Psychological Casualties: War Neurosis, Rehabilitation, and the Family in Post–World War II New Zealand

2020 ◽  
Vol 22 (2) ◽  
pp. 1-25
Author(s):  
Tiffany Jenks ◽  
Angela Wanhalla
Author(s):  
Alistair Fox

This chapter analyses the earliest of the New Zealand coming-of-age feature films, an adaptation of Ian Cross’s novel The God Boy, to demonstrate how it addresses the destructive impact on a child of the puritanical value-system that had dominated Pākehā (white) society through much of the twentieth century, being particularly strong during the interwar years, and the decade immediately following World War II. The discussion explores how dysfunction within the family and repressive religious beliefs eventuate in pressures that cause Jimmy, the protagonist, to act out transgressively, and then to turn inwards to seek refuge in the form of self-containment that makes him a prototype of the Man Alone figure that is ubiquitous in New Zealand fiction.


Author(s):  
Thomas K Robb ◽  
David James Gill

By directly challenging existing accounts of post-World War II relations among the United States of America, the United Kingdom, Australia, and New Zealand, this book is a significant contribution to transnational and diplomatic history. At its heart, the book examines why strategic cooperation among these closely allied Western powers in the Asia-Pacific region was limited during the early Cold War. The book probes the difficulties of security cooperation as the leadership of these four states balanced intramural competition with the need to develop a common strategy against the Soviet Union and the new communist power, the People's Republic of China. It exposes contention and disorganization among non-communist allies in the early phase of containment strategy in Asia-Pacific. In particular, it notes the significance of economic, racial, and cultural elements to planning for regional security and highlights how these domestic matters resulted in international disorganization. The book shows that, amidst these contentious relations, the antipodean powers Australia and New Zealand occupied an important role in the region and successfully utilized quadrilateral diplomacy to advance their own national interests, such as the crafting of the 1951 ANZUS collective security treaty. As fractious as were allied relations in the early days of NATO, the book demonstrates that the post-World War II Asia-Pacific was as contentious, and that Britain and the commonwealth nations were necessary partners in the development of early global Cold War strategy.


Zootaxa ◽  
2010 ◽  
Vol 2349 (1) ◽  
pp. 39 ◽  
Author(s):  
JOHN S. BUCKERIDGE ◽  
WILLIAM A. NEWMAN

The Elminiinae, comprising the four-plated taxa Elminius Leach, 1825 (one species), Austrominius Buckeridge, 1983 (six species), †Matellionius Buckeridge, 1983 (one species), a new Oligocene genus, †Protelminius (one species), plus the six-plated Hexaminius Foster, 1982a (two species), is reviewed and current geographic distributions of its species updated. While originally restricted to southern Australia, New Zealand and southernmost South America, one species, A. modestus (Darwin, 1854), was introduced to England during World War II and is now more widely distributed in Europe. The status of four questionable species of Austrominius, currently attributed to a restricted region within South Australia, is discussed. A re-evaluation of the subfamily’s morphology, triggered by recent phylogenetic studies, suggests it be removed from the lower Balanoidea and placed closest to the lower Tetraclitoidea, i.e. to a position envisaged for Elminius s.l. in Darwin (1854). The fossil record of the revised Austrobalanidae is re-evaluated in light of palaeogeography, indicating that the family may have originated during the Eocene in waters off what is now the Antarctic Peninsula.


2019 ◽  
pp. 49-61
Author(s):  
Andrew Marble

Set in Pappenheim, Germany, in 1947, the chapter continues the theme of nature vs. nurture by introducing John Shalikashvili’s great aunt, Countess Julie Pappenheim. As European aristocracy, the countess symbolizes the rights and responsibilities of power and nobility (noblesse oblige) as well as the question of identity and commitment—all key themes for an officer, particularly one of foreign birth, rising through the US armed forces. It also touches upon John Shalikashvili’s troubled youth, outlines the continued struggles faced by the family as war refugees in post-World War II Germany, and introduces Dimitri Shalikashvili, John Shalikashvili’s father.


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