Storied Voices in Native American Texts: Harry Robinson, Thomas King, James Welch and Leslie Marmon Silko (review)

2005 ◽  
Vol 17 (1) ◽  
pp. 90-93
Author(s):  
Ellen L. Arnold
2009 ◽  
Vol 43 (1) ◽  
pp. 89-100
Author(s):  
SARAH MARTIN

The article considers the political impact of the historical novel by examining an example of the genre by Native American novelist James Welch. It discusses how the novel Fools Crow represents nineteenth-century Blackfeet experience, emphasizing how (retelling) the past can act in the present. To do this it engages with psychoanalytic readings of historical novels and the work of Foucault and Benjamin on memory and history. The article concludes by using Bhabha's notion of the “projective past” to understand the political strength of the novel's retelling of the story of a massacre of Native Americans.


Author(s):  
Ana Belén Pérez García

The role of Native American women has been extensively debated. Much has been said about their relationship with men and their relevance within the tribe. One of the most important tasks they had was that of storytellers. Storytelling is one of the pillars of Native American culture since it helped to transmit their values and folklore and keep them alive and that is why women’s role as storytellers is fundamental for the survival of the tribe. Although this role has often been shared with men, it seems that the relationship of women with storytelling is more complex, valuable and relevant than that of men. This is shown in their characterization in traditional Native American myths or in the fact that old traditional Native American women and storytellers became the source of inspiration of many contemporary writers, such as Silko, Erdrich or Allen, who took them as models for their novels. Silko exemplifies with her novels Almanac of the Dead and Ceremony this fundamental role of Native Women and the influence they had on her life and writing.Keywords: Native American women, storytelling, storytellers, Leslie Marmon Silko.


2019 ◽  
Vol 7 (2) ◽  
pp. 188
Author(s):  
Karina Hanum Luthfia

Pemaknaan terhadap kematian dalam kehidupan manusia biasanya ditangkap hanya dalam tataran kematian fisik sebagai sebuah fenomena alam. Sementara itu, tradisi dan budaya hadir dengan potensi signifikan untuk memengaruhi dan membentuk adat serta protokol upacara kematian. Dalam konteks ini, Native Amerika memandang konsep kematian sebagai bagian dari tradisi dan warisan adat. Namun demikian, proses kolonisasi dan asimilasi dalam tatanan sosial Native Amerika telah mencapai sengketa yang rumit. Terkait dengan pergerakan renaissance dalam kehidupan Native Amerika, bias yang terjadi terhadap perspektif dalam memandang kematian diurai melalui penelusuran ujung konsep dari kematian itu sendiri yang sangat erat berkaitan dengan tradisi Native Amerika. Mekanisme dekolonisasi terhadap konsep kematian sebagai sebuah self-determination terhadap identitas kelompok sosial Native Amerika  diambil dari refleksi karya sastra karangan Leslie Marmon Silko. Kajian ini menggunakan konsep analisis wacana dalam paradigma poskolonialisme. Manifestasi atas hasil penelitian merupakan: 1) Perspektif terhadap kematian menurut lensa Native Amerika dipandang sebagai tame death. 2) Kematian dipandang sebagai sebuah mekanisme penyeimbang kehidupan sosial jika ditarik dari nilai-nilai kehidupan kelompok Native Amerika. 3) Protokol upacara kematian dilaksanakan dalam sistem tribal ditemukan sebagai sebuah resistensi Native Amerika dalam menolak asimilasi dan dominasi kulit Putih. Hal tersebut didukung adanya sebuah gerakan determinasi dan artikulasi identitas kelompok Native Amerika. Kata kunci: Kematian, Tradisi, Renaissance dalam Native Amerika The subtle meaning of death on people’s life tends to generally depict the idea of natural phenomenon. Meanwhile, tradition and culture exist within their significant potency to influence the nurture of death customs and protocols. In this context, Native American deal with the concept of death as a particular tradition of their tribal legacy. However, colonization and assimilation process on their social order had transformed the Native American perspective on death into an advancement dispute.Concomitant to Native American renaissance movement, bias on the perspective of death is elucidated by tracing the root of death’s concept which is emanated from Native American tradition. The mechanism of decolonizing death’s perspective against White’s concept is represented in Native American literary works by Leslie Marmon Silko. As a consequence, the research employs critical discourse analysis on post-colonialism paradigm.The results of the work manifest: (1) Perspective on death through Native American lens considered as a tame death. (2) Death additionally scrutinized as social balance mechanism according to Native American value. At last, (3) Funeral protocols performed in tribal system essentially expounds the resistance of Native American people against the assimilation and White domination. Keywords: Death, Tradition, Renaissance, Native American Movement 


