scholarly journals Rape in the Courts of Gusiiland, Kenya, 1940s–1960s

2008 ◽  
Vol 51 (2) ◽  
pp. 27-50 ◽  
Author(s):  
Brett L. Shadle

Abstract:This article examines the history of rape prosecutions in the African courts of Gusiiland, Kenya, from the 1940s through the first years of independence. Drawing on transcripts from African courts, it demonstrates that Gusii court elders were quite sympathetic to women who lodged rape claims. Elders handed down stiff punishments to rapists, were willing to entertain a wide definition of “indecent assault,” and did not require the extensive evidence of rape so commonly demanded by judges in Western courts (and in British courts in Kenya). Perhaps most surprisingly, men who admitted to having had sex but claimed it had been consensual were forced to prove their claims. This article advances both the historical study of rape in Africa and suggests that we reassess—or at least reserve judgment—on the nature of sexual violence in the non—West.

2021 ◽  

Estimated at numbering between eight and nine thousand, parish churches containing at least some medieval building fabric are ubiquitous in the English landscape. Yet, despite their quotidian familiarity, parish churches have not, by and large, been treated consistently or systematically as deserving of the attention of art historical study. This collection of essays comes out of a conference held at the Courtauld Institute of Art in June 2017 and focuses on the two centuries between 1200 and 1399. This period represents the most notable lacuna in scholarship, even though the parish church was fully solidified as an administrative category and arguably as a building type. Compared with the smaller corpus of the Romanesque period or the late medieval church after 1400, which draws on greater availability of documentary evidence in the form of churchwarden accounts, these two centuries have been historically understudied. The ten diverse essays contained within this volume explore the art and architecture of parish churches through a variety of lenses, methodologies, and perspectives, ranging from (re)considerations of the very definition of the parish church to phenomenological explorations of their component parts, as well as case studies of their decorative schemes. An Afterword by Paul Binski reflects upon his 1999 essay, ‘The English Parish Church and its Art in the Later Middle Ages: A Review of the Problem’ and considers the place of anthropology in our developed study of the parish church.


Servis plus ◽  
10.12737/3900 ◽  
2014 ◽  
Vol 8 (2) ◽  
pp. 98-106
Author(s):  
Валерий Чудинов ◽  
Valeriy Chudinov

The article provides a definition of a prospective complex scientific discipline on Rus — rusologia (russologie). The author dwells on the resource-base and borrowed names of individual periods of history of Rus, demonstrates nomination analogies relevant for a complex historical study of states other than Rus, and lists innovative scientific methods peculiar to this particular discipline. The article contains illustrations, which serve to demonstrate the potential of the new epigraphic research methods, and presents critical views of them, as well as the author´s arguments in their favour. The author dares to assume that rusologia (russologie) is to become a complex scientific discipline, a distinct study of Rus and its inhabitants (the rusiches). With Rus´s population worshiping different Vedic gods on an alternating basis, the author deems it consistent to nominalise each period of Rus´s history accordingly. Thus, the subdisciplines of rusologia (rossulogie) are Mokosh/ (Mokos) — rusologia, Mara-rusologia, Rod-rusologia, Yar-rusologia, Arctorusologia, Slavic-rusologia and Pre-Romanov-rusologia. Each subdiscipline is responsible for a particular period of the historical development of Rus and the rusiches. Later periods are central to the study of such disciplines as Russian cultural anthropology, Russian historiography, the old and modern Russian language etc.


2020 ◽  
Vol 32 (4) ◽  
pp. 543-556
Author(s):  
Jürgen R. Grote

AbstractThis paper adopts the wide definition of civil society, namely the one suggested by the EU. It includes all sorts of private collectives from producer groups, trade unions, care and common cause organizations, NGOs, to social and protest movements. Distinguishing between a structural (governance) and an actor-centred perspective (collective action) and, orthogonally, two levels of territorial complexity (the sub-, and the supranational), the history of the relationship between the EU and civil society is presented for the period of the past 35 years. It turns out that despite enormous efforts invested in the relationship from the part of both sides, and of many heroic declamations aimed at pathbreaking reform, the outcome tends to be relatively meagre and disenchanting both in institutional and organizational terms.


1997 ◽  
Vol 66 (2) ◽  
pp. 252-267 ◽  
Author(s):  
Daniel Bornstein

The years surrounding the Second Vatican Council (1962–1965) witnessed a historiographical revolution that transformed the study of medieval Christianity. One might say that both a new Vatican ecclesiology and the new religious history sprang from the same conceptual root. Even as the Council articulated a definition of the Catholic Church as the people of God rather than simply a hierarchical institution, a number of important scholars were rediscovering the religious history of the Christian people. Shifting their focus away from the traditional monastic treatises on the contemplative life, scholars argued that all believers, and not just clerical specialists in the sacred, had a spiritual life that constituted a proper object for historical study. This new understanding of the history of Christian spirituality rapidly proved enormously fecund, opening as it did novel and exciting prospects for the study of popular religion.


Res Mobilis ◽  
2020 ◽  
Vol 9 (11) ◽  
pp. 19-31
Author(s):  
Rebeka Vidrih

Nikolaus Pevsner’s Pioneers of Modern Movement is considered the foundational text of two new historical fields, the history of modern architecture and the history of design. This contribution, nevertheless, discusses this text in the context of art-historical discipline. Pevsner himself namely understood his work as a complement to Kunstgeschichte: by defining the ‘Modern Movement’ in established art-historical terms and also by discussing not only architecture but attempting to define the style and the worldview expressed in it for the whole period and all of visual arts. Specifically, this contribution is interested in the place that Pevsner allocated to the design within his art-historical edifice, since inclusion of objects of everyday use within an art-historical study was not (and still is not) usual. For Pevsner, on the contrary, design (linked to architecture) turns out to be a key component of his narrative, even if not for aesthetic but rather for moral or social reasons.


