scholarly journals الجمالية الحسية لصورة البحر بين نيرودا وعلي محمود طه : دراسة مقارنة = The Aesthetic Sensory Image of the Sea between Neruda and Ali Mahmoud Taha : Comparative Study

الخطاب ◽  
2019 ◽  
Vol 14 (2) ◽  
pp. 117-152
Author(s):  
ضباب ، منصور بن محسن
Film Matters ◽  
2021 ◽  
Vol 12 (1) ◽  
pp. 29-65
Author(s):  
Anushree Joshi ◽  
Saman Waheed

Using the premise of the 2018 Bollywood film, October, this article aims to contrast the poetry of Keats and Shelley with the film’s plot. It focuses upon the theme of the transience of human existence, inevitability of change, and ephemerality of life. In doing so, the article argues that the expression of urban ennui in October and Hindi cinema has tendencies of the Romanticist rendering, resembling the aesthetic of the given poets. The lack of human connectivity and self-centeredness in the contemporary times is similar to the ideas of the Enlightenment, which the Romantics contested.


2017 ◽  
Vol 140 (4) ◽  
pp. 757-764
Author(s):  
Georgina S. A. Phillips ◽  
Marc C. Swan ◽  
Adam R. Sawyer ◽  
Tim E. E. Goodacre ◽  
Michael Cadier

2020 ◽  
Vol 25 (2) ◽  
pp. 61-63
Author(s):  
Iuliana Babiuc ◽  
Ioana-Ioesefina Opincaru ◽  
Mihaela Păuna ◽  
Mihai Burlibașa ◽  
Gabriela Tănase ◽  
...  

AbstractIntroduction: Esthetic dentistry aims to create a harmonious smile that is well integrated with the facial architecture of the patient. A good understanding of the patient’s esthetic perception is important when designing a smile.Materials and methods: 106 subjects, 51 patients 54 dental students took part in the study. Each subject was asked to evaluate 10 pictures showing frontal aspect of real cases. They were asked to rate the aesthetics of the clinical cases on a scale from 1 to 5. An open question was associated with each picture, where the subjects were asked to describe what they like and what they do not like about the picture.Results and discussions: The overall mean esthetic rating of dental students was 2,68, while the laypersons’ rating was 2,98. Crowded teeth are more often criticized by patients, while dental students consider that slight crowding give a more natural appearance and individualize the teeth. The presence of diastema is observed by dental students even when it is discrete. The discrepancy between maxillary and mandibular dental midline is more easily observed by dental students. Discolored teeth lead to low aesthetic scores for both groups of subjects. Dental students gave lower esthetic scores to restorations with uniform colour, while laypersons appreciate white restorations. The limited height of papillae is considered unattractive by dental students, while laypersons hardly notice this aspect.Conclusions: This study showed several differences in the aesthetic perception of dental students and laypersons. Students were generally more critical and gave lower scores than laypersons. They also observed and criticized more aspects regarding the smile.


2018 ◽  
Vol 14 (26) ◽  
pp. 265
Author(s):  
Tadili Khalid

This paper focuses on highlighting the particular contribution of the recovered object in the change of artistic techniques and the aesthetic modalities of theatrical representation. It is an opportunity to emphasize this alliance between everyday materiality and the space of the scenic representation in the form of the recovery of the forgotten and an attribution of a second life which is relative to objects marked by obsolescence. Objects loaded from reality, familiar use, and social sharing acquired rhetorical functioning captivated by their use in unusual space. Our approach consists of stopping on this particularity of the recovered object from a comparative study of its different uses by the directors and the playwrights. This is done in order to highlight the artistic potentialities which it generates and the various aesthetic reports that it triggers in the theatrical field. This type of representation highlights the fight against the obsolescence in favor of a new spectacular load so as to mobilize the spectators' imagination. For this purpose, it seems to us that the recovered object is able to find the base of its aesthetic representation. It is about a reflection object which makes the usual the origin of a rhetorical expressivity in order to place it at the very center of the theatrical creation.


Neophilologus ◽  
2021 ◽  
Author(s):  
Kateřina Valentová

AbstractThe concept of the human beast is assigned to the French novelist, Émile Zola, who is the first to codify principles of Naturalism, against which all future naturalist works would be compared. In his novels, especially in the saga Les Rougon-Macquart, the human beast, «la bête humaine», appears as a literary character embedded in the lower social strata, who, due to harsh working and living conditions in the French capital during the Second Empire, acts according to its most basic instincts. The actions of a human beast are violent and brutal and its behavior conditioned by limited education. In his novels, Zola applies the doctrines of biological determinism as well as the laws of heredity attained from scientific readings that were very popular among the intellectuals of the period. However, the theoretical principles recollected in Le roman expérimental (G. Charpentier et Cie Éditeurs, 1880) were not equally applied in other countries due to different literary precedents as well as diverse socio-historical and philosophical backgrounds. This paper aims to examine the nuances in the aesthetic representation of the human beast in Zola’s L’Assommoir (1877), Galdós’ La Desheredada (1881) and Crane’s Maggie, a Girl of the Streets (1843), delving into the behavioral patterns which shape the unique characteristics of their human beasts.


2020 ◽  
pp. 175319342097922
Author(s):  
Kazuhiro Tsunekawa ◽  
Shoji Kondoh ◽  
Masahiko Noguchi ◽  
Shunsuke Yuzuriha ◽  
Motonao Iwasawa

We performed a comparative study looking at the aesthetic outcomes of using a digital artery vascularized adipose flap (DAAF) for treatment of Wassel type IV radial polydactyly versus a fillet flap technique. Clinical charts and pictures of patients between 2002 and 2017 were reviewed to evaluate the appearance of 16 reconstructed thumbs using a visual analogue scale. Our results showed that the DAAF technique resulted in better outcomes with regard to contour of the thumb than the fillet flap group, with significantly less conspicuous scarring in the DAAF group. We conclude that the DAAF can produce better aesthetic outcomes in the reconstruction of radial polydactyly than conventional fillet flaps. Level of evidence: III


2021 ◽  
Vol 13 (2) ◽  
pp. 773-780
Author(s):  
Reham Mohammad Al-Mohtadi ◽  
Mosab Hamdan Allymoon

This study aims at comparing esthetic sense among governmental kindergartens and private kindergartens in Karak governorate, located in southern areas of Jordan. To achieve study aims, the descriptive analytical approach is used. The sample consists of 200 male and female pupils, divided equally. One hundred children study at governmental kindergartens, and the same number is taken from private kindergartens. Besides, the esthetic sense scale is used as a study tool. The results show that there are not any statistical differences between students in governmental and private kindergartens in terms of house dimension on the aesthetic sense of the photographer scale. In contrast, there are statistically significant differences in kindergarten, external environment dimensions, and the scale as a whole in favour of the private kindergartens. The study recommends that esthetic education should be included in kindergartens'' programs. Sessions and dialogues between lady teachers and students' parents regarding the esthetic sense and its importance to the child are held.


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