scholarly journals Pop-up: Activation of Abandoned Spaces

Author(s):  
Marie Joja
Keyword(s):  
2019 ◽  
Vol 26 (4) ◽  
pp. 435-454 ◽  
Author(s):  
Vincent Miller ◽  
Gonzalo C Garcia

In recent years, Geography has seen a rebirth of interest and appreciation of ruins, abandoned and neglected spaces of industrial modernity. This work has often emphasised the sensuousness of the material contextualisation of industrial ruins largely in terms of the phenomenological experience of decay, disorder and blight, or the affective elements of these spaces through concepts such as ‘ghostliness’ and ‘haunting’. This article is an investigation into ruins or abandoned spaces which do not have materiality or temporality: digital ruins. Existing in a kind of eternal present, such spaces do not decay, yet still demonstrate many of the affective, phenomenological and existential experiences of what we understand to be ruin, abandonment or blight. Using autoethnographic research of a variety of abandoned and nearly abandoned virtual worlds, this article will reconsider the notions of ‘ruin’ within the increasingly important context of digital spaces, the utopian rhetoric which framed the development of these worlds, and situate the digital ruin within a wider critique of digital prosumerism.


Servis plus ◽  
2016 ◽  
Vol 10 (3) ◽  
pp. 93-106
Author(s):  
Антон Вальковский ◽  
Anton Valkovskiy

The article aims to reconstruct systematically the history of the Volgograd performance, trace the lineage and interferences, the role of the major art-festivals in the emergence of new generations of artists, as well as to disclose variability of procedural art-practices in Volgograd from 1986 to 2005. Summing up the performance review of the Volgograd two decades (mid-1980s to mid-2000s), the author notes that it was not a coher- ent movement or systematic process, and was not institutionalized due to the lack of a system of commercial galleries, inspiring artistic process in Moscow and St. Petersburg. A gradual attenuation of the Square as a social and cultural education and place of attraction for artists, localized in the heart of the city, caused a gradual centrifugal movement towards the outlying, uninhabited, abandoned spaces and places of pilgrimage (the graveyard of ships, Krasnoslobodskaya kosa, Moratnike), which was associated with their romanticize, aestheticization, by a certain opacity. However, throughout the period under review we can identify several General trends: the desire of artists to theatrical, carnival, spectacularity, as well as spontaneous and impro- vised action.


Interiority ◽  
2018 ◽  
Vol 1 (2) ◽  
pp. 185-202
Author(s):  
James Carey

Interiority, in relation to my practice, is the inherent curiosity to the notions of process, time and duration. It is a practice of mark making, marking time, making time, and time making; foregrounding duration and marking an occurrence. My technique is one of working responsively to interiors, allowing particular temporal conditions to surface within specific sites and situations. The marks – whether they be on a canvas, a house, a building, or within a gallery – materialise immateriality and allow the residue of particular processes to be assembled as collections of materialised and spatialised time. This paper discusses an artist residency undertaken in Detroit, USA 2017. Informed by existing watermarks, stains and rust encountered within abandoned spaces in Detroit, I initially responded by using found materials such as charcoal and ash from burnt houses, plant materials and liquids, to assemble process-based compositions on canvas. Further temporal interventions were then assembled in a number of situations within Detroit. This paper, and practice, notions that interiority is a field of interiors where the indeterminate is celebrated through the force of duration; immersion in time as ow. The temporal, material and immaterial are considered as a dynamic and confluence of forces; assembled in time, materialising immateriality.


2012 ◽  
Vol 10 (3) ◽  
pp. 327-341
Author(s):  
Ana Nikezic ◽  
Natasa Jankovic

At this moment, and under the circumstances that surround us, we have recognized as a definite global challenge the problem of climate change, and in general, the ecological misbalance of cities. In an attempt to meet this challenge, we will try to discuss possibilities of implementing the "Eco-Infill" strategy (fragments of nature incorporated into abandoned artificial environment) as a viable, somewhat ?alternative?, urban development strategy. The contemporary matrix of the post-industrial urban landscape is dotted with large and small fragments of abandoned spaces, which need to be incorporated into the city texture. Belgrade is a city with a potential, one of the larger capitals of the region, standing on the threshold of the European Union and undergoing an intensive process of political, economic and social transition. Similar to other large cities, it was previously an industrial city, but is now increasingly relying on the tertiary sector, promoting itself through its geographical, morphological, and cultural advantages. The consequences of privatization during transition and an exceptionally long and difficult political and economic crisis produced Brownfield and other abandoned spaces of the city centre with a complicated proprietary-ownership status, and no realistic guidelines for a much needed regeneration of the city centre in terms of contemporary problems linked to ecological, social and cultural values. In this article, there is a tendency to define principles on which the transformation of these abandoned places is based on and to try to apply these strategies onto the Belgrade shipyard on the river Sava. If we accept the previously set general views, these spaces can become crucial in developing a strategy for mitigation and adaptation to climate change. Although these effects are primarily aimed at confronting climate change, they are bound to upgrade the quality of life and offer new life styles, potentially affecting all aspects of urban life, considering that most of the eco-infill we are talking about consists of active public space.


TERRITORIO ◽  
2011 ◽  
pp. 87-90
Author(s):  
Pulska Grupa

This text, by the Pulska Grupa group of activists, describes the socio-political and community conditions in Pola on the Adriactic coast of Croatia. Its objective is to grasp specific local transformations in a very broad geo-political context. The temporary reuse methods and projects initiated by associations, artists, architects and activists in some of the abandoned spaces in the huge military naval arsenal, such as the Casoni Vecchi fort, the Karlo Rojc barracks, the former sheds, the military warehouses and the buildings on the Katarina-Monumenti Island area are exemplary of a new model for the self-management of space, the ‘komunal'. Those of the Pulska Grupa use this term from Istrian dialect to mean ‘common land', belonging to the commons, not governed by the state and given to the community as land for experimenting with local activities, dreams and desires.


TERRITORIO ◽  
2012 ◽  
pp. 80-84
Author(s):  
Guya Bertelli

Contemporary landscape is a complex ‘text', packed with interfering elements which appear as overlapping areas of land with multiple sections capable of revealing sequences of the periods that have affected it. Tor Bella Monaca is an interesting field of study because it lies in a varied and heterogeneous region, in which four different types of inhabited landscape meet: agricultural, natural, infrastructural and urban, which make it an emblematic case that opens up new conceptual horizons for design. Scenarios emerge from these which are associated with: urban ‘regeneration' processes, which modernise buildings and landscapes again; the ‘renovation' of abandoned spaces, the reuse of infrastructural landscapes; and finally the recycling of resources which are still usable. The integration of four landscapes allows us to grasp a new dynamic and relational vision of space, with a view to the recovery and conscious transformation of our urban heritage.


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