Author(s):  
Sergey Vasil'ev ◽  
Vyacheslav Schedrin ◽  
Aleksandra Slabunova ◽  
Vladimir Slabunov

The aim of the research is a retrospective analysis of the history and stages of development of digital land reclamation in Russia, the definition of «Digital land reclamation» and trends in its further development. In the framework of the retrospective analysis the main stages of melioration formation are determined. To achieve the maximum effect of the «digital reclamation» requires full cooperation of practical experience and scientific potential accumulated throughout the history of the reclamation complex, and the latest achievements of science and technology, which is currently possible only through the full digitalization of reclamation activities. The introduction of «digital reclamation» will achieve greater potential and effect in the modernization of the reclamation industry in the «hightech industry», through the use of innovative developments and optimal management decisions.


Migration and Modernities recovers a comparative literary history of migration by bringing together scholars from the US and Europe to explore the connections between migrant experiences and the uneven emergence of modernity. The collection initiates transnational, transcultural and interdisciplinary conversations about migration in the eighteenth and nineteenth centuries, demonstrating how mobility unsettles the geographic boundaries, temporal periodization, and racial categories we often use to organize literary and historical study. Migrants are by definition liminal, and many have existed historically in the spaces between nations, regions or ethnicities. In exploring these spaces, Migration and Modernities also investigates the origins of current debates about belonging, rights, and citizenship. Its chapters traverse the globe, revealing the experiences — real or imagined — of eighteenth- and nineteenth-century migrants, from dispossessed Native Americans to soldiers in South America, Turkish refugees to Scottish settlers. They explore the aesthetic and rhetorical frameworks used to represent migrant experiences during a time when imperial expansion and technological developments made the fortunes of some migrants and made exiles out of others. These frameworks continue to influence the narratives we tell ourselves about migration today and were crucial in producing a distinctively modern subjectivity in which mobility and rootlessness have become normative.


2014 ◽  
Vol 3 ◽  
pp. 166-182
Author(s):  
Iryna Tsiborovska-Rymarovych

The article has as its object the elucidation of the history of the Vyshnivetsky Castle Library, definition of the content of its fund, its historical and cultural significance, correlation of the founder of the Library Mychailo Servaty Vyshnivetsky with the Book.The Vyshnivetsky Castle Library was formed in the Ukrainian historical region of Volyn’, in the Vyshnivets town – “family nest” of the old Ukrainian noble family of the Vyshnivetskies under the “Korybut” coat of arm. The founder of the Library was Prince Mychailo Servaty Vyshnivetsky (1680–1744) – Grand Hetman and Grand Chancellor of the Grand Duchy of Lithuania, Vilno Voievoda. He was a politician, an erudite and great bibliophile. In the 30th–40th of the 18th century the main Prince’s residence Vyshnivets became an important centre of magnate’s culture in Rich Pospolyta. M. S. Vyshnivetsky’s contemporaries from the noble class and clergy knew quite well about his library and really appreciated it. According to historical documents 5 periods are defined in the Library’s history. In the historical sources the first place is occupied by old-printed books of Library collection and 7 Library manuscript catalogues dating from 1745 up to the 1835 which give information about quantity and topical structures of Library collection.The Library is a historical and cultural symbol of the Enlightenment epoch. The Enlightenment and those particular concepts and cultural images pertaining to that epoch had their effect on the formation of Library’s fund. Its main features are as follow: comprehensive nature of the stock, predominance of French eighteenth century editions, presence of academic books and editions on orientalistics as well as works of the ideologues of the Enlightenment and new kinds of literature, which generated as a result of this movement – encyclopaedias, encyclopaedian dictionaries, almanacs, etc. Besides the universal nature of its stock books on history, social and political thought, fiction were dominating.The reconstruction of the history of Vyshnivetsky’s Library, the historical analysis of the provenances in its editions give us better understanding of the personality of its owners and in some cases their philanthropic activities, and a better ability to identify the role of this Library in the culture life of society in a certain epoch.


2020 ◽  
Vol 65 (4) ◽  
pp. 367-382
Author(s):  
Juan Pedro Sánchez Méndez

"Notes for the History of a Phraseology of American Spanish. This paper presents the characteristics that would define the historical Hispano-American phraseology as opposed to the European Spanish one. Phraseology is one of the areas in which the greatest variation is perceived among the different Hispanic countries. In this paper I will try to point out the main historical foundations that would explain this variation and the characteristics assumed by what we call the indian or colonial phraseology. This would be the origin of what today we can consider a phraseological Americanism, which presents some characteristics that allow establishing its historical study differentiated from the European Spanish and justifies the necessary diastematic vision of the general historical phraseology of the Spanish language. Keywords: history of American Spanish, historical Hispano-American phraseology, phraseological Americanism, Indian or colonial phraseology. "


Author(s):  
Bryan D. Palmer

This article is part of a special Left History series reflecting upon changing currents and boundaries in the practice of left history, and outlining the challenges historians of the left must face in the current tumultuous political climate. This series extends a conversation first convened in a 2006 special edition of Left History (11.1), which asked the question, “what is left history?” In the updated series, contributors were asked a slightly modified question, “what does it mean to write ‘left’ history?” The article charts the impact of major political developments on the field of left history in the last decade, contending that a rising neoliberal and right-wing climate has constructed an environment inhospitable to the discipline’s survival. To remain relevant, Palmer calls for historians of the left to develop a more “open-ended and inclusive” understanding of the left and to push the boundaries of inclusion for a meaningful historical study of the left. To illustrate, Palmer provides a brief materialist history of liquorice to demonstrate the mutability of left history as a historical approach, rather than a set of traditional political concerns.


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