scholarly journals Review of: Anthony Molho, Ετεροδοξία, Πειθάρχηση, Απόκρυψη στις απαρχές των Νεοτέρων χρόνων. Αναστοχασμοι για μια ευρωπαϊκη παραδοση / Dissent, Discipline, Dissimulation in Early Modern Europe: Reflections on a European Tradition,

2017 ◽  
Vol 13 ◽  
pp. 160
Author(s):  
Viviana Tagliaferri

The present volume is the reworked text of the 2013 Annual C. Th. Dimaras Lecture given at the National Hellenic Research Foundation by Anthony Molho on the interplay of the historiographical triptych of dissent/ discipline/dissimulation. In particular, the book deals with the theme of dissimulation that the author developed in the narrative of the lecture, giving first its definition and then configuring it as a spread of European practice. He analyses its forms through the exposition of six case studies and concludes with several considerations on the ethic nature of dissimulation in a mass society in which privacy seems to have lost its value.

2013 ◽  
Vol 23 ◽  
pp. 103-125 ◽  
Author(s):  
Judith Pollmann

ABSTRACTFolklore experts have shown that for a legend to be remembered it is important that it is historicised. Focusing on three case-studies from early modern Germany and the Netherlands, this article explores how the historicisation of mythical narratives operated in early modern Europe, and argues that memory practices played a crucial role in the interplay between myth and history. The application of new criteria for historical evidence did not result in the decline of myths. By declaring such stories mythical, and by using the existence of memory practices as evidence for this, scholars could continue to take them seriously.


Author(s):  
Déborah Blocker

This article discusses how the constitution, circulation and institutionalization of discourses on poetry and the arts in early modern Europe could best be accounted for from a historical point of view. Pointing to various inconsistencies in the way historians of ideas have traditionally explained the rise of aesthetic discourses, the article examines the usefulness of the tools crafted by historians of the book for the development of such a project. Through an example, the drawbacks of interpretations based solely on serial bibliographies are also addressed, as the author argues for the importance of case studies, grounded in social, cultural and political history, through which various types of aesthetic practices may be made to appear. She also suggests that, to bypass the theoretical and practical deadlocks of traditional Begriffsgeschichte as far as the study of aesthetic practices is concerned, intellectual traditions and the actions that make them possible — that is “actions of transmission” — are to be promoted to the status of primary hermeneutic tools.


Mediaevistik ◽  
2018 ◽  
Vol 31 (1) ◽  
pp. 456-457
Author(s):  
Evan Kuehn

This volume brings together seventeen papers on the nature of political theology, and theological-political case studies from the medieval and early modern periods (this review will focus only on highlights from the essays relevant to the medieval period). Throughout the volume, political theology is recognized as a historical process of interaction between political and religious concepts, but the introduction defines this more specifically as “the analysis of the tension between the spiritual and the temporal in its very different spheres” (13). Thus political theology is recognized as <?page nr="457"?>not merely a diachronic inquiry, but also a consideration of conceptual structures.


2020 ◽  
Author(s):  
Catherine Abou-Nemeh

This collection of case studies explores interactions between scholars and craftsmen, natural philosophers and mathematical practitioners. Covering primarily sixteenth- and early seventeenth-century Britain, the volume makes occasional forays into French, Italian, and Dutch contexts. Lesser known mathematical practitioners, such as the Venetian physician-mathematician Ettore Ausonio and the London instrument maker Elias Allen, appear alongside Descartes and Galileo.<br>


2020 ◽  
Author(s):  
Catherine Abou-Nemeh

This collection of case studies explores interactions between scholars and craftsmen, natural philosophers and mathematical practitioners. Covering primarily sixteenth- and early seventeenth-century Britain, the volume makes occasional forays into French, Italian, and Dutch contexts. Lesser known mathematical practitioners, such as the Venetian physician-mathematician Ettore Ausonio and the London instrument maker Elias Allen, appear alongside Descartes and Galileo.<br>


2012 ◽  
Vol 17 (5) ◽  
pp. 477-499 ◽  
Author(s):  
Jennifer M. Rampling

Continental authors and editors often sought to ground alchemical writing within a long-established, coherent and pan-European tradition, appealing to the authority of adepts from different times and places. Greek, Latin and Islamic alchemists met both in person and between the covers of books, in actual, fictional or coincidental encounters: a trope utilised in Michael Maier’s Symbola aureae mensae duodecim nationum (1617). This essay examines how works attributed to an English authority, George Ripley (d. c. 1490), were received in central Europe and incorporated into continental compendia. Placed alongside works by the philosophers of other nations, Ripley’s writings helped affirm the unity and truth of alchemy in defiance of its critics. His continental editors were therefore concerned not only with the provenance of manuscripts and high-quality exemplars, but by a range of other factors, including the desire to suppress controversial material, intervene in contemporary polemics, and defend their art. In the resulting compilations, the vertical axis of alchemy’s long, diachronic tradition may be compared to the horizontal plane of pan-European alchemy.


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