Facing the Camera: Black Actors and Direct Address in Independent Films of the 1960s

2019 ◽  
Vol 59 (1) ◽  
pp. 66-88
Author(s):  
Katherine Kinney
Keyword(s):  
Independent Films ◽  
Direct Address ◽  
The 1960S ◽  
Black Actors

West Indian Interventions at the BBC

2017 ◽  
Author(s):  
Amanda Bidnall
Keyword(s):  
West Indian ◽  
Black British ◽  
Caribbean Culture ◽  
Culture History ◽  
The 1960S ◽  
The Voice ◽  
Black Actors

“West Indian interventions at the BBC” examines the Corporation’s sponsorship of and collaborations with Trinidadian singer Edric Connor, Trinidadian talent agent Pearl Connor, and British Guianese actor and singer Cy Grant. Edric Connor used the BBC’s mandate to educate and uplift viewer and listeners to promote Caribbean culture, history and artists. Pearl Connor channelled the Corporation’s demand for colonial talent into the business of professionalizing and directing West Indian performers in London. She created opportunities for her clients by helping expand their niche and persuading producers to cast black actors in a wider range of roles. Cy Grant had the voice, looks, and charm to secure a long-running presence on the Tonight program. Their success highlights a moment when the BBC was open to a progressive vision of the nation’s future. Ultimately, however, the cultural priorities of these artists diverged from the Corporation, a fact that was strikingly apparent by the 1960s. Only then did the disillusionment so characteristic of later generations of ‘black British’ artists become pronounced.

Independents in Black and White 1961–1967

2020 ◽  
pp. 163-196
Author(s):  
Kevin Whitehead
Keyword(s):  
Art Music ◽  
Cultural Appropriation ◽  
Independent Films ◽  
Black And White ◽  
Duke Ellington ◽  
Jazz Musician ◽  
After Hours ◽  
The Caribbean ◽  
Charlie Parker ◽  
The 1960S

In the 1960s, jazz is increasingly viewed as art music as opposed to popular music, and now it inspires art movies not pop entertainments: a wave of low-budget independent films in black and white. This chapter limns the influence of filmmaker John Cassavetes, via his low-budget film Shadows, and looks at how the director’s jazz story Too Late Blues is really a meditation on his film career. Two English films are discussed, one a horror anthology in which a jazz musician visiting the Caribbean engages in reckless cultural appropriation; the other is a jazz version of Othello featuring a Duke Ellington character. Ellington himself, as soundtrack composer, hijacks the ending of a studio jazz picture. Sammy Davis Jr. shoots a gritty jazz film after hours while starring on Broadway and comedian Dick Gregory plays a fictionalized Charlie Parker.

The Genesis and Internal Dynamics of El Salvador's People's Revolutionary Army, 1970–1976

2014 ◽  
Vol 38 (01) ◽  
pp. 102-129
Author(s):  
ALBERTO MARTÍN ÁLVAREZ ◽  
EUDALD CORTINA ORERO
Keyword(s):  
Latin America ◽  
El Salvador ◽  
Early Years ◽  
Left Wing ◽  
Internal Dynamics ◽  
Internal Coherence ◽  
The 1960S

AbstractUsing interviews with former militants and previously unpublished documents, this article traces the genesis and internal dynamics of the Ejército Revolucionario del Pueblo (People's Revolutionary Army, ERP) in El Salvador during the early years of its existence (1970–6). This period was marked by the inability of the ERP to maintain internal coherence or any consensus on revolutionary strategy, which led to a series of splits and internal fights over control of the organisation. The evidence marshalled in this case study sheds new light on the origins of the armed Salvadorean Left and thus contributes to a wider understanding of the processes of formation and internal dynamics of armed left-wing groups that emerged from the 1960s onwards in Latin America.

Improving x-ray map resolution with image restoration techniques

1996 ◽  
Vol 54 ◽  
pp. 598-599
Author(s):  
Richard B. Mott ◽  
John J. Friel ◽  
Charles G. Waldman
Keyword(s):  
Image Restoration ◽  
Hubble Space Telescope ◽  
Extensive Literature ◽  
Small Object ◽  
X Rays ◽  
X Ray ◽  
Mapping Parameters ◽  
The Matrix ◽  
The 1960S ◽  
Map Resolution

X-rays are emitted from a relatively large volume in bulk samples, limiting the smallest features which are visible in X-ray maps. Beam spreading also hampers attempts to make geometric measurements of features based on their boundaries in X-ray maps. This has prompted recent interest in using low voltages, and consequently mapping L or M lines, in order to minimize the blurring of the maps.An alternative strategy draws on the extensive work in image restoration (deblurring) developed in space science and astronomy since the 1960s. A recent example is the restoration of images from the Hubble Space Telescope prior to its new optics. Extensive literature exists on the theory of image restoration. The simplest case and its correspondence with X-ray mapping parameters is shown in Figures 1 and 2.Using pixels much smaller than the X-ray volume, a small object of differing composition from the matrix generates a broad, low response. This shape corresponds to the point spread function (PSF). The observed X-ray map can be modeled as an “ideal” map, with an X-ray volume of zero, convolved with the PSF. Figure 2a shows the 1-dimensional case of a line profile across a thin layer. Figure 2b shows an idealized noise-free profile which is then convolved with the PSF to give the blurred profile of Figure 2c.

