Technology and Gender: Fabrics of Power in Late Imperial China. By Francesca Bray (Berkeley: University of California Press, 1997. xvi plus 419pp. $50.00/cloth; $19.95/paperback)

1998 ◽  
Vol 32 (2) ◽  
pp. 403-410
Author(s):  
M. Elvin
Keyword(s):  
University Of California ◽  
Late Imperial China ◽  
Late Imperial ◽  
Imperial China ◽  
And Gender

Technology and Gender Fabrics of Power in Late Imperial China

1999 ◽  
Vol 44 ◽  
pp. 299
Author(s):  
Thomas L. Kennedy ◽  
Francesca Bray
Keyword(s):  
Late Imperial China ◽  
Late Imperial ◽  
Imperial China ◽  
And Gender

The Gender of Knowledge in Forensic Drama of Late Imperial China

NAN Nü ◽  
2021 ◽  
Vol 23 (2) ◽  
pp. 237-271
Author(s):  
Guojun Wang
Keyword(s):  
Court Case ◽  
Forensic Investigation ◽  
Women And Gender ◽  
Late Imperial China ◽  
Legal Cases ◽  
Literary Traditions ◽  
Late Imperial ◽  
History Of ◽  
Imperial China ◽  
And Gender

Abstract In late imperial China practitioners of forensic investigation in legal cases were predominantly male. While crime literature frequently features female characters, the question of how this literature represents the gender dimension of forensic knowledge remains unanswered. This paper aims to answer this question with an examination of a number of late imperial era theatrical works that depict how forensic knowledge differed across the male and female divide. It argues court-case literature increasingly valorized male forensic knowledge and its relevance to the state legal system. At the same time, these theatrical pieces signify female forensic knowledge following two literary traditions, namely, the commendation of exemplary women and the condemnation of “wanton women.” Investigating these theatrical works at the interstices between court-case literature, women’s history, and forensic history, this paper suggests that the representations of forensic knowledge in Chinese drama accord with major developments in the history of women and gender in premodern China.

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