Meat and the Millennium: Transnational Politics of Race and Gender in Ruth Ozeki's My Year of Meats

2009 ◽  
Vol 12 (2) ◽  
pp. 191-220 ◽  
Author(s):  
Emily Cheng
Keyword(s):  
Transnational Politics ◽  
Race And Gender ◽  
Politics Of Race ◽  
And Gender

The Politics of Race and Gender: Children's Perceptions of Discrimination and the U.S. Presidency

2008 ◽  
Vol 8 (1) ◽  
pp. 83-112 ◽  
Author(s):  
Rebecca S. Bigler ◽  
Andrea E. Arthur ◽  
Julie Milligan Hughes ◽  
Meagan M. Patterson
Keyword(s):  
Race And Gender ◽  
Children's Perceptions ◽  
Children’S Perceptions ◽  
Politics Of Race ◽  
And Gender ◽  
The U.S

scholarly journals Feminist engagement with restorative justice

2006 ◽  
Vol 10 (1) ◽  
pp. 9-28 ◽  
Author(s):  
Kathleen Daly ◽  
Julie Stubbs
Keyword(s):  
Family Violence ◽  
Restorative Justice ◽  
Social Relations ◽  
Feminist Analysis ◽  
Race And Gender ◽  
Theories Of Justice ◽  
Politics Of Race ◽  
And Gender ◽  
Justice Studies

We analyse five areas of feminist engagement with restorative justice (RJ): theories of justice; the role of retribution in criminal justice; studies of gender (and other social relations) in RJ processes; the appropriateness of RJ for partner, sexual or family violence; and the politics of race and gender in making justice claims. Feminist engagement has focused almost exclusively on the appropriateness of RJ for sexual, partner or family violence, but there is a need to broaden the focus. We identify a wider spectrum of theoretical, political and empirical problems for future feminist analysis of RJ.

Coda

2018 ◽  
pp. 229-232
Author(s):  
Hertha D. Sweet Wong
Keyword(s):  
Civil Rights ◽  
Digital Media ◽  
The United States ◽  
Civil Rights Era ◽  
Race And Gender ◽  
Interactive Engagement ◽  
Politics Of Race ◽  
And Gender ◽  
Modes Of Thought ◽  
Post Civil Rights

The Coda reiterates that the post-civil rights era in the United States–with the coalescence of rebellion against historic modes of thought, heightened awareness of the politics of race and gender, and challenges to the artificiality of disciplinary silos –gave rise to a period of intense innovation in autobiographical expression in text and image. During this same period, profoundly new possibilities for image-text self-expression arose as the internet was developed, digital tools were generated, and social media sites were launched. Like the interart autobiographies discussed in Picturing Identity, digital media demands interactive engagement. The conclusion discusses e-poetry as a digital descendant of the forms discussed in the book. Finally, the chapter suggests that scholarly claims that digital technology itself decenters the subject must be reconsidered. It is not technology alone that determines subjectivity. All the writers-artists discussed thematize a split subject that seeks, usually futilely, wholeness.

Lana and Lilly Wachowski

2018 ◽  
Author(s):  
Cáel M. Keegan
Keyword(s):  
Cultural Production ◽  
Film Studies ◽  
First Century ◽  
Present Moment ◽  
Race And Gender ◽  
Queer Cinema ◽  
Trans Studies ◽  
Feminist Film ◽  
Politics Of Race ◽  
And Gender

This book analyzes the filmmaking careers of Lana and Lilly Wachowski as the world’s most influential transgender media producers. Situated at the intersection of trans* studies and black feminist film studies, it argues that the Wachowskis’ cinema has been co-constitutive with the historical appearance of transgender, tracing how their work invents a trans* aesthetics of sensation that has disrupted conventional schemas of race, gender, space, and time. Offering new readings of the Wachowskis’ films and television, it illustrates the previously unsensed presence of transgender in the subtext of queer cinema, in the design of digital video, and in the emergence of a twenty-first-century global cinematic imaginary. It is in the Wachowskis’ art, the author argues, that transgender cultural production most centrally confronts cinema’s construction of reality, and in which white, Western transgender subjectivity most directly impacts global visual culture. Thus, the Wachowskis’ cinema is an inescapable archive for sensing the politics of race and gender in the present moment.

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