Seductions & Enigmas: Laplanche, Theory, Culture ed. by John Fletcher and Nicholas Ray

2017 ◽  
Vol 74 (2) ◽  
pp. 266-271
Author(s):  
Lewis Kirshner
Keyword(s):  
John Fletcher ◽  
Nicholas Ray

scholarly journals Nicholas Ray’s We Can’t Go Home Again

2019 ◽  
pp. 43-56
Author(s):  
Patricia Pisters
Keyword(s):  
New York ◽  
Digital Media ◽  
The State ◽  
State University ◽  
Expanded Cinema ◽  
Virtual Window ◽  
Nicholas Ray ◽  
Nam June Paik

This chapter analyzes the film We Can’t Go Home Again (1972–1976), which the American director Nicholas Ray realized in collaboration with a class of students he taught at the State University of New York in Purchase. The film exemplifies the ability of cinema to provide access to an “elsewhere” and “elsewhen,” analyzed by Anne Friedberg in her book Window Shopping: Cinema and the Postmodern. This chapter claims that the film’s use of multiscreen projection can be illuminated through Friedberg’s notion of the virtual window, developed in The Virtual Window: From Alberti to Microsoft. Thanks to the collaboration on the film of video artist Nam June-Paik and the employment of techniques associated with the contemporaneous practice of “expanded cinema,” We Can’t Go Home Again is an important precursor to contemporary digital media.

In a Lonely Place (1950) in 2 Frames

Film Matters ◽  
2020 ◽  
Vol 11 (2) ◽  
pp. 148-150
Author(s):  
Olivia Outlaw ◽  
Miranda A. Sprouse
Keyword(s):  
Nicholas Ray

USA Director Nicholas Ray Runtime 93 minutes   Blu-ray USA, 2016 Distributed by The Criterion Collection (region A/1)

In a Lonely Place (dir. Nicholas Ray, 1950)

2018 ◽  
pp. 199-203
Author(s):  
Ellen Draper
Keyword(s):  
Nicholas Ray

They Live by Night (dir. Nicholas Ray, 1948)

2018 ◽  
pp. 193-198
Author(s):  
Marjorie Baumgarten
Keyword(s):  
Nicholas Ray
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