Habsburgs 'Dark Continent'. Postkoloniale Lektüren zur österreichischen Literatur und Kultur im langen 19. Jahrhundert by Clemens Ruthner

2019 ◽  
Vol 27 (1) ◽  
pp. 258-260
Author(s):  
Gilbert Carr
Keyword(s):  
Dark Continent

Shedding Light on the "Dark Continent"

1987 ◽  
Vol 32 (3) ◽  
pp. 234-236
Author(s):  
Alexandra G. Kaplan
Keyword(s):  
Dark Continent

scholarly journals The Geology of Portuguese Nyasaland

1922 ◽  
Vol 59 (5) ◽  
pp. 200-212
Author(s):  
Robert R. Walls
Keyword(s):  
Indian Ocean ◽  
East Africa ◽  
The South ◽  
The North ◽  
Dark Continent ◽  
The Indian Ocean

Portuguese Nyasaland is the name given to the most northern part of Portuguese East Africa, lying between Lake Nyasa and the Indian Ocean. It is separated from the Tanganyika territory in the north by the River Rovuma and from the Portuguese province of Mozambique in the south by the River Lurio. The territory measures about 400 miles from east to west and 200 miles from north to south and has an area of nearly 90,000 square miles. This territory is now perhaps the least known part of the once Dark Continent, but while the writer was actually engaged in the exploration of this country in 1920–1, the Naval Intelligence Division of the British Admiralty published two handbooks, the Manual of Portuguese East Africa and the Handbook of Portuguese Nyasaland, which with their extensive bibliographies contained practically everything that was known of that country up to that date (1920). These handbooks make it unnecessary in this paper to give detailed accounts of the work of previous explorers.

An Afrocentric Re-storying of Africa’s Struggle for Emancipation in Ngugi’s Selected Novels

2021 ◽  
Vol 2 (1) ◽  
pp. 117-130
Author(s):  
M. Mogoboya
Keyword(s):  
Research Design ◽  
Textual Analysis ◽  
Primary Data ◽  
Exploratory Research ◽  
Correct Version ◽  
Purposive Sampling ◽  
African Identity ◽  
Dark Continent ◽  
Liberation Struggle

The story of African liberation struggle has, over many years, been related in a colonial and neo-colonial manner by the imperial powers, with Africa delineated as a dark continent and Europe as a civilised one. This article, therefore, strives to disrupt this oppressive narrative by painting the correct version through Ngugi's A Grain of Wheat (1967) (AGW) and Matigari (1987). Kenya is used as a microcosm of the entire Africa in these novels. Furthermore, the study is a qualitative recounting of the African liberation struggle which is underpinned by Afrocentricity as an emancipatory theoretical strand. Purposive sampling, guided by exploratory research design, was employed to select the two texts by Ngugi because of their appositeness to the study. Narrative textual analysis was used to interpret the two novels as primary data. Ngugi conscientises Africans about their African liberation history in order for them to cultivate a true African identity (Biko,1978).

Reimagining the colonial wilderness: ‘Africa’, imperialism and the geographical legerdemain of the Vorrh

2018 ◽  
Vol 26 (2) ◽  
pp. 177-194 ◽  
Author(s):  
Robert A. Saunders
Keyword(s):  
Popular Culture ◽  
Joseph Conrad ◽  
Speculative Fiction ◽  
African Continent ◽  
Empirical Examination ◽  
Garden Of Eden ◽  
Dark Continent ◽  
Western Imagination ◽  
Popular Geopolitics ◽  
And Performance

Novelists and other cultural producers have long employed the African continent as a palimpsest to construct fantastical tales. From Sir John Mandeville to Joseph Conrad, Africa’s blank spaces on the map have been filled with monstrous creatures that fuel the western imagination. As a consequence, this constant othering of the so-called ‘Dark Continent’ has had a deleterious impact for African states and their citizenries, as spectacularly evidenced in U.S. President Donald Trump’s now-infamous labelling of the entire continent as a host of ‘shithole countries’. This article wrestles with the continuation of this trend in popular culture via an empirical examination of the speculative fiction of the British novelist and performance artist, B. Catling. Publishing in 2015, The Vorrh is the first of the three novels set in a parallel Africa, specifically a former German colony that is home to remnants of the Garden of Eden. Focusing on the enchanted forest known as the Vorrh and the colony’s (fictional) capital, Essenwald, this article employs methods drawn from geocriticism and popular geopolitics to interrogate Catling’s built-world. This is done with the aim of connecting structures of iteration in the representation of fictional ‘Africas’ to the West’s imperially inflected geopolitical codes towards the actual physical and human geographies that constitute the world’s second largest and most populous continent.

Africa Becomes Alive

1935 ◽  
Vol 118 (12) ◽  
pp. 331-344
Author(s):  
Alice G. Condon
Keyword(s):  
Seventh Grade ◽  
Dark Continent

A seventh grade class in geography rediscovers the Dark Continent by following its animal trails.

Floodlighting “The Dark Continent”

1956 ◽  
Vol 47 (3) ◽  
pp. 100-103
Author(s):  
H. Phillip Bacon
Keyword(s):  
Dark Continent

Orishatukeh Faduma and the New Theology

1994 ◽  
Vol 63 (1) ◽  
pp. 60-80 ◽  
Author(s):  
Moses Nathaniel Moore
Keyword(s):  
Nineteenth Century ◽  
Historical Development ◽  
Christian Ethics ◽  
Comparative Religion ◽  
Religion And Science ◽  
Historical Significance ◽  
Dark Continent ◽  
Theological Orientation ◽  
The Times ◽  
First Time

In 1890 theBoston Heraldcarried the following review of an article entitled “Thoughts for the Times or The New Theology”: “A curiosity is a paper by a native African, Orishatukeh Faduma, on ‘Thoughts for the Times,’ by which he means the new theology. This is the first time that a criticof the new theology has turned up from the dark continent, and is a curious and significant paper. When a native can write like this on subjects in which he has been obliged to educate himself, it means that we are to say nothing more against the intelligence of the African race.” While correct in noting the historical significance of Faduma's efforts, the reviewer's condescension disclosed his failure to appreciate and understand the sophistication and depth of Faduma' theological analysis and agenda. Faduma's critique of elements of the New Theology did not entail his rejection of this controversial theological synthesis which emerged during the last quarter of the nineteenth century. Rather, his comments on religion and science, the historicalcritical method, comparative religion, missiology, the historical development of Christianity, and Christian ethics reveal that he essentially shared the theological orientation of its formulators.

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