racial issues. In this way, the novel exemplifies the literary agenda that Ellis suggests in his theoretical essay.

A New Denominational Historiography?

1995 ◽  
Vol 5 (2) ◽  
pp. 249-263
Author(s):  
John F. Wilson
Keyword(s):  
Twentieth Century ◽  
Recent Analysis ◽  
General Factor ◽  
Religious Organization ◽  
Religious Institution ◽  
Large Numbers ◽  
The Status ◽  
Late Twentieth ◽  
American Society ◽  
Late Twentieth Century

Over the last decade, a noteworthy number of published studies have, in one fashion or another, been defined with reference to religious denominations. This is an arresting fact, for, coincidentally, the status of religious denominations in the society has been called into question. Some formerly powerful bodies have lost membership (at least relatively speaking) and now experience reduced influence, while newer forms of religious organization(s)—e.g., parachurch groups and loosely structured movements—have flourished. The most compelling recent analysis of religion in modern American society gives relatively little attention to them. Why, then, have publications in large numbers appeared, in scale almost seeming to be correlated inversely to this trend?No single answer to this question is adequate. Surely one general factor is that historians often “work out of phase” with contemporary social change. If denominations have been displaced as a form of religious institution in society in the late twentieth century, then their prominence in earlier eras is all the more intriguing.

Sign in / Sign up

Export Citation Format

Share Document