A Real Short Introduction to Classical Reception Theory

2014 ◽  
Vol 22 (2) ◽  
pp. 75-96
Author(s):  
James Tatum
2007 ◽  
pp. 42-63
Author(s):  
Sara Bender

The author discusses the history of the Jews of Chmielnik, a town situated 30 kilometres away from Kielce: from a short introduction covering the inter-war period, through the German invasion, ghetto formation, everyday life n the ghetto, deportations and the fate of the survivors. The author extensively describes social organisations and their activity in Chmielnik  (Judenrat, Ha Szomer ha-Cair), as well as the contacts between the Jews and the Poles.


2016 ◽  
Vol 9 (2) ◽  
pp. 295-296
Author(s):  
Jeremy Black
Keyword(s):  

2020 ◽  
Vol 7 (4 (28)) ◽  
pp. 180-189
Author(s):  
Aleksandr V. Antoshchenko

The edition of the address of the famous Russian church historian is preceded by a short introduction written by the publisher. In it, he explains the place of this document in the process of forming the views of A. V. Kartashev on church schisms among Russian post-revolutionary emigrants in Western Europe. This explanation, given against the background of the emigrant period of the historian’s biography, allows a better understanding of the meaning and significance of the arguments put forward in the published document.


Author(s):  
Stefano Evangelista

Oscar Wilde associated ancient Greece and modern France as the homelands of artistic autonomy and personal freedom. France and the French language were crucial in his adoption of a cosmopolitan identity in which his close emotional and intellectual engagement with the ancient world also played a key role. His practices of classical reception therefore have roots in the French as well as English traditions. Wilde’s attitude towards ancient Greece initially shows the influence of French Parnassian poetry. As time goes on, however, he starts to engage with the new images of the ancient world promoted by Decadence and Symbolism, which sidelined the Greek classicism idealized by the Parnassians in favour of Hellenistic and Latin antiquity. Particularly important to Wilde were his exchanges with French Symbolist authors Marcel Schwob and Pierre Louÿs, whose writings on Hellenistic Greece are in dialogue with Wilde’s works, notably ‘The Critic as Artist’ and Salomé.


Author(s):  
Michel Meyer

Chapter 7 deals with one of the most traditional aspects of rhetoric, namely literature. It describes a basic law of literary rhetoric which accounts for the increasing problematicity of literary language in novels, poetry, and drama. This chapter also explains the evolution of literary criticism. The fact that literature is less and less linear in its narratives, and is increasingly enigmatic (Joyce or Kafka) is accounted for by the law of auto-contextualization of the problematic in the fictional answers. This law encourages the reader to provide the meaning of the text, even when it is considered as impossible or equivocal and pluralistic. The four main schools of literary interpretation correspond to our four basic operators of rhetoric: Mimetic for =, Hermeneutics for ±, Reception Theory for + (the reader is the “plus” of the interpretation of the text), and Deconstruction for –.


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