The German Woman

2020 ◽  
Vol 47 (3) ◽  
pp. 6-35
Author(s):  
Josie Sigler Sibara ◽  
Lori Ostlund
Keyword(s):  
Stanovnistvo ◽  
2016 ◽  
Vol 54 (2) ◽  
pp. 105-125
Author(s):  
Marija Brujic

Although according to some scholars, Serbia does not have great immigration potential, there is more and more research within social science?s framework about immigrants in Serbia. However, the majority of these papers focus on current ?migration crisis? and, in relation to this, asylum seekers and irregular migrants. Therefore, this paper has had manifold aims. Firstly, the paper has drawn attention to the anthropological study of foreigners who live and work in Serbia. Secondly, it has revealed some of the problems they had been confronted with in reality. Within this framework, the focus was on highly qualified female foreigners from the EU countries who came for love or/and work which is a topic that does not occupy a prominent place in anthropological research in Serbia. However, with regard to the EU-integration of Serbia and Europeanization of migratory policies, the research of personal experiences of foreigners living in Serbia could signify the gaps in migrants? integration policy and in the adaptation of migration strategies. Thus, in this research were used in-depth semi-structured interviews conducted in 2016 in Belgrade as a method of collecting data and the ?bottom-up? approach. As a result, in this paper were analyzed narratives of a German and a British woman about their everyday experiences connected with their residing and working status. Their narratives showed their struggle with Serbian bureaucracy and related to this, how they legalized their ?migratory status?. Furthermore, in the analysis of the micro context the term ?ethnography of particular? was used, an approach developed by Lila Abu-Lughod in order to, one the one hand, avoid generalization and, on the other, to focus on individual life histories, which is an approach usually used in socio-anthropological studies. In particular, the paper stresses the relevance of individual strategies used for regulation of residence of foreigners in Serbia. Both British and German woman are married to Serbs, have no children, speak The Serbian language, socialize mainly with the Serbs and live and work in Belgrade. While German woman came during Milosevic?s regime in 1999, the British woman came in 2002. Although they did not suffer from ?professional deskilling?, which is typical for female migration in general, they both had to prequalify in order to find a job in Serbia. However, they both found it was easier to regulate their residence status through family, not working, visa, especially before new legal documents concerning foreigners? status were introduced. For instance, the most important legal document adopted as part of EU-integration process are Law on Foreigners (2008), Law on Migration Management (2012) and Law on Employment and Work of Foreign Citizens (2014). Foreigners living in Serbia represent the important group as many of them either work or use their pensions in Serbia. Therefore, having in mind the importance of Europeanization of migratory strategies in Serbia within Europeanization of Serbia and EU-integration process in general and possible migration of EU nationals to Serbia, this paper discussed the importance of individual (working) migration to Serbia on a micro level.


2015 ◽  
Vol 33 (3) ◽  
pp. 494-495
Author(s):  
Robert Beachy
Keyword(s):  

1980 ◽  
Vol 40 (3) ◽  
pp. 167-177 ◽  
Author(s):  
G. W. Bornkamm ◽  
B. Kaduk ◽  
G. Kachel ◽  
U. Schneider ◽  
K. O. Fresen ◽  
...  

2019 ◽  
Vol 34 (2) ◽  
pp. 103-131
Author(s):  
Yosefa Loshitzky

One of the most engaging, yet controversial, public intellectuals of the twentieth century, Hannah Arendt continues to be attacked with the same venom and ferocity that followed the publication of Eichmann in Jerusalem: A Report on the Banality of Evil (1963) more than fifty years ago. This article discusses why Arendt remains such a divisive figure and why her intellectual legacy is still so unsettling, particularly for Zionists. The essay examines how these issues are represented, negotiated, and problematized in Margarethe von Trotta’s film Hannah Arendt (Germany/ Luxembourg/France, 2012). It explores how one of the most prominent contemporary feminist filmmakers, whose work celebrates the life and activism of revolutionary women from Rosa Luxemburg to Gudrun Ensslin from the Red Army Faction, transforms the “historical Arendt” into a “cinematic Arendt.” Although not a revolutionary in the tradition of Luxemburg, the German-Jewish political thinker Arendt is an interesting choice for a left-leaning, post-Holocaust German woman director. Yet Arendt presents a paradox for feminists due to the contradictions embedded in her works and public pronouncements. The article examines these contradictions and how Arendt emerges from this film, which attempts to portray a politically engaged intellectual woman, a figure that is almost entirely absent from the film screen.


1988 ◽  
Vol 4 (13) ◽  
pp. 53-63
Author(s):  
Rustom Bharucha

In the earlier instalments of this series of articles, published in NTQ 11 and 12, Rustom Bharucha described. first, how he and fellow director Manuel Lutgenhorst became fascinated with the idea of transposing Franz Xaver Kroetz's play without words. Request Concert, about the last evening in the life of a very ordinary German woman. into a variety of social contexts in his native India. He then provided detailed descriptions of the productions as realized under their direction in Calcutta and Bombay, revealing the very difficult kinds of insight they offered both into the theatrical potential of the play, and the different natures of the urban societies to which it was being adapted. The performances of Usha Ganguli in Calcutta and of Sulabha Deshpande in Bombay – themselves strongly contrasting both in actorly approach and in realization – were followed in Madras, in a production by Lutgenhorst. by the very different interpretation of the dancer Chandralekha, who brought to the play the energies and disciplines of Bharat Natyam. revealing yet other stylistic possibilities and sustaining a creative tension between these possibilities and the surface realism of the play.


Sign in / Sign up

Export Citation Format

Share Document