"This is not an autofiction": Autoteoría, French Feminism, and Living in Theory

Author(s):  
Émile Lévesque-Jalbert
Keyword(s):  
2021 ◽  
Vol 39 (1) ◽  
pp. 132-144
Author(s):  
Laura Levine Frader ◽  
Ian Merkel ◽  
Jessica Lynne Pearson ◽  
Caroline Séquin

Lisa Greenwald, Daughters of 1968: Redefining French Feminism and the Women's Liberation Movement (Lincoln, NE: University of Nebraska Press, 2018). Eric T. Jennings, Escape from Vichy: The Refugee Exodus to the French Caribbean (Cambridge, MA: Harvard University Press, 2018). Kathleen Keller, Colonial Suspects: Suspicion, Imperial Rule, and Colonial Society in Interwar French West Africa (Lincoln, NE: University of Nebraska Press, 2018).


Author(s):  
Mary Beth Mader ◽  
Kelly Oliver
Keyword(s):  

2001 ◽  
Vol 96 (2) ◽  
pp. 127-146
Author(s):  
Paul Allen Miller
Keyword(s):  

Hypatia ◽  
1999 ◽  
Vol 14 (1) ◽  
pp. 13-37 ◽  
Author(s):  
Shannon Winnubst

Anglo-American embodiments of poststructuralist and French feminism often align themselves with the texts of either Michel Foucault or Luce Irigaray. lnterrogating this alleged distance between Foucault and Irigaray, I show how it reinscrihes the phallic field of concepts and categories within feminist discourses. Framing both Foucault and Irigaray as exceeding]acques Lacan's metamorphosis of G.W.F. Hegel's Concept, I suggest that engaging their styles might yield richer tools for articulating the differences within our different lives.


Author(s):  
Christopher Norris

This chapter begins by questioning the distinction between “analytic” (anglophone mainstream) and “continental” (mainland European) philosophy. It then traces ideas and movements of thought that have figured prominently in continental philosophy of music. These have their source in German post-Kantian idealism and its descendants, the latter taking different forms in Germany and France. Among them, mostly coming via literary theory, are the musical applications of Marxism, phenomenology, formalism, structuralism, post-structuralism, deconstruction, French feminism, Deleuzean anti-metaphysics, and Alain Badiou’s mathematically based dialectic of being and event. The chapter surveys ongoing debates within the field, as between proponents of musical analysis and those, like deconstructionists or New Musicologists, who challenge their approach on jointly theoretical and ideological grounds, often concerning tonality and/or “organic form.” The chapter goes on to suggest future critical-creative directions for continentally oriented philosophy of music.


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