scholarly journals Changing the Map in Greece and Italy: Place-name Changes in the Nineteenth Century

2021 ◽  
Vol 17 ◽  
pp. 205
Author(s):  
Eleni Kyramargiou ◽  
Yannis Papakondylis ◽  
Fransesco Scalora ◽  
Dimitris Dimitropoulos

The concern of the newly founded Kingdom of Greece for the reestablishment of old place names dates to 1833 and was due to a clear and deliberate effort to break with the Ottoman past and connect the modern Greek state with ancient and Byzantine Greece. In post-Risorgimento Italy, the fundamental causes of toponymic changes wasto lessen the potential for confusion between the numerous homonymous municipalities that, once part of various sovereign states, were now part of a single nation. This article discusses the parallel paths that Greece and Italy followed on the renaming issue, where the internal discourse evolved within similar political and ideological parameters, both at an administrative and public dialogue level. However, despite their similarities, the final decisions in Greece and Italy were dictated by, firstly, the administrative organisation and structure selected by each country and, secondly, the political and ideological priorities, which were set in direct correlation with the domestic political conflicts, as well as the different circumstances each country faced in relation to its borders and the rise of antagonistic neighbouring nationalisms.

Author(s):  
Yannis Hamilakis

This article attempts to briefly highlight an alternative Hellenism, indigenous Hellenism as performed by intellectuals and state bureaucrats, politicians and citizens, and poets and ordinary people, in Greece since the nineteenth century. Through a process of sacralization, classical antiquity was placed at the centre of the emerging modern state, and the material culture of the past (ruins, statues, inscriptions, etc.) gained in status and value. While the new nation of Greece saw itself as the resurrection of an ancient entity, the ideological basis for this national project was provided by a home-grown synthesis of ‘western’ and indigenous Hellenisms. The discussion also argues that it was the crucial work of Johann Gustav Droysen which facilitated this synthesis. It was his idea of a continuity between the ancient and modern worlds that gave Greek intellectuals the impetus to trace their own origins back to the classical past.


2019 ◽  
Vol 35 (3) ◽  
pp. 327-351
Author(s):  
Omar Velasco Herrera

Durante la primera mitad del siglo xix, las necesidades presupuestales del erario mexicano obligaron al gobierno a recurrir al endeudamiento y al arrendamiento de algunas de las casas de moneda más importantes del país. Este artículo examina las condiciones políticas y económicas que hicieron posible el relevo del capital británico por el estadounidense—en estricto sentido, californiano—como arrendatario de la Casa de Moneda de México en 1857. Asimismo, explora el desarrollo empresarial de Juan Temple para explicar la coyuntura política que hizo posible su llegada, y la de sus descendientes, a la administración de la ceca de la capital mexicana. During the first half of the nineteenth century, the budgetary needs of the Mexican treasury forced the government to resort to borrowing and leasing some of the most important mints in the country. This article examines the political and economic conditions that allowed for the replacement of British capital by United States capital—specifically, Californian—as the lessee of the Mexican National Mint in 1857. It also explores the development of Juan Temple’s entrepreneurship to explain the political circumstances that facilitated his admission, and that of his descendants, into the administration of the National Mint in Mexico City.


Author(s):  
Nurit Yaari

This chapter examines the lack of continuous tradition of the art of the theatre in the history of Jewish culture. Theatre as art and institution was forbidden for Jews during most of their history, and although there were plays written in different times and places during the past centuries, no tradition of theatre evolved in Jewish culture until the middle of the nineteenth century. In view of this absence, the author discusses the genesis of Jewish theatre in Eastern Europe and in Eretz-Yisrael (The Land of Israel) since the late nineteenth century, encouraged by the Jewish Enlightenment movement, the emergence of Jewish nationalism, and the rebirth of Hebrew as a language of everyday life. Finally, the chapter traces the development of parallel strands of theatre that preceded the Israeli theatre and shadowed the emergence of the political infrastructure of the future State of Israel.


