"Un núcleo imperioso y siempre elusivo": On Assemblage, Dissent, Hybridity, and the Politics of Elegía Joseph Cornell, by María Negroni

Hispanófila ◽  
2019 ◽  
Vol 187 (1) ◽  
pp. 45-61
Author(s):  
Gianfranco Selgas
Keyword(s):  
Joseph Cornell

Hopps, Walter (1932–2005)

2018 ◽  
Author(s):  
Ken D. Allan
Keyword(s):  
New York ◽  
Los Angeles ◽  
American Art ◽  
The United States ◽  
Art Museum ◽  
Pop Art ◽  
Marcel Duchamp ◽  
Robert Rauschenberg ◽  
The 1960S ◽  
Joseph Cornell

Walter Hopps was an American art dealer and curator of modern and contemporary art. Best known for organizing the first museum retrospective of Marcel Duchamp in 1963 at the Pasadena Art Museum (now the Norton Simon), Hopps was a pioneering example of the independent, creative curator, a model that emerged in the 1960s in the United States From his start as an organizer of unconventional shows of California painters on the cultural fringe of conservative Cold War-era Los Angeles, Hopps became one of the most respected, if unorthodox, curators of his generation, holding a dual appointment at the end of his life as 20th-century curator at Houston’s Menil Collection and adjunct senior curator at the Solomon R. Guggenheim Museum in New York. Some of his noted exhibitions include: in Pasadena, a 1962 group show that helped to define pop art, The New Paintings of Common Objects; the first U retrospectives of Kurt Schwitters (1962) and Joseph Cornell (1967); Robert Rauschenberg retrospectives in 1976 and 1997 at the National Museum of American Art and Menil Collection, respectively; a 1996 survey of Edward Kienholz for The Whitney Museum of American Art; and a James Rosenquist retrospective in 2002 at the Guggenheim.

Book Review: Joseph Cornell Versus Cinema

2016 ◽  
Vol 159 (1) ◽  
pp. 137-138
Author(s):  
Ben Kooyman
Keyword(s):  
Joseph Cornell

Joseph Cornell versus Cinema by Michael Pigott

2016 ◽  
Vol 55 (2) ◽  
pp. 168-172
Author(s):  
Glyn Davis
Keyword(s):  
Joseph Cornell
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