Composing in the Scent of Wood and Roses: Nicole Brossard’s Intertextual Encounters with Djuna Barnes and Gertrude Stein

1995 ◽  
Vol 21 (2) ◽  
pp. 206-225 ◽  
Author(s):  
Lianne Moyes
Keyword(s):  
Author(s):  
Beulah Maud Devaney

Mina Loy, born Mina Gertrude Lowry, (1882–1966), was a British artist, designer, model, novelist, nurse, playwright and poet, with ties to the Dadaist, Futurist and Surrealist moments. Loy was one of the first generation modernists and was close friends with many leaders of the movement including Djuna Barnes, T. S. Eliot, Ezra Pound, Gertrude Stein and William Carlos Williams. Her poetry was published in The Little Review and championed by Left Bank publisher Robert McAlmon. Mina Loy was born in London in 1882, the eldest daughter of Sigmund and Julia Bryant Lowry. In 1899, at the age of seventeen, Loy left school and moved to Munich to study art with the painter and graphic artist Angelo Jank. Jank, a member of the Munich Secession, introduced Loy to the work of newly emerging European thinkers, including Henri Bergson, Sigmund Freud and Friedrich Nietzsche.


Author(s):  
Robert Carlton Brown

This is the much-anticipated new edition of the important volume of avant-garde writing, Readies for Bob Brown's Machine. The original collection of Readies was published by Brown’s Roving Eye Press in 1931. Despite including works by leading modernist writers including Gertrude Stein, Ezra Pound, William Carlos Williams, Kay Boyle, F.T. Marinetti, and 35 other writers and artists, this volume has never been re-issued. Like the ‘talkies’ in cinema, Brown’s machine and the ‘readies’ medium he created for it proposed to revolutionise reading with technology by scrolling texts across a viewing screen. Apart from its importance to modernism, Brown’s research on reading seems remarkably prescient in light of text messaging, e-books, and internet media ecologies. Brown’s designs for a modernist style of reading, which emphasised speed, movement, and immediacy, required a complete re-design of reading and writing technology. Complete with a new Preface by Eric White and a new Introduction and a separate chapter on the contributors by Craig Saper, this critical facsimile edition restores to public attention the extraordinary experiments of writing readies for a reading machine.


Author(s):  
Joshua S. Walden

The first chapter examines musical portraits of literary figures. It first explores Virgil Thomson’s multiple works in the genre including his portrait of Gertrude Stein, to interpret the influence of Stein’s modernist literary portraits on Thomson’s compositions. It then turns to Pierre Boulez’s orchestral portrait Pli selon pli: portrait de Mallarmé. Analyzing Boulez’s incorporation of elements of Stéphane Mallarmé’s poetry as well as the complex and idiosyncratic theories regarding the relationship between poetry and music that Mallarmé developed in his essays. Through the discussion of these portraits, the chapter addresses the crucial role of language in the musical representation of identity.


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