بنية تشكيل الأحياز الشعرية في ديوان (ما يفوق الوصف) للشاعرة سوزان عليوان = Structure of the Poetry Collection (Ma Yafuk’ Al-Wasf) (Beyond Description) by Poet Suzan Eliwan

المجمع ◽  
2020 ◽  
pp. 27-52
Author(s):  
كحيل ، حنين ◽  
قورقماز ، سيف الله
Keyword(s):  
Poetry Collection

Ahiolohiya poetychnoyi zbirky Lazarya Baranovycha Żywoty świętych (1670)

2020 ◽  
pp. 249-258
Author(s):  
Olena Ruda
Keyword(s):  
Family Life ◽  
18Th Century ◽  
The Given ◽  
The Ideal ◽  
Poetry Collection

The purpose of the article is the analysis of hagiology in Lazar Baranovych’s poetry collection entitled Żywoty świętych (1670). This includes the fulfi lment of such tasks: 1) To enumerate the saints mentioned in the poetry collection; 2) To determine to which church/epoch/place of worship or order of sainthood they belong; 3) To determine how full the saints’ details of biography are refl ected in the poetry collection mentioned above; 4) To understand Lazar Baranovych’s view on the topic of diff erent kinds of sainthood clearly; 5) To measure the actuality of his views given the context of the 18th century Ukraine. The results of the research are shared in the given article, showing how exactly Lazar Baranovych defi ned for himself the concept of the sainthood at the fi rst place. They also tell us about his views on the call for monkhood and family life and help us to reconstruct the images of the ideal spiritual shepherd, female Christian etc.

Event, Trauma, and Ethics in Wing Tek Lum’s The Nanjing Massacre

MELUS ◽  
2021 ◽  
Vol 46 (1) ◽  
pp. 126-149
Author(s):  
Richard C Sha
Keyword(s):  
Traumatic Event ◽  
Ethical Implications ◽  
Nanjing Massacre ◽  
Poetry Collection

Abstract Wing Tek Lum’s 2012 poetry collection The Nanjing Massacre raises vital questions about trauma. How do we know when a traumatic event begins? What cognitive options are open to victims of trauma? What are the ethical implications of our theories of trauma? I thus situate this volume between Bessel van der Kolk’s and Jacques Lacan’s theories of trauma because these poems challenge their key assumptions. Lum turns to poetry to think through how trauma begins and ends, the degree to which healing the gap between body and mind is part of the “cure” or part of the disease, and how much cognitive stretching is possible in trauma’s wake.

The sequence form of accounting for atrocity

2021 ◽  
pp. 175069802110179
Author(s):  
Meredith Kimenyi Shepard
Keyword(s):  
Original Work ◽  
Alternative Form ◽  
Mass Violence ◽  
Mass Atrocity ◽  
New Form ◽  
Poetry Collection

Discussions of aesthetic representations of mass atrocity have tended to focus on a particular form—the atrocity allegory—that figures a collective horror through the narrative of an individual protagonist. This essay outlines some of the limits of the atrocity allegory and then examines an alternative form of denoting collective horror, the sequence, through two examples of sequential representation of the genocide against the Tutsi in Rwanda: Juliane Okot Bitek’s poetry collection 100 Days and Wangechi Mutu’s photography essay #100Days. I argue that the sequence offers a radically different method of conceptualizing mass violence than the atrocity allegory by forcing the audience to confront multiple, intimate portraits of loss in quick succession. Unlike the allegory, the sequence does not require the audience to extrapolate from the singular to the collective, as the plurality of sequencing performs that link between individual and collective on its own. I furthermore suggest that the atrocity sequence inspires collaboration and activism by inviting audiences to continue the sequence in a new form where the original work ends, a continuation made possible by the sequence form’s resistance to closure.

The Fractured “I”: An Autoethnographic Account of a Part-Time Doctoral Student’s Experience With Scholarly Identity Formation

2020 ◽  
pp. 107780042091889
Author(s):  
Erin Leach
Keyword(s):  
Identity Formation ◽  
Lived Experience ◽  
Doctoral Students ◽  
Full Time ◽  
Doctoral Socialization ◽  
Scholarly Identity ◽  
Part Time ◽  
The University ◽  
Affective Dimensions ◽  
Poetry Collection

This autoethnographic poetry collection provides an entry into the socialization of part-time doctoral students by centering the lived experience of the author, a part-time doctoral student employed full-time at the university where she studies. In the writing of this poetry collection, the author sought to enter into conversation with the doctoral socialization literature and to uncover the various parts of her fractured identity. Through an examination of her own fractured identity, the author engages with the places where scholarly identity formation is stalled in part-time doctoral students especially in comparison with their full-time peers and considers affective dimensions of the work of scholarly identity formation.

scholarly journals Märta Tikkanen’s gender and alcohol saga

2017 ◽  
Vol 34 (4) ◽  
pp. 289-298
Author(s):  
Anne-Marie Mai
Keyword(s):  
Alcohol Abuse ◽  
Married Couple ◽  
Men And Women ◽  
The Public ◽  
Love Story ◽  
Public Recognition ◽  
Alcohol Abuser ◽  
And Gender ◽  
The Relationship ◽  
Poetry Collection

Märta Tikkanen’s poetry collection Århundradets kärlekssaga ( The love story of the century, 1978) is a confessional book on life in a family where the husband and father is an alcohol abuser. It is also a love story about a married couple who love one another despite the terrible challenges posed to the relationship by alcoholism. The poetry collection became one of the most influential books in contemporary Nordic fiction, its themes on gender roles and alcohol abuse setting the trend in the Nordic discussion of women’s liberation. Märta Tikkanen’s courage to tell her own private story inspired other women to confess their gender equality problems to the public. The alcohol abuse of Märta Tikkanen’s husband Henrik Tikkanen was seen as an allegory for the more general problems in the relation between men and women. My essay introduces Märta Tikkanen’s poetry collection and discusses how the poems develop the theme of gender and alcohol. I will also compare her description of their marriage with Henrik Tikkanen’s self-portrait in his autobiographical novella Mariegatan 26, Kronohagen (1977). The analysis refers to contemporary research on gender and alcohol abuse and discusses how the poems contribute to a public recognition of the relationship between gender and alcohol abuse. The essay discusses the reception of Märta Tikkanen’s influential poems and explores her treatment of alcohol and gender in relation to other Nordic confessional or fictional books on alcohol abuse.

scholarly journals ON THE COLLECTION OF POEMS FOR CHILDREN “WINNER” BY DZHAMINAT KERIMOVA: POETICAL MEANS AND DEVICES

2020 ◽  
pp. 51-55
Author(s):  
Inna Khumkerkhanovna Alhlavova
Keyword(s):  
Poetry Collection ◽  
Children's Poetry

The article on the materials of the children's poetry collection "Winner" analyzes works for children of Dzhaminat Kerimova, examines their artistic and ideological-themed originality, genre-style features.

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