Anatomy of Wonder: An Historical Survey and Critical Guide to the Best of Science Fiction, and: Images in a Crystal Ball: World Futures in Novels for Young People, and: Science Fiction: Its Criticism and Teaching, and: The Literature of Fantasy: A Comprehensive, Annotated Bibliography of Modern Fantasy Fiction, and: Fantasy for Children: An Annotated Checklist (review)

1982 ◽  
Vol 7 (4) ◽  
pp. 29-30
Author(s):  
Margaret Esmonde
Keyword(s):  
Young People ◽  
Science Fiction ◽  
Annotated Bibliography ◽  
Historical Survey ◽  
Crystal Ball ◽  
Fantasy Fiction ◽  
Annotated Checklist

scholarly journals Fantasy in Literature: A Symbiotic Relation to the Real

Pravaha ◽  
2020 ◽  
Vol 26 (1) ◽  
pp. 119-123
Author(s):  
Lekha Nath Dhakal
Keyword(s):  
Twentieth Century ◽  
Science Fiction ◽  
Real World ◽  
Fairy Tales ◽  
External Reality ◽  
The Real ◽  
Fantasy Fiction ◽  
Fantastic Fiction ◽  
Artistic Representation ◽  
Symbiotic Relation

This article attempts to explore the use of fantasy in literature and how it has attained the position of a literary category in the twentieth century. This work also concerns how as the form literature, it functions between wonderful and imitative to combine the elements of both. The article reveals that wonderful represents supernatural atmospheres and events. The story-telling is unrealistic which represents impossibility as it creates a wonderland. In the imitative or the realistic mode, the narrative imitates external reality. In it, the characters and situations are ordinary and real. Fantasy in literature does not escape the reality. It occurs in an interdependent relation to the real. In other words, the fantastic cannot exist independently of the real world that limits it. The use of fantastic mode in literature interrupts the conventional artistic representation and reproduction of perceivable reality. It embodies the reality and transgresses the standards of literary forming. It normally includes a variety of fictional works which use the supernatural and actually natural as well. The developers of fantasy fiction are fairy tales, science fiction about future wars and future world. A major instinct of fantastic fiction is the violence threatened by capitalist violation of personality that is spreading universally.

scholarly journals THE ADVANCEMENT OF ARTIFICIAL INTELLIGENCE A WAY TO MAN AND MACHINE IN COMBAT IN TIME MACHINE AND I ROBOT

2019 ◽  
Vol 6 (1) ◽  
pp. 14-16
Author(s):  
Sumathi R ◽  
Sutharshan V
Keyword(s):  
Artificial Intelligence ◽  
Science Fiction ◽  
20Th Century ◽  
Scientific Knowledge ◽  
The Other ◽  
Time Machine ◽  
General Outline ◽  
Fantasy Fiction ◽  
Research Article ◽  
Future Events

Science fiction has proved notoriously difficult to define. It can be explained as a combination of science and technology and development in robotics in short it can be otherwise called as ‘realistic speculation about future events and a genre based on an imagined alternative to the reader's environment. It has been called a form of fantasy fiction and an historical literature. The paper goes further with two main concepts one with clash between two people of future and the other with advancement of science particularly on robotics. First is about general outline to science fiction in short a (SF) a genre cause problem because itdoes not recognize the hybrid nature of many SF works. It is more helpful to think of it as a mode or field where different genres and subgenres intersect. And then there is the issue of science. In the early decades of the 20th century, a number of writers attempted to tie this fiction to science and event to use it as a means of promoting scientific knowledge, a position which continues into what has become known as ‘hard SF’. The research article is completely based on advancement of science and its effects.

scholarly journals MITOLOGÍA Y CIENCIA FICCIÓN: EL CASO DE MYTHS OF THE NEAR FUTURE DE JAMES G. BALLARD

2022 ◽  
pp. 793-815
Author(s):  
Juan VARO ZAFRA
Keyword(s):  
Science Fiction ◽  
Theoretical Framework ◽  
Literature And Science ◽  
Fantasy Fiction ◽  
Theoretical Assumptions ◽  
Narrative Production ◽  
Near Future ◽  
The Relationship ◽  
Short Narrative ◽  
The Way

La relación entre mitología y ciencia ficción es paradójica: si, teóricamente, la ciencia ficción se presenta como opuesta del mito; en su producción narrativa recurre frecuentemente a personajes y esquemas míticos, materializando su dimensión prospectiva a través de la actualización evemerista o alegórica de mitos. Este trabajo revisa críticamente los presupuestos teóricos que escinden la literatura de ciencia ficción de los relatos míticos y la literatura fantástica. A continuación, analizaremos el modo en que James G. Ballard afronta esta cuestión en su narrativa breve, particularmente en Myths of the Near Future, que sobrepasa estas diferencias y plantea un nuevo marco teórico común entre literatura fantástica y mítica y la ciencia ficción. Abstract: The relationship between mythology and science fiction is paradoxical: if, theoretically, science fiction is presented as the opposite of myth; in its narrative production, science fiction frequently resorts to mythical characters and schemes, materializing their prospective dimension through the evemerist or allegorical updating of myths. This work critically reviews the theoretical assumptions that divide science fiction literature from mythical stories and fantasy fiction. Next, it analyzes the way in which James G. Ballard addresses this question in his short narrative, particularly in Myths of the Near Future, which goes beyond these differences and raises a new common theoretical framework between fantasy and mythical literature and science fiction.

scholarly journals Proyeksi Astral: Analisis Wacana Fiksi Posmodern dalam Naskah Film Insidious

2017 ◽  
Vol 5 (1) ◽  
pp. 51
Author(s):  
Ramis Rauf
Keyword(s):  
Discourse Analysis ◽  
Science Fiction ◽  
Death And Dying ◽  
Physical Body ◽  
Fantasy Fiction ◽  
Postmodern Fiction ◽  
Good Story ◽  
Spirit World ◽  
Movie Script

This study aims to analyze astral projection as a concept of Death and Dying by using a postmodern fiction discourse analysis perspective in Insidious movie script. This study found that astral projection is a capability possessed by a person to leave physical body and explore an astral world or the spirit world. Astral projection is a death and dying concept that is presented as one of the postmodern fictional strategies known as superimposition. This strategy illustrates that there are two worlds that accumulate and co-exist with each other. Its presence is a way of deconstructing thoughts about something that is considered uncanny and unusual as well as a counterpart of totality that puts the ontological side of the existence of something. It is said by McHale (1987) that it is a sister-genre of postmodern fiction. Science fiction explores ontological issues in order to build a good story while postmodern fiction simply presents the problem without having to build a story. Furthermore, both genres can adopt each other's strategies. Meanwhile, postmodern fictional relations and fantasy fiction are the same, borrowing strategies for exploring ontological issues.

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