Author(s):  
Edward Bellamy

‘No person can be blamed for refusing to read another word of what promises to be a mere imposition upon his credulity.’ Julian West, a feckless aristocrat living in fin-de-siècle Boston, plunges into a deep hypnotic sleep in 1887 and wakes up in the year 2000. America has been turned into a rigorously centralized democratic society in which everything is controlled by a humane and efficient state. In little more than a hundred years the horrors of nineteenth-century capitalism have been all but forgotten. The squalid slums of Boston have been replaced by broad streets, and technological inventions have transformed people’s everyday lives. Exiled from the past, West excitedly settles into the ideal society of the future, while still fearing that he has dreamt up his experiences as a time traveller. Edward Bellamy’s Looking Backward (1888) is a thunderous indictment of industrial capitalism and a resplendent vision of life in a socialist utopia. Matthew Beaumont’s lively edition explores the political and psychological peculiarities of this celebrated utopian fiction.


Author(s):  
Jack Santino

Since the nineteenth century, attention in folklore and folklife studies has shifted from viewing certain customary symbolic actions such as “calendar customs” and rituals of the life course to a more inclusive performance-oriented perspective on holidays and customs. Folklorists recognize the multiplicity of events that people may consider ritual and festival, and the porous nature of these categories. The concept of the “sacred” has expanded to include realms other than the strictly religious, so as to include the political and other domains, both official and unofficial. A comprehensive study of ritual and festival incorporates a close study of folk and popular actions as well as institutional ceremony. In the twenty-first century, approaching events as both carnivalesque and ritualesque allows folklorists to describe purpose and intention in public events, and to account for political, commemorative, celebratory, and festive elements in any particular event.


1947 ◽  
Vol 9 (2) ◽  
pp. 183-204
Author(s):  
Frank O'Malley

The question is: how can you put a prophet in his place when, by the very character of prophecy, he is eternally slipping out of place? William Blake was not an eighteenth century or nineteenth century mind or a typically modern mind at all. What I mean to say, right at the start, is that, although well aware of his time and of time altogether, he was not in tune with the main tendencies of his or our own time. Indeed time was a barrier he was forever crashing against. Blake's talent raved through the world into the fastnesses of die past and dramatically confronted the abysses of the future. His age did not confine him. As a poet he does not seem finally to have had real spiritual or artistic rinship with any of the rationalist or romantic writers of England. As a thinker he came to despise the inadequacy of the limited revolutionary effort of the political rebels of the Romantic Revolution. Blake's name is not to be seen mounted first with that of Paine or Godwin, of Rousseau or Voltaire, of Wordsworth or Shelley or Byron or Keats. With these he has, ultimately, little or nothing in common. At any rate, his voice and mood and impact are thoroughly different from the more publicly successful voices of the period of his life, older and younger generations alike.


1985 ◽  
Vol 26 (1) ◽  
pp. 51-68 ◽  
Author(s):  
Toyin Falola

The view that Ibadan society in the nineteenth century did not discriminate against strangers, irrespective of their origins in Yorubaland, is now firmly entrenched in the literature. To be sure, Ibadan, a new nineteenth-century Yoruba city-state, founded as a consequence of the political crises of the early decades of the century, did maintain an ‘open door’ policy to strangers, many of whom went there as adventurers, craftsmen and traders, hoping to acquire wealth and fame. This article, however, controverts the view that Ibadan society gave the strangers and the indigenes equal opportunities to wealth and power. It argues that all the key political offices went only to the Oyo-Ibadan group which dominated the city-state. Strangers were also not allowed to participate fully in the leading heights of the economy, with the result that most of the wealthy citizens were also of Oyo-Yoruba origin.In the 1890s discrimination against strangers was such that a number of moves were made to expel them. However, the British, who imposed colonial rule on Ibadan in 1893, were against the expulsion of strangers.


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