Preserving Digital Public Television: Not Just an Archive, but a New Attitude to Preserve Public Broadcasting

2009 ◽  
Vol 57 (3) ◽  
pp. 393-412 ◽  
Author(s):  
Nan Rubin
2020 ◽  
Vol 4 (1) ◽  
pp. 43-63
Author(s):  
José Santana-Pereira

Abstract This article reports a comparative analysis of the media’s political agenda setting capacity in 27 European media systems, aimed at testing the hypothesis that the magnitude of this phenomenon is moderated by factors such as development of the press markets, journalist professionalization, strength of public television or political pluralism. The empirical analysis relies on data collected by the expert survey European Media Systems Survey, the World Association of Newspapers, the European Audiovisual Observatory, and the research project Providing an Infrastructure for Research on Electoral Democracy in the European Union (PIREDEU). Results show that political agenda setting is perceived as more common in press markets in which newspapers work as means of horizontal communication (and are, as subsystem, politically imbalanced), but that journalist professionalization and strength of public broadcasting systems foster political agenda setting effects.


2019 ◽  
Vol 3 (1) ◽  
pp. 302-318
Author(s):  
Gizeli Costa Bertollo Menezes ◽  
Francisco Gilson Rebouças Porto Junior ◽  
Yuri Vinicius Silva ◽  
José Lopes da Cruz Filho ◽  
Kécia Garcia Ferreira

A proposta deste artigo é compreender melhor o sistema público de televisão em Portugal e no Brasil, especificamente as emissoras RTP1 e TV Brasil. Embora os dois países sejam marcados por fortes ligações históricas, culturais e linguísticas, se distanciam no que diz respeito a radiodifusão pública. Enquanto em Portugal a televisão já nasce sob o domínio estatal, que posteriormente vai se moldando aos princípios do serviço público, no Brasil chega pelas mãos da iniciativa privada, que por quase duas décadas dominou de forma exclusiva o cenário televisivo, imprimindo seu modelo no país.   PALAVRAS CHAVE: Televisão; Brasil; Portugal; TV pública; História.     ABSTRACT The purpose of this article is to better understand the public television system in Portugal and Brazil, specifically the RTP1 and TV Brazil broadcasters. Although the two countries are marked by strong historical, cultural and linguistic connections, they are distant in relation to public broadcasting. While in Portugal, television is born under state domination, which later is shaping the principles of public service, in Brazil comes through the hands of private initiative, which for almost two decades dominated the television scene exclusively, printing its model in the country.   KEYWORDS: Television; Brazil; Portugal; Public TV; Story.     RESUMEN El propósito de este trabajo es comprender mejor el sistema público de televisión en Portugal y Brasil, específicamente en las emisoras de televisión RTP 1 y Brasil. Aunque los dos países están marcados por fuertes vínculos históricos, culturales y lingüísticos, se distancian en lo que se refiere a la radiodifusión pública. Mientras que en Portugal la televisión nace bajo dominio del Estado, que posteriormente dar forma a los principios de servicio público en Brasil llega a manos de la empresa privada, que desde hace casi dos décadas dominaron exclusivamente el panorama de la televisión mediante la impresión de su modelo en el país .   PALABRAS CLAVES: Televisión; Brasil; Portugal; TV pública; Historia.


Author(s):  
Mehmet Fatih Çömlekçi

This chapter presents an analysis of how migrants were represented in the Turkish media after the historic, cultural, and socio-economic development of the labour migration that started in the 1960s from Turkey to Germany. In this respect, the aim of the study was to reveal how a public television channel covered “guest worker” experience through its broadcasts. In the meantime, the news programs that the Turkish Radio and Television Corporation (TRT) produced about the migrants that went to Germany in the second half of the 20th century have been analyzed via content analysis method. This study explored the media representation of migrants' families including working women and young people; the manner in which the challenges of migrants' families were portrayed in the public space through public broadcasting; the projection of the politics of governments regarding the migrants; and the exposition of the transnational space where the migrants carry out their socio-cultural productions in Germany.


2020 ◽  
Vol 1 (2) ◽  
pp. 95-106
Author(s):  
Erasmus Nagi Noi ◽  
◽  
Alo Liliweri ◽  
Lenny N. Tammunu ◽  
◽  
...  

Purpose: This research aims to analyze the implementation of the regulation of the board of directors of the TVRI public broadcasting institution regarding non-civil servants (Study at the Indonesian Television Public Broadcasting Institute (TVRI), East Nusa Tenggara Station. Research methodology: In this study, the authors used an interpretive research paradigm. The interpretive approach aims to understand the "world of human experience". In this study, the total population was 110 people consisting of 27 non-civil servants and 83 civil servants. Furthermore, purposively, the researcher selected 11 people as informants with details of 1 Head of the Office as Key Informants and 10 non-civil servants as Ordinary Informants Results: The conclusions of this study can be grouped into four aspects, namely actors, organizations, procedures, and techniques. Limitations: this research only analyzes the implementation of policies on the development of Indonesian migrant workers' families in the field of economic empowerment in Kupang city. Contribution: This research becomes scientific information for public administration science. Keywords: Regulations, Implementation, Broadcasting agency, Non-Civil Servant


