Countervisions: Asian American Film Criticism (review)

2002 ◽  
Vol 5 (1) ◽  
pp. 78-81
Author(s):  
Josephine Lee
2020 ◽  
Vol 73 (3) ◽  
pp. 66-78
Author(s):  
Vince Schleitwiler ◽  
Abby Sun ◽  
Rea Tajiri

This roundtable grew out of conversations between filmmaker Rea Tajiri, programmer Abby Sun, and scholar Vince Schleitwiler about a misunderstood chapter in the history of Asian American film and media: New York City in the eighties, a vibrant capital of Asian American filmmaking with a distinctively experimental edge. To tell this story, Rea Tajiri contacted her artist contemporaries Shu Lea Cheang and Roddy Bogawa as well as writer and critic Daryl Chin. Daryl had been a fixture in New York City art circles since the sixties, his presence central to Asian American film from the beginning. The scope of this discussion extends loosely from the mid-seventies through the late nineties, with Tajiri, Abby Sun, and Vince Schleitwiler initiating topics, compiling responses, and finalizing its form as a collage-style conversation.


2013 ◽  
Vol 37 (2) ◽  
pp. 73-86 ◽  
Author(s):  
Beenash Jafri

In this paper, I argue that settler colonialism is a project of desire, and that attention to desire is particularly useful for understanding the relationship between racialized subjects, whose access to political power in settler regimes is tenuous and uneven. Drawing upon psychoanalytically-inflected theories of race, I examine how this desire is articulated, and look to its effects. To do so, I offer a reading of the 2004 South Asian-American film, Indian Cowboy, reflecting on how racialized subjects negotiate and express the desire to access and be included in settler subjectivity.


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