scholarly journals Professor V. V. Lazarev’s Creative Contribution to the Formation and Modernization of the International Scientific and Practical Forum “Yurtechnetics”

2021 ◽  
Vol 8 (11) ◽  
pp. 1-1
Author(s):  
Vladimir Baranov
Keyword(s):  
Creative Contribution

Diplomatic heritage of a prominent live

2021 ◽  
Author(s):  
Tatyana L. Musatova
Keyword(s):  
Gold Mining ◽  
100Th Anniversary ◽  
Soviet Period ◽  
Cement Plant ◽  
Strategic Decisions ◽  
Cultural Objects ◽  
Economic Diplomacy ◽  
Creative Contribution ◽  
Bilateral Cooperation ◽  
Foreign Ministry

22.06.2021 marks the 100th anniversary of the prominent Soviet diplomat, Ambassador Extraordinary and Plenipotentiary of the USSR L. N. Musatov (1921–2001). His handwritten legacy reflects the stages of a great life, from the party leadership (since 1957-second secretary of the Ulyanovsk Regional Party Committee) to work in the USSR Foreign Ministry, where he became "one of the best ambassadors"-Africanists. Ambassador to Mali (late 1965–1970), Guinea (1973–1978), Guinea-Bissau (1974–1975), Madagascar (1980–1986), he always worked with enthusiasm, achieving great achievements, for which he was awarded orders. He was a non-capitalist theorist with an "African face", in the most flexible economic forms. He focused on economic diplomacy, the study of which during the Soviet period is just beginning. These developing countries now rely on the bauxite plant in Guinea, Kindia, a cement plant and gold mining in Mali. L. N. Musatov emphasized common values in the development of cooperation, the donation of cultural objects, the sending of Africans to study in the USSR, which helped to form a benevolent elite towards Russia. Such facts contributed to the birth of the traditions of Russian-African cooperation and the holding of the Russia-Africa Summit in Sochi in 2019, as well as to the adoption of strategic decisions on the revival of bilateral cooperation. L. N. Musatov made a great contribution to the study of classical diplomacy, "the diplomacy of trust " (first, on the experience of his communication with the President of Madagascar). He loved working with people, and a whole galaxy of new Russian diplomats with the rank of ambassadors and envoys came out of his embassies. In general, the memory of a diplomat is determined not only and not so much by appointments and business trips, but by the creative contribution of everyone in their field of work, embodied in constructive deeds. Only they remain in history and are in demand by descendants.

scholarly journals ANDREY OL'S CREATIVE CONTRIBUTION TO THE DEVELOPMENT OF LOW-RISE HOUSING CONSTRUCTION (ON THE EXAMPLE OF LOW-RISE RESIDENTIAL COMPLEXES IN URITSK AND IN SOSNOVAYA POLYANA)

2020 ◽  
pp. 6-6
Author(s):  
Maria N. Rybalkina
Keyword(s):  
Spatial Planning ◽  
Housing Construction ◽  
Leningrad Region ◽  
Public Figure ◽  
Creative Contribution ◽  
Post War

The article is dedicated to the work of the outstanding Soviet architect and public figure Andrei Andreevich Ol’ in the field of low-rise housing construction in the pre-war and war periods. The author describes in detail his planning and development solutions for the low-rise residential complex in Uritsk and considers the spatial planning features of the low-rise residential complex located in Sosnovaya Polyana, Leningrad Region developed during the first post-war decade.

scholarly journals Irreproachable Serving the Library (to the Anniversary of M.Y. Dvorkina)

2016 ◽  
Vol 1 (2) ◽  
pp. 177-182
Author(s):  
Arkadiy V. Sokolov
Keyword(s):  
Library Science ◽  
Library Service ◽  
Creative Contribution ◽  
Further Development ◽  
Scientific Pedagogical

There is considered the scientific-pedagogical activity of M.Y. Dvorkina as an example of perfect library service. The creative contribution of M.Y. Dvorkina to the library science is characterized. There are specified the issues that need further development and study.