Ways and Voices in the Psychoanalysis of Links According to Enrique Pichon-Rivière

2016 ◽  
Vol 6 (2) ◽  
Author(s):  
Rosa Jaitin
Keyword(s):  
Couple Therapy ◽  
Clinical Observation ◽  
Clinical Work ◽  
The Core ◽  
The Social ◽  
The 1960S ◽  
Definition Of ◽  
Relationship Of ◽  
The Voice ◽  
Different Levels

This article covers several stages of the work of Pichon-Rivière. In the 1950s he introduced the hypothesis of "the link as a four way relationship" (of reciprocal love and hate) between the baby and the mother. Clinical work with psychosis and psychosomatic disorders prompted him to examine how mental illness arises; its areas of expression, the degree of symbolisation, and the different fields of clinical observation. From the 1960s onwards, his experience with groups and families led him to explore a second path leading to "the voices of the link"—the voice of the internal family sub-group, and the place of the social and cultural voice where the link develops. This brought him to the definition of the link as a "bi-corporal and tri-personal structure". The author brings together the different levels of the analysis of the link, using as a clinical example the process of a psychoanalytic couple therapy with second generation descendants of a genocide within the limits of the transferential and countertransferential field. Body language (the core of the transgenerational link) and the couple's absences and presence during sessions create a rhythm that gives rise to an illusion, ultimately transforming the intersubjective link between the partners in the couple and with the analyst.

Zoya Il'inichna Glezer – life and scientific achievements

2019 ◽  
pp. 318-323
Author(s):  
Zinaida V. Pushina ◽  
Galina V. Stepanova ◽  
Ekaterina L. Grundan
Keyword(s):  
Western Siberia ◽  
Kara Sea ◽  
European Russia ◽  
Great Contribution ◽  
The South ◽  
The Creation ◽  
The 1960S ◽  
Scientific Achievements ◽  
South Of European Russia

Zoya Ilyinichna Glezer is the largest Russian micropaleontologist, a specialist in siliceous microfossils — Cenozoic diatoms and silicoflagellates. Since the 1960s, she systematically studied Paleogene siliceous microfossils from various regions of the country and therefore was an indispensable participant in the development of unified stratigraphic schemes for Paleogene siliceous plankton of various regions of the USSR. She made a great contribution to the creation of the newest Paleogene schemes in the south of European Russia and Western Siberia, to the correlations of the Paleogene deposits of the Kara Sea.

A note on John Hawkins (1761–1841) and the Hawkins archive

2000 ◽  
Vol 27 (2) ◽  
pp. 261-268
Author(s):  
R. J. CLEEVELY
Keyword(s):  
Major Part ◽  
Reference Lists ◽  
The West ◽  
History Of ◽  
The 1960S

A note dealing with the history of the Hawkins Papers, including the material relating to John Hawkins (1761–1841) presented to the West Sussex Record Office in the 1960s, recently transferred to the Cornwall County Record Office, Truro, in order to be consolidated with the major part of the Hawkins archive held there. Reference lists to the correspondence of Sibthorp-Hawkins, Hawkins-Sibthorp, and Hawkins to his mother mentioned in The Flora Graeca story (Lack, 1999) are provided.

A history of botanical collections in the Luangwa Valley, Zambia

1998 ◽  
Vol 25 (2) ◽  
pp. 283-291
Author(s):  
P.S.M. PHIRI ◽  
D.M. MOORE
Keyword(s):  
Eighteenth Century ◽  
Environmental Impact ◽  
Impact Assessment ◽  
Vascular Plants ◽  
Central Africa ◽  
Peak Activity ◽  
Historical Account ◽  
History Of ◽  
The 1960S ◽  
Made In

Central Africa remained botanically unknown to the outside world up to the end of the eighteenth century. This paper provides a historical account of plant explorations in the Luangwa Valley. The first plant specimens were collected in 1897 and the last serious botanical explorations were made in 1993. During this period there have been 58 plant collectors in the Luangwa Valley with peak activity recorded in the 1960s. In 1989 1,348 species of vascular plants were described in the Luangwa Valley. More botanical collecting is needed with a view to finding new plant taxa, and also to provide a satisfactory basis for applied disciplines such as ecology, phytogeography, conservation and environmental impact assessment.

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