Resource Guide: Ten Science Fiction Writers for Scientists

EarthSpace ◽  
2011 ◽  
Author(s):  
Andrew Fraknoi
Author(s):  
Roslyn Weaver

This chapter discusses the history of popular fiction in Australia. The question of place has always been central to Australian fiction, not only as a thematic element but also as a critical or political preoccupation. In part, this is because popular fiction writers, wanting to attract broad audiences, either exploited their Australian content to appeal to international readers or have excised the local to produce a generic and thus more readily accessible setting for outsiders. The chapter considers works by popular fiction writers who adopt a range of positions in relation to their focus on place, but often tackle many different aspects of Australian social and historical change. These novels cover various genres such as crime fiction, historical fiction and romance, science fiction and fantasy, and include Fergus Hume's The Mystery of a Hansom Cab (1886), Nevil Shute's On the Beach (1957), Damien Broderick's The Dreaming Dragons (1980), and Cecilia Dart-Thornton's The Ill-Made Mute (2001).


2018 ◽  
pp. 73-92
Author(s):  
Gary Westfahl

Unlike other science fiction writers, this chapter explains, Clarke rarely envisions humanity colonizing interstellar space and forging a galactic empire, anticipating limitations on human development. Though unconcerned about nuclear wars or alien invasions, Clarke regularly predicts humanity’s extinction, due to climate change or competing new species, or long periods of decadence. If humans avoid these fates, evolution may transform them into a new species, unlike present-day humans. Such scenarios unfold in Clarke’s major novels about humanity’s destiny: in Against the Fall of Night (1953), revised as The City and the Stars (1956), residents of an unchanging future city rediscover their ambitions but still face eventual demise; and in Childhood’s End (1953) humans guided by alien Overlords become a group intelligence to join a transcendent Overmind.


Author(s):  
Brad Morantz

Artificial intelligence is the stuff of science fiction writers, robots taking over the world, and computers knowing our every thought and action. Advanced methodologies is the utilization of accepted artificial intelligence programs in mathematical applications to solve a variety of problems. In this chapter, many of these methods will be described and sample applications provided to better explain the advantages of this method in problem solving.


Author(s):  
Varuna Godara

Pervasive computing is trying to make the dreams of the science fiction writers come true—where you think of some type of convenience and you have it. It appears that pervasive computing is allowing tiny computers, sensors, networking technologies, and human imagination to blend and mould into new products and services. This chapter introduces pervasive computing, grid computing, and ambient intelligence with explanation of how these technologies are merging to create sensor embedded smart environments. Along with description and scope of e-business and m-business, different views of p-business are illustrated. Finally, different smart environments including smart consumer-to-consumer, smart value systems, smart p-education, p-governance, and so forth, are explained.


Author(s):  
Jeremy Withers

This chapter examines how the rising popularity since the 1990s of works of postapocalyptic cli-fi (i.e. climate change fiction) has provided science fiction writers a convenient opportunity to explore issues of mobility and transportation. After first examining an early postapocalyptic cli-fi work from the 1990s by Octavia E. Butler, the chapter then advances this book’s chronological analysis to some twenty-first century works of science fiction. In its discussion of a novel by Paolo Bacigalupi and one by Benjamin Parzybok, this chapter shows how more restrained modes of transport play a vital role during times of apocalypse in keeping a society functioning and keeping us as individuals from slipping into disempowerment.


2016 ◽  
Vol 49 (2) ◽  
pp. 205-229 ◽  
Author(s):  
JIM ENDERSBY

AbstractBetween 1916 and 1927, botanists in several countries independently resolved three problems that had mystified earlier naturalists – including Charles Darwin: how did the many species of orchid that did not produce nectar persuade insects to pollinate them? Why did some orchid flowers seem to mimic insects? And why should a native British orchid suffer ‘attacks’ from a bee? Half a century after Darwin's death, these three mysteries were shown to be aspects of a phenomenon now known as pseudocopulation, whereby male insects are deceived into attempting to mate with the orchid's flowers, which mimic female insects; the males then carry the flower's pollen with them when they move on to try the next deceptive orchid. Early twentieth-century botanists were able to see what their predecessors had not because orchids (along with other plants) had undergone an imaginative re-creation: Darwin's science was appropriated by popular interpreters of science, including the novelist Grant Allen; then H.G. Wells imagined orchids as killers (inspiring a number of imitators), to produce a genre of orchid stories that reflected significant cultural shifts, not least in the presentation of female sexuality. It was only after these changes that scientists were able to see plants as equipped with agency, actively able to pursue their own, cunning reproductive strategies – and to outwit animals in the process. This paper traces the movement of a set of ideas that were created in a context that was recognizably scientific; they then became popular non-fiction, then popular fiction, and then inspired a new science, which in turn inspired a new generation of fiction writers. Long after clear barriers between elite and popular science had supposedly been established in the early twentieth century, they remained porous because a variety of imaginative writers kept destabilizing them. The fluidity of the boundaries between makers, interpreters and publics of scientific knowledge was a highly productive one; it helped biology become a vital part of public culture in the twentieth century and beyond.


2003 ◽  
Vol 12 (3) ◽  
pp. 199-212 ◽  
Author(s):  
Sylvia Hardy

This article argues that, unlike most other science fiction writers, H.G. Wells gives considerable attention to language and language change in his futuristic writing; this is because he was, from the beginning of his career, fascinated by the ways in which language had shaped human lives and cultures. In many of the early scientific romances, particularly The Time Machine and The Island of Dr Moreau, failures in communication play an important part in the events of the story. In the later utopias such as The World Set Free and The Shape of Things to Come, Wells makes English the basis of a new world language, which plays an essential part in establishing social cohesion and extending the cognitive powers of the individual citizen.


Author(s):  
Jad Smith

Under his own name and numerous pseudonyms, John Brunner (1934–1995) was one of the most prolific and influential science fiction authors of the late twentieth century. During his exemplary career, the British author wrote with a stamina matched by only a few other great science fiction writers and with a literary quality of even fewer, importing modernist techniques into his novels and stories and probing every major theme of his generation: robotics, racism, drugs, space exploration, technological warfare, and ecology. This book, an intensive review of Brunner's life and works, demonstrates how Brunner's much-neglected early fiction laid the foundation for his classic Stand on Zanzibar and other major works such as The Jagged Orbit, The Sheep Look Up, and The Shockwave Rider. Making extensive use of Brunner's letters, columns, speeches, and interviews published in fanzines, the book approaches Brunner in the context of markets and trends that affected many writers of the time, including his uneasy association with the “New Wave” of science fiction in the 1960s and 1970s. This book shows how Brunner's attempts to cross-fertilize the American pulp tradition with British scientific romance complicated the distinctions between genre and mainstream fiction, and between hard and soft science fiction, and helped carve out space for emerging modes such as cyberpunk, slipstream, and biopunk.


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