Theories of Non-Theistic Mysticism in Essayistic Modernista Prose: Carlos DÍaz Dufoo (Mexico 1861-1941) and Manuel DÍaz Rodríguez (Venezuela 1871-1927)

Hispanófila ◽  
2015 ◽  
Vol 174 (1) ◽  
pp. 13-29
Author(s):  
Nancy LaGreca
Keyword(s):  
Manuel Diaz Rodriguez

Manuel Diaz Rodriguez, estilista del modernismo

Hispania ◽  
1956 ◽  
Vol 39 (3) ◽  
pp. 281
Author(s):  
Henry Holland
Keyword(s):  
Manuel Diaz Rodriguez

scholarly journals Manuel Díaz Rodríguez, vida y obra

1960 ◽  
Vol 40 (4) ◽  
pp. 641-641
Author(s):  
George D. Schade
Keyword(s):  
Manuel Diaz Rodriguez

Manuel Díaz Rodríguez, maestro del estilo. (Boletín de la Academia Venezolana)

Books Abroad ◽  
1950 ◽  
Vol 24 (3) ◽  
pp. 287
Author(s):  
Boyd G. Carter ◽  
Lowell Dunham
Keyword(s):  
Manuel Diaz Rodriguez

Manuel Díaz Rodríguez: Vida y obra

Books Abroad ◽  
1960 ◽  
Vol 34 (3) ◽  
pp. 277
Author(s):  
Thor J. Beck ◽  
Lowell Dunham
Keyword(s):  
Manuel Diaz Rodriguez

scholarly journals "Ídolos rotos" de Manuel Díaz Rodríguez. Una tropical 'novela de artista'

1993 ◽  
Vol 41 (1) ◽  
pp. 293-331
Author(s):  
Alexandra Álvarez
Keyword(s):  
Palabras Clave ◽  
Manuel Diaz Rodriguez

En este número no se incluyeron resúmenes ni palabras clave. 

Plagiarism and Authorship in Turn-of-the-Century Venezuela

2020 ◽  
Vol 72 (4) ◽  
pp. 406-417
Author(s):  
Nathalie Bouzaglo
Keyword(s):  
Intellectual Property ◽  
Latin American ◽  
Turn Of The Century ◽  
The Novel ◽  
Madame Bovary ◽  
Local Character ◽  
Manuel Diaz Rodriguez ◽  
Venezuelan Literature ◽  
American Authors ◽  
Epistolary Exchange

Abstract This article explores the connection between modernismo, a literary movement that relied heavily on imitation and intertextuality, and accusations of plagiarism, copying, and appropriation. It contextualizes the analysis within a nineteenth-century legal moment in which intellectual property protections were just beginning to take hold at the international level. It examines claims of authorship in the absence of meaningful intellectual property legislation, and in an asymmetrical context in which European authors were widely reprinted and read in Latin America but Latin American authors were barely read in Europe. And it considers performances of plagiarizing and of being plagiarized—that is, the unease expressed by one who suspects his work has been copied. Specifically, the article analyzes an accusatory epistolary exchange between Enrique Gómez Carrillo and Manuel Díaz Rodríguez; the novel El hombre de hierro (The Iron Man; 1907) by Rufino Blanco Fombona, which was interpreted as a copy of Flaubert’s Madame Bovary but justified by its local character; and the very curious case of Rafael Bolívar Coronado, whose writing implodes the category of authorship that underlies intellectual property legislation. Taken together, the three cases demonstrate the development of the notions of authorship and plagiarism in Venezuelan literature at the turn of the century.

scholarly journals El movimiento de los nombres en Ídolos rotos, de Manuel Díaz Rodríguez

2012 ◽  
Vol 21 ◽  
Author(s):  
Juan José Barreto González
Keyword(s):  
Manuel Diaz Rodriguez

El hombre al preguntarse quién es opta por narrarse. Proponemos la lectura de Ídolos rotos a partir del desplazamiento semiótico de los nombres en correspondencia a su identificación narrativa en una historia colectiva donde son asignados desde la tensión entre lo individual y lo general.Ask the man who chooses to narrate. We propose a reading of Broken Idols semiotic shift from names in correspondence to identification narrative in a collective history which are allocated from the tension between individual and general

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