Beauty Mark: A Verse Novel of Marilyn Monroe by Carole Boston Weatherford

2020 ◽  
Vol 74 (1) ◽  
pp. 56-57
Author(s):  
Elizabeth Bush
Keyword(s):  
Marilyn Monroe ◽  
Verse Novel

: Marilyn Monroe . Joan Mellen.

1974 ◽  
Vol 27 (3) ◽  
pp. 55-56
Author(s):  
Ernest Callenbach
Keyword(s):  
Marilyn Monroe

EL ESPEJO ES MÁGICO COMO EN EL CINE: MARILYN MONROE EN EL DIVÁN

Altamira CUT ◽  
2015 ◽  
Vol 2 (8) ◽  
pp. 58-67
Author(s):  
NATALIA RIVERA LUGO
Keyword(s):  
Marilyn Monroe

Autopsie d'un mythe : Marilyn Monroe

1980 ◽  
Vol 46 (1) ◽  
pp. 85-99
Author(s):  
Noëlle de Chambrun
Keyword(s):  
Marilyn Monroe

Unmasking the Icon: Marlene Dumas’ Liminal Portraits

2019 ◽  
Author(s):  
Timea Andrea Lelik
Keyword(s):  
Contemporary Culture ◽  
Mary Magdalene ◽  
Cultural Images ◽  
Marilyn Monroe

Marlene Dumas’ unrecognizable depictions of iconic figures such as Mary Magdalene or Marilyn Monroe make up some of her active commentary on the role and functioning of cultural icons in contemporary culture. Analyzing the meaning of “iconic portraits,” the author will evidence the manner in which Dumas unmasks the fact that cultural images represent collectively created stereotypical identities. By referencing the concept of “liminality” I argue that Dumas depicts these iconic subjects is in a state of transition and “in-betweenness” that functions as process of rewriting the subjectivity of the depicted characters.

Marilyn Monroe: Soldier in Greasepaint

2014 ◽  
Vol 33 (1) ◽  
pp. 209-225 ◽  
Author(s):  
Kristi Good
Keyword(s):  
Marilyn Monroe

The Verse Novel: A Modern American Poetic Genre

1989 ◽  
Vol 51 (1) ◽  
pp. 57 ◽  
Author(s):  
Patrick D. Murphy
Keyword(s):  
Verse Novel

Aventure du côté du carnaval: Vie et mort du Roi Boiteux

1992 ◽  
Vol 17 (3) ◽  
pp. 203-216
Author(s):  
Louise Vigeant
Keyword(s):  
Club Foot ◽  
Full Length ◽  
Richard Iii ◽  
The World ◽  
The Subject ◽  
Marilyn Monroe

Jean-Pierre Ronfard's Vie et mort du Roi Boiteux, an impressive six-play cycle telling the story of King Richard ‘Premier’ (i.e. ‘The First’, but Premier is meant here as a family name, as would be Jones or Smith), was created in 1981 and has been seen ever since as a landmark in the recent evolution of Québécois drama. It starts out as games played by children in a back lane and focuses on a limping boy who will be king. The limping king whose story is told as a ‘play-within-a-play’ refers to Oedipus's club foot as well as to Shakespeare's deformed Richard III. The story is heavily parodic, set simultaneously in all parts of the world and at all times, so that Marilyn Monroe and Queen Nefertiti can meet, as well as Brecht and Aristotle. Each play has been staged separately, but the full cycle was occasionally done in succession, a spectacular event lasting fifteen hours. The subject of this article is the very first full-length production, done partly outdoors, on 24 June 1982, in Montreal.

Sign in / Sign up

Export Citation Format

Share Document