Over the past decade within Hollywood speculative fiction (SF), the natural environment has become more prominent as a cause of societal collapse. Interstellar, Elysium, Wall-E, Mad Max, and Tomorrowland, as a few examples, all include environmental change and deterioration as prominent plot points, rather than merely as settings. I analyze the political and ideological tenor of these films with a discourse framework to assess the influence of certain real-world discourses, as well as their optimism or pessimism in the context of real-world sustainability transformations. Within this genre, one continues to find a degree of ‘Prometheanism,’ or techno-optimism, but the distinctive discursive influence of the past decade and a half has been the rise of ‘Survivalism,’ a more dystopian or post-apocalyptic discourse. When the environment is prominent as a theme, that is, these films more often explore its destruction—often by humans—and the conditions of existence within such environments.
Strangers in Togetherville – Women, Physics and Popular Culture