Reading Contemporary African American Literature: Black Women’s Popular Fiction, Post-Civil Rights Experience, and the African American Canon by Beauty Bragg

Callaloo ◽  
2016 ◽  
Vol 39 (3) ◽  
pp. 702-704
Author(s):  
Amanda Licato
Keyword(s):  
African American ◽  
Civil Rights ◽  
American Literature ◽  
African American Literature ◽  
Popular Fiction ◽  
Post Civil Rights

“Katrina is the Mother We Will Remember Until the Next Mother”

2019 ◽  
pp. 61-90
Author(s):  
Cameron Leader-Picone
Keyword(s):  
African American ◽  
Civil Rights ◽  
American Literature ◽  
Hurricane Katrina ◽  
African American Literature ◽  
Structural Racism ◽  
Civil Rights Era ◽  
Early Twenty ◽  
The Social ◽  
Long Division

This chapter analyzes representations of Hurricane Katrina in African American literature to argue that the storm served to illustrate the entrenchment of structural racism and the importance of a specifically racialized tradition in African American literature. Adopting the theoretical framework of “slow violence,” the chapter analyzes two novels which depict both the storm and its aftermath: Jesmyn Ward’s Salvage the Bones (2011) and Kiese Laymon’sLong Division (2013). In the context of the early twenty-first century, these representations of Katrina do not displace the social advancements of African Americans but instead force recognition of the incompleteness not only of specific political battles but also of ongoing race, gender, and class-based narratives, thereby questioning the optimism of a rhetoric of post-Blackness. In particular, the novels establish continuity between Civil Rights Era traumas and struggles and Hurricane Katrina to push against a rhetoric focused on the transcendence of the past.

From Absence to Flight

2018 ◽  
Author(s):  
Terrence T. Tucker
Keyword(s):  
African American ◽  
African Americans ◽  
Civil Rights ◽  
American Literature ◽  
Civil Rights Movement ◽  
Black Power ◽  
African American Literature ◽  
Slave Narratives ◽  
Black Power Movement

This chapter explores radicalization of comic rage in Douglas Turner Ward’s Day of Absence and Ishmael Reed’s Flight to Canada. Emerging in the middle of the transition from the integrationist period of the civil rights movement to the nationalism of the Black Power movement, both works openly challenge fundamental concepts about race. In addition to targeting fundamental assumptions of Western superiority, these works also question simplistic counter-representations that African Americans present to combat racist stereotypes. Using forms increasingly important in African American literature, like drama and neo-slave narratives, these works enact comic rage as way to depict unique and powerful forms of resistance.

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