MEDIAKITA ◽  
2019 ◽  
Vol 3 (2) ◽  
Author(s):  
Ulfi Nurfaiza

TVRI (Televisi Republik Indonesia) seeks to provide wise information for the public. However, because in the current era of the rapid rise of the media industry, it is very important that the TVRI Public Broadcasting Institution re-emerges before the public with a new identity as a counterweight and newshighlight that is able to voice community rights and promote cultural values and local wisdom. In rebranding, there are a number of things carried out by LPP TVRI namely implementing the Power Marketing mindset, which lies in 3 keys, first moving is done before TVRI rebranding can be passed from Kepsta, starting to form a small team for rebranding preparation. Second, Caring (caring) byinvolving every community and having innovation in developing companies such as the emergence of a new program ‘’ Good Morning East Java ‘’ which has the aim to greet residents and serve the East Java people. Third, Innovation is an effort of LPP TVRI to produce new products and innovations to move forward with the aim of being an institution that has a vision and mission for unifying the nation. This can be seen in the change in the new logo, color and organizational culture. In the perspective of the Islamic Media Industry, Islam is a religion that strongly advocates for creating brotherhood and unity of various differences. TVRI as public television also implements as its slogan the unifying media of the nation, naturally responsible as a media that is able to disseminate interestinginformation with the aim of being a media that is able to serve the public so as to create brotherhood.Keywords: Rebranding; Logo; Islamic Media Industry


2016 ◽  
Vol 30 ◽  
pp. 245-265
Author(s):  
Sara Pereira ◽  
Jairo Faria ◽  
Clarisse Pessôa

Is Media Literacy a dimension of the Public Service of the Media? Does public service television, in Portugal and in Brazil, contemplate Media Education in their policies and grids? Taking these questions as a departure and debating point, we have used sixteen editions of the ombudsman programmes of the public broadcasting companies of Brazil (Empresa Brasil de Comunicação – EBC) and Portugal (Rádio e Televisão de Portugal – RTP) as analysis corpus. In order to examine O Público na TV (The Public on TV) from EBC and A Voz do Cidadão (The Citizen’s Voice) from RTP, we have used a set of analysis categories which will allow, among other aspects, to understand the contribution of these programmes to the promotion of Media Literacy of the societies where they are broadcast and of the public they will reach. Generally speaking, the results show that, by developing a role of mediation with the public/audiences, the Ombudsman plays an important role as a Literacy Agent for the Media towards those audiences, even though that role could be reinforced and could express, in a more direct and clear form, the objective of Media Literacy.


2013 ◽  
Vol 146 (1) ◽  
pp. 93-102 ◽  
Author(s):  
Zala Volčič ◽  
Melita Zajc

Public broadcasting institutions have existed as central and publicly funded national institutions, providing services in the public interest. The coincidence of technological, political and economic circumstances in the last 20 years or so, however, has challenged their monopoly position. Technological developments – specifically digitalisation – have expanded spectrum availability. In some cases, public television has been commercialised, privatised or marginalised by the introduction of commercial channels. This article focuses on a specific case study of the Slovene public broadcaster. It addresses the fate of public service television in the digital and post-communist era, tracing the transformation from state broadcasters to the era of digital delivery, audience fragmentation and commercial nationalism. It explores, on the one hand, the way in which public service broadcasters have embraced and capitalised on new forms of digital distribution and, on the other, how they continue to embrace national(istic) and commercial imperatives.


2008 ◽  
Author(s):  
Kathryn Larsen

<p>Examines if the accessibility of more affordable digital production equipment and desktop video editing systems has democratized the quantity and quality of independent documentaries submitted to PBS (Public Broadcasting Service) stations for broadcast. Includes data gathered from surveys and interviews with PBS program and production personnel, independent filmmakers, and public television program distributors. Explores the relationship between the concept of radical democracy and public broadcasting of local productions.</p>


2020 ◽  
Vol 18 (02) ◽  
pp. 152-162
Author(s):  
Atika A

Televisi Republik Indonesia Kalimantan Selatan (TVRI Kalsel) is a local public television station in South Kalimantan which expected to have sufficient supporting resources so that it can meet the information needs of local people. This study analyzes media ecology on TVRI Kalsel, specifically in local content-based programs. The objective of this research is to determine the category of  TVRI Kalsel's niche breadth based on local content programs. Quantitative approach is used, where the data is analyzed using Niche Theory. Data was collected through interviews and program observation. The data is then analyzed using instrument sheet containing the program’s title and categories of information. The results showed that TVRI Kalsel as the only Public Broadcasting Institution in Banjarmasin, South Kalimantan, was included in the generalist category with 3.56 score. The score showed that TVRI Kalsel had quite a lot of supporting resources from information broadcast programs with local content. There were eight programs broadcasting information with local content. Those eight programs broadcast information were in form of straight news, features, features documentaries, and talk shows.


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