Brazil on Screen: Cinema Novo, New Cinema, Utopia (review)

2010 ◽  
Vol 49 (4) ◽  
pp. 169-171
Author(s):  
Lisa Shaw
Keyword(s):  
New Cinema

scholarly journals Cultural discourses and practices of institutionalised diversity in the UK film sector: ‘Just get something black made’

2018 ◽  
Vol 66 (6) ◽  
pp. 1111-1127 ◽  
Author(s):  
Clive James Nwonka ◽  
Sarita Malik
Keyword(s):  
Social Inclusion ◽  
Racial Diversity ◽  
Institutional Diversity ◽  
Cultural Discourses ◽  
Black British ◽  
Funding Mechanism ◽  
British Cinema ◽  
Diversity Agenda ◽  
New Cinema ◽  
The Uk

‘Diversity’ is an evolving dimension of discursive debates within publicly funded parts of the UK media. This article considers how representations of racial diversity in cinema were articulated in a particular moment in recent history. It traces the relationship between the broader New Labour neoliberal agenda of the late 1990s and the UK Film Council’s (UKFC) New Cinema Fund, the key funding mechanism for supporting black British cinema at the time. The authors suggest that the New Cinema Fund’s ‘institutional diversity’ agenda represented a symbolic effort by both the UKFC and UK public service broadcasters to redevelop black British film vis-a-vis a plethora of cultural imperatives oriented around the notion of ‘social inclusion’. The nature of this intervention, it is argued, was strongly influenced by the 1999 Macpherson Report, which identified ‘institutional racism’ within the fabric of the UK’s organisations. The article examines how such an ‘institutional diversity’ agenda emerged within the production context of a BBC Film/UKFC production, Bullet Boy (2005), thus generating a rearticulated black British cinema that was deeply imbricated in the highly politicised contexts outlined.

Introduction: Movie Magazines, Digitization and New Cinema History

2020 ◽  
pp. 1-13
Author(s):  
Daniel Biltereyst ◽  
Lies Van de Vijver
Keyword(s):  
New Cinema

scholarly journals New Cinema History in the Low Countries and Beyond

2018 ◽  
Vol 21 (1) ◽  
pp. 10
Author(s):  
Thunnis Van Oort ◽  
Clara Pafort-Overduin
Keyword(s):  
Low Countries ◽  
New Cinema

Editorial.

Argentine Cinema, 1973–1976

2018 ◽  
Author(s):  
Carolina Rocha
Keyword(s):  
New Cinema

This chapter documents the changes and continuity in legislation regulation Argentine filmmaking. As the revolución argentina came to an end in 1973, a new cinema law was signed on February 21. Law 20,170 of Promotion and Industrial Recuperation which replaced Law 17,741 was implemented on May 14, 1968 would remain in use until 1994. Despite the return of General Perón and democracy, filmmakers faced increasing problems as censorship continued to be implemented and the NIC lacked directors who could develop long-term policies. I also highlight the achievements of Argentine cinematography abroad. Finally, I contextualize the crisis of Argentine cinematography in 1976.

Sign in / Sign up

Export Citation Format

Share Document