In the Name of the (Dead) Father: Reading Fathers and Sons in Havelok the Dane, King Horn, and Bevis of Hampton

2011 ◽  
Vol 110 (1) ◽  
pp. 22-52
Author(s):  
Gary Lim
PMLA ◽  
1900 ◽  
Vol 15 (2) ◽  
pp. 221-232
Author(s):  
George H. McKnight

To the mass of romances current during the Middle English period of our literature, the contribution of purely Germanic tradition was a relatively meagre one. The spirit which had produced the earlier epic was at this time extinct. A solitary offshoot of the earlier epic seems to have survived in the story of the dragon-killing Wade with his famous boat, Guingelot. But even this story is lost to us save in occasional references, and from these we must infer that all definite idea of its origin was lost, since it is associated, now with Weyland, now with Horn and Havelok, now with Launcelot. To these earlier tales, such as those of Beowulf and possibly of Wade, having a popular, epic origin, succeeded in the Middle English period a mass of tales and romances of the most diverse origin imaginable. Even in the popular romances of Guy of Warwick and Bevis of Hampton, which are supposed to contain a kernel of genuine English tradition, the original story is almost lost amid the mass of mythical, imaginary, or purely conventional matter later added. The historical events in the lives of Waldef and Hereward are embellished with much of the conventional romantic matter, and the late romance of Richard Coeur de Lion consists very largely of the purely conventional.


Slavic Review ◽  
1962 ◽  
Vol 21 (3) ◽  
pp. 433-440 ◽  
Author(s):  
Victor Erlich

In a recent memoir Iurii Olesha, one of the most sophisticated Soviet prose writers, recalls a conversation he once had with V. E. Meyerhold regarding a film version of Turgenev's Fathers and Sons which the famous avant-garde director was then contemplating. “I asked him whom he had in mind for the part of Bazarov. He answered, ‘Mayakovsky'.“The resemblance between one of modern Russia's foremost poets and Turgenev's harshly antipoetic hero may not be immediately obvious. Yet a close look at Mayakovsky's poetry, especially at his earlier, Futurist lyrics, reveals the presence of what might be called the Bazarov syndrome. The tenor of these Surrealist urban still-lives (“Night,“ “Morning,” “The Street,” etc.), these impassioned lyrical manifestoes (“I,” “Man,” “A Cloud in Trousers“), is total negation of the status quo.


2020 ◽  
Vol 10 (2) ◽  
pp. 103-111
Author(s):  
Andrey K. Babin ◽  
Andrew R. Dattel ◽  
Margaret F. Klemm

Abstract. Twin-engine propeller aircraft accidents occur due to mechanical reasons as well as human error, such as misidentifying a failed engine. This paper proposes a visual indicator as an alternative method to the dead leg–dead engine procedure to identify a failed engine. In total, 50 pilots without a multi-engine rating were randomly assigned to a traditional (dead leg–dead engine) or an alternative (visual indicator) group. Participants performed three takeoffs in a flight simulator with a simulated engine failure after rotation. Participants in the alternative group identified the failed engine faster than the traditional group. A visual indicator may improve pilot accuracy and performance during engine-out emergencies and is recommended as a possible alternative for twin-engine propeller aircraft.


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