الصورة الشعرية في اللوحة التشكيلية : رائد قطناني أنموذجا = The Poetic Image in the Painting of Raed Qatanani

المجمع ◽  
2020 ◽  
pp. 1-26
Author(s):  
خطيب ، جهينة
Keyword(s):  
Poetic Image

scholarly journals The Functionality of Color Terms in Antarah IBN SHADAD's Poetry

2018 ◽  
Vol 214 (1) ◽  
pp. 47-74
Author(s):  
M . Raad Abdul Jabbar Jawad
Keyword(s):  
Personal Experience ◽  
Arabic Language ◽  
The Other ◽  
Color Terms ◽  
Black And White ◽  
Poetic Image ◽  
Explicit Reference ◽  
Poetic Diction ◽  
Definition Of ◽  
Poetry Collection

     To start with, a definition of the term 'color' in Arabic language is presented.  Then, a study of colors implications in Al-Jahili poetry is proceeded; the poet's creativity in using color terms and incorporating these terms in Jahili poems explicitly or implicitly in forming up the topics of their poetry, then outlined. Color figures and images are dominant in Al-Jahili poetry to its extreme so as to propagate an oasis of environmental emulations, on one hand, and an outlet for personal experience on the other. In his poetry, Antara followed his ancestors' poetic traditions and closely textualized their inspirations and fantasies in his versification.  Partly, his poetic diction was personalized; whereas, the semantic contents tackled by ancestors were mediated and de toured astray in some instanses.  Reviewing his poetry collection one can infer his typical attitudes of using colors: the black, the white, the red, the green, the blue, and the yellow. Excessive use of these colors can be cited along with multiplicity of presentation in creating a quantum of color implications especially those of the white and the black, he used a decorated mosaic of colors in forming his poetic image; whereas he incorporated a corona of colors in restoring his poeticity.  Color contrasts are foregrounded in building up perceptible imagesof his poems. Colorful images, he used, asa loverand as a knight are merged with his passion and bravery; though gloomy in his macabre. The paper concludes that Antara used an excessive influx of colors terminology and semantic sheds in entailing his topics, focusing on the red, black and white.  The black was his favorite; whereas the red and the black are used excessively in his expressions.  Explicit reference to the red and black was the highest in number in the selected poems.  Essentially, some node that the notability of the black was a symptom of suffering and degrading he suffered as a black.

On the Poetic Image

1984 ◽  
Vol 20 (2-3) ◽  
pp. 81-84
Author(s):  
A. F. Losev
Keyword(s):  
Poetic Image

O. Mandelstam’s poem “Save my speech forever…”: to the interpretation of “dark” places

2021 ◽  
pp. 53-58
Author(s):  
Vasily P. Moskvin ◽  
Keyword(s):  
Scientific Literature ◽  
Functional Basis ◽  
Poetic Image ◽  
Significant Characteristic

The dark places of O. Mandelstam’s poem “Save my speech forever…” are considered, and explanatory solutions and comments are offered for each case. The existing interpretations in the scientific literature are critically analyzed, in particular: the presence of a figurative leitmotif in the poem (the article argues for the absence of such a leitmotif); the version supported by a number of experts about the poet’s readiness to make a deal with the authorities expressed in this text (arguments are given in favor of the fact that this version is based on allegoresis that is not quite acceptable for this particular case; hypostasis of the poetic image). The functional basis of the focusing on speech obscuration, which is considered a significant characteristic of the poetics of the late Mandelstam, is clarified, and the origins of the internal form of the term Heraclitus’ metaphor introduced by the poet are revealed.

The Fall(?) of the Old English Female Poetic Image - Reply

PMLA ◽  
1990 ◽  
Vol 105 (2) ◽  
pp. 307-308
Author(s):  
Pat Belanoff
Keyword(s):  
Old English ◽  
Poetic Image

VOYONS VOIR BECKETT RÉALISATEUR: qui voit quoi où? ou: n'y a-t-il vraiment que nuages passant dans le ciel à la télévision?

2008 ◽  
Vol 19 (1) ◽  
pp. 303-312
Author(s):  
Anne-Cécile Guilbard
Keyword(s):  
Reciprocal Relation ◽  
Poetic Image ◽  
The Law ◽  
Text Schema ◽  
Television Plays ◽  
The Ideal

……, one of the few television plays by Beckett that deviates from the law of the continuous shot, explicitly interrogates the conditions of the image's visibility. In this sense it exemplifies the contest between visual and literary image in Beckett's oeuvre. A close look at three of the work's constituents (its text, schema, and production) reveals a reciprocal relation between the vision of H and F, which recalls the problematic of and the pursuit of O by Œ. In the present instance, however, the poetic image appears the ideal and absent site of a possible union.

Illusion and the Poetic Image

1969 ◽  
Vol 28 (2) ◽  
pp. 197-204
Author(s):  
JUDITH DUNDAS
Keyword(s):  
Poetic Image
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