Practices of Freedom: Lorraine Hansberry, Freedom Writer

Callaloo ◽  
2017 ◽  
Vol 40 (2) ◽  
pp. 157-173
Author(s):  
Soyica Colbert
Author(s):  
Anthony B. Pinn

This chapter explores the history of humanism within African American communities. It positions humanist thinking and humanism-inspired activism as a significant way in which people of African descent in the United States have addressed issues of racial injustice. Beginning with critiques of theism found within the blues, moving through developments such as the literature produced by Richard Wright, Lorraine Hansberry, and others, to political activists such as W. E. B. DuBois and A. Philip Randolph, to organized humanism in the form of African American involvement in the Unitarian Universalist Association, African Americans for Humanism, and so on, this chapter presents the historical and institutional development of African American humanism.


2021 ◽  
Vol 73 (1) ◽  
pp. 87-89
Author(s):  
Dana A. Williams
Keyword(s):  

Author(s):  
Sean L. Malloy

This chapter examines the intersection of the domestic and international developments that shaped the creation of black-led movements that looked beyond the borders of the United States for support and legitimacy in the 1960s. By the mid-1960s, the notion that black Americans should seek solidarity with the Third World rather than looking to Washington for help had attracted advocates ranging from Williams to Malcolm X, Lorraine Hansberry, Amiri Baraka, Vicki Garvin, Harold Cruse, and groups such as the Revolutionary Action Movement (RAM). The successes—and failures—of these pioneering figures helped pave the way for a new generation of activists, including key figures in the birth and development of the Black Panther Party.


Acta Poética ◽  
2019 ◽  
Vol 41 (1) ◽  
pp. 115
Author(s):  
Maryam Jalali Farahani ◽  
Fazel Asadi Amjad ◽  
Mohsen Hanif ◽  
Tahereh Rezaei

Henry Louis Gates has taken Saussure’s term “signifying” and redefined it as a linguistic wordplay which postpones the delivery of meaning and believes in “double-voicedness”, this means to speak both the language of the dominant culture and that of the subordinated one. He also asserts “double-voicedness” as the epitome of “Signifyin (g)”. This paper intends to apply the notions of “Double-voicedness” and “Signifyin (g)” on the manuscript of Les Blancs, written by Lorraine Hansberry, and highlights the anti-colonial aspects of the play.


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