L’opera d’arte video tra diritto e mercato

2019 ◽  
Vol 6 (1) ◽  
Author(s):  
Alessandra Donati Alessandra Donati ◽  
Eliana Romanelli
Keyword(s):  
Technological Development ◽  
Video Art ◽  
Legal Framework ◽  
Legal Regulation ◽  
Moral Rights ◽  
Legal Analysis ◽  
Collective Work ◽  
Italian Law ◽  
The Status ◽  
Creative Contribution

Despite being a form of art that dates back in time, the work of video art still struggles today to find a shared legal framework. There is a risk to associate video art with other more traditional artistic forms and this risk has prevented video art from attributing its own autonomy, independence and expressive specificity. Artists’ videos are not listed among the works expressly protected by Italian Law no. 633/1941 (Law on protection of copyright and moral rights), with all the consequences in terms of determining the holders of the moral and patrimonial rights of the author and the division of these rights between the various persons who, in various ways, contribute to their realization (artist, director, screenwriter, interpreters, music authors, etc.), especially if the video works result from the indissoluble creative contribution and the collective work of a group of people. Finally, video art inevitably suffers the limits of digital art: it is easily reproducible, perishable, not limited and numbered in its editions, subject to obsolescence resulting from technological development; these factors causes the arising of various difficulties in terms of claiming the status of a work of art in the essence of its uniqueness, originality and authenticity. The relevance of issues related to legal regulation and the conservation of video art is also relevant for the possible recognition as a cultural asset that audiovisual media of a rare and valuable nature can obtain under the Italian Legislative Decree no. 42/2004 (Code of Cultural Heritage). Of extreme importance, therefore, is the legal analysis aimed at qualifying such a medium, through which to frame its expressive nature and understand how to manage the circulation of such works of art, how to ensure their protection and preservation and ensure their authenticity and paternity.

Formation and Development of the Kyiv School of Art Textiles: Traditions and Innovations

2021 ◽  
pp. 158-165
Author(s):  
Olena Maydanets-Barhylevych
Keyword(s):  
Cultural Identity ◽  
Art History ◽  
Decorative Arts ◽  
Teaching Staff ◽  
Artistic Process ◽  
Decorative Art ◽  
Current State ◽  
Creative Contribution ◽  
Ethnic Memory ◽  
History Approach

The purpose of the article is to outline – based on analyzing the development of the Kyiv School of Decorative Arts in context of the historical and artistic process of the XXth to XXIst centuries – the main principles of specialization Art Textiles on the ground of the Mykhaylo Boychuk Kyiv State Academy of Decorative and Applied Arts and Design. The methodology consists of applying an art history approach to historical and artistic analyses of works of artistic textiles, as well as the systematic consideration of peculiarities of the Kyiv School of Decorative Arts. The scientific novelty lies in the substantiation of a phenomenon of the Kyiv School of Art Textiles, creative-pedagogical and scientific-methodological means in teaching students, themes of diploma theses as an important component in preserving ethnic memory, and national-cultural identity. Conclusions. The results of the study highlight the features of the artistic language of the Kyiv School of Textiles, the specifics of scientific and pedagogical methods used in the Academy, as well as the creative guidelines of the teaching staff. Defined are prospective trends of development and strengthening of the Department of Art Textiles and Costume Modelling, principles of comprehending the conventional art and its transformation into the newest stylistic forms to meet today’s requirements. The scientific research gives an idea of ​​the current state of decorative art and artistic textiles, and the creative contribution of the scientific and pedagogical staff of the ATCM Department in the context of the integration of Ukrainian art into the European cultural space.

The Copyrightability of Opera Direction

2021 ◽  
Author(s):  
Vincenzo Iaia
Keyword(s):  
Copyright Protection ◽  
Legal Protection ◽  
Legal Framework ◽  
Copyright Law ◽  
The Other ◽  
Eu Law ◽  
Eu Member States ◽  
Dramatic Text ◽  
Creative Contribution ◽  
Consistent Solution

Abstract A judgment of the Italian Court of Cassation – No. 17565 of 18 June 2021 – offers an opportunity to investigate the legal protection options applicable to the direction of opera. As this issue is not addressed by EU law, EU Member States have adopted different approaches, from awarding copyright, to neighboring rights, to a mixture of the two. This opinion aims at finding the most consistent solution within the Italian legal framework. After an assessment of the alternative legal options, it argues that opera direction should be eligible for copyright protection via an analogical application of Art. 44 of the Italian copyright law, which indirectly includes cinematic direction within the area of copyrightable works. This conclusion is based on the fact that there are no substantial differences between the two types of direction justifying a diverse treatment. Otherwise, it would result in blatant and unsubstantiated discrimination because both categories of directors set out to convert a text – the dramatic text or the film script – to the medium of theatre or film respectively. Finally, this opinion suggests that even if the other creative roles involved in opera making are not addressed by the law, they too should qualify as co-authors if they make a creative contribution.

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