“Civil War Memory in the Civil Rights Movement and Contemporary Culture.”

2014 ◽  
Vol 53 (4) ◽  
pp. 107-118
Author(s):  
Michael LeMahieu ◽  
Orville Vernon Burton
2012 ◽  
pp. 139-160 ◽  
Author(s):  
Terri Moreau ◽  
Derek H. Alderman

Author(s):  
Nina Silber

The pro-Confederate Lost Cause memory of the Civil War continued to have considerable staying power during the 1930s, seen most notably in the popularity of the book and film versions of Gone With the Wind. At the same time, the Lost Cause was adapted to fit the sensibilities of this era. Many white Americans, for example, were drawn to the suffering of Civil War era white southerners in light of the economic trials of the 30s. Conservatives also doubled-down on the Lost Cause narrative as they pushed back against aspects of the New Deal agenda, as well as a reawakened civil rights movement and anti-lynching campaign. Finally, conservatives adapted the Lost Cause story to target Northern radicals and communists as the same kind of agitators who punished white southerners during Reconstruction. Black activists and communists tried to expose the racist and unpatriotic underpinnings of the Lost Cause but often fell short.


2021 ◽  
pp. 95-118
Author(s):  
Matthew E. Stanley

This chapter considers the production of Civil War memory among Gilded Age socialists and anarchists. These radicals and revolutionaries built on the redistributionist claims of abolitionists and freedpeople, and exceeded those of trade unionists, by challenging not only the legitimacy of slave property or plantations but also the mechanisms of production and property rights. Late nineteenth-century socialists came to see themselves as a postscript to abolitionism, and their “red memory” operated through anarchist networks, militias, and workers’ parties. Most sought an end to partisan debates over loyalty and section, which hindered working-class organization, and used Civil War memory to espouse internationalism, prefiguring the Socialist Party of America and the Industrial Workers of the World.


Author(s):  
Thomas J. Brown

This chapter examines the influence of Civil War commemoration on World War I commemoration and the impact of World War I on Civil War commemoration. The war limited recognition that the Lincoln Memorial climaxed development of the National Mall with less militarism than recent Lincoln statues suggested. Some sponsors of World War I monuments rejected Civil War precedents, such as those who projected useful memorials, but an army of doughboy statues built on Civil War precedents. The proliferation of male nudes was one example. The crisis of World War I caused some memorial promoters to treat the Civil War as a foreshadowing and some memorial promoters to treat the Civil War as a refuge from modernity. The Confederate memorial at Stone Mountain illustrated both tendencies and the displacement of public monuments by cinema in the 1930s.


2021 ◽  
pp. 217-228
Author(s):  
Matthew E. Stanley

The epilogue appraises the state of radical labor and Civil War memory surrounding the war’s semisesquicentennial. What Eric Hobsbawm terms “the patriotism of the Left,” including the cultural symbols of the Civil War era, was critical to political fights against right-wing nationalism and anti-liberalism. Emancipationist memory was especially central to the political culture of the Communist Party USA, as well as to the broader “Americanization” movement within the Popular Front. However, the “Good War” against fascism provided powerful nationalist mythologies surrounding “Victory Culture” that were less bound by class. Further, the Cold War--and a mass culture of domestic anti-communism--scuttled the revolutionary memory of the Civil War as a precursor to broader class emancipation.


2013 ◽  
Vol 47 (3) ◽  
pp. 69-80
Author(s):  
W. Stephen McBride

2008 ◽  
Vol 74 (4) ◽  
pp. 979
Author(s):  
Martin W. Öfele ◽  
Christian B. Keller

2018 ◽  
Vol 53 (3) ◽  
pp. 589-612
Author(s):  
MADHU DUBEY

This essay examines an overlooked dimension of the American literary preoccupation with slavery since the 1970s – the mass-market genre of alternate histories of the Civil War that began to proliferate after the end of the civil rights movement. Focussing on the genre's unique blend of historical realism and counterfactual speculation, the essay argues that these novels turn to the Civil War in order to reevaluate the trajectory of US racial history and to reckon with the dramatic racial realignments of the post-civil rights period.


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