Religions ◽  
2021 ◽  
Vol 12 (8) ◽  
pp. 602
Author(s):  
David R. Loy

The powerful novel Ceremony by Leslie Marmon Silko combines several uncomfortable truths from the perspective of a young Native American who has returned home after World War II: the theft of Native American land, the manipulations that set poor whites against poor Indians (among others) and the effects of these lies on the hearts of white people, who tried and still try to fill up their hollowness with money, technology and patriotic war. However, as Silko emphasizes, the lies do not work. Not only have we white folk been fooling ourselves, but we also know that we have been fooling ourselves, and the consequences of our self-deceptions continue to haunt all of us. This essay is an attempt to say more about how that collective delusion functions—in particular, to understand the emptiness that patriotism never quite fills up, the hollowness that wealth and consumerism cannot glut. In order to do this, I will offer a (not “the”) Buddhist perspective, so we begin with some basic Buddhist teachings, which are quite different from the Abrahamic (Jewish, Christian, Muslim) traditions more familiar to most of us.


2017 ◽  
Vol 4 (1) ◽  
pp. 41-45
Author(s):  
Sulagna Mohanty

The indigenous cultures all over the world are strongly interwoven with a range of natural components. All these indigenous and aboriginal worlds including Native Americans are known for their holistic tradition as they love and revere a variety of ecological elements such as the Mother Earth, foliage, waterway, deep marine, and downpour. In the Native American fiction Gardens in the Dunes by Leslie Marmon Silko, the author weaves a spectacular narrative to convey the story of nature, home, mother, memory, exile, and return. Silko portrays this strong bonding while depicting the close relationship between Nature andvarious Native American characters. As the Native American culture believes in the deep bonding between its nature and its community members, their varied forms of farming and gardening become integral to their cultural identity. The recurrent recollections of Indigo’s mother, her Grandmother Fleet, Sister Salt, and above all, the image of the Old Garden represent the recreation and reconstruction of her cultural memory and its association with the Mother Nature. The protagonist Indigo’s love for gardens brings back the mythical memory of the Biblical ‘Garden of Eden’ which is the ‘Garden of God’ as described in the Book of the Genesis. The displacement of Indigo from her indigenous garden becomes a representation of the man’s dissociation from nature and Indigo’s homecoming to her native garden denotes man’s perpetual longing to reconcile with Mother Earth. Thus, this paper seeks to analyze the re-establishment of a negotiation between old and new, past and present and most importantly the man and the nature in the backdrop of colonization with reference to Gardens in the Dunes by Leslie Marmon Silko.


Author(s):  
Diane Frome Loeb ◽  
Kathy Redbird

Abstract Purpose: In this article, we describe the existing literacy research with school-age children who are indigenous. The lack of data for this group of children requires speech-language pathologists (SLPs) to use expert opinion from indigenous and non-indigenous people to develop culturally sensitive methods for fostering literacy skills. Method: We describe two available curricula developed by indigenous people that are available, which use authentic materials and embed indigenous stories into the learning environment: The Indian Reading Series and the Northwest Native American Reading Curriculum. We also discuss the importance of using cooperative learning, multisensory instruction, and increased holistic emphasis to create a more culturally sensitive implementation of services. We provide an example of a literacy-based language facilitation that was developed for an indigenous tribe in Kansas. Conclusion: SLPs can provide services to indigenous children that foster literacy skills through storytelling using authentic materials as well as activities and methods that are consistent with the client's values and beliefs.


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