Identification of lime-based mural painting techniques in catacombs using well-established criteria of stratigraphic investigation

2014 ◽  
pp. 59-64
Author(s):  
D Tapete ◽  
R Piovesan ◽  
E Cantisani ◽  
F Fratini ◽  
C Mazzoli ◽  
...  
Keyword(s):  
Mural Painting ◽  
Painting Techniques

MURAL, KEKUATAN MODAL, DAN MASYARAKAT

DeKaVe ◽  
2013 ◽  
Vol 1 (1) ◽  
Author(s):  
Akbar Annasher
Keyword(s):  
Public Space ◽  
Public Spaces ◽  
Communication Media ◽  
Mural Painting ◽  
The People ◽  
The Media ◽  
Mural Art ◽  
The City ◽  
The Voice ◽  
Special Region

Broadly speaking, this paper discusses the phenomenon of murals that are now spread in Yogyakarta Special Region, especially the city of Yogyakarta. Mural painting is an art with a media wall that has the elements of communication, so the mural is also referred to as the art of visual communication. Media is a media wall closest to the community, because the distance between the media with the audience is not limited by anything, direct and open, so the mural is often used as media to convey ideas, the idea of ??community, also called the media the voice of the people. Location of mural art in situations of public spatial proved inviting the owners of capital to use such means, in this case is the mural. Manufacturers of various products began racing the race to put on this wall media, as time goes by without realizing the essence of the actual mural art was forced to turn to the commercial essence, the only benefit some parties only, the power of public spaces gradually occupied by the owners of capital, they hopes that the community can view the contents of messages and can obtain information for the products offered. it brings motivation and cognitive and affective simultaneously in the community.Keywords: Mural, Public Space, and Society.

A combined analytical approach applied to Medieval wall paintings from Puglia (Italy): The study of painting techniques and its conservation state

2015 ◽  
Vol 47 (3) ◽  
pp. 321-328 ◽  
Author(s):  
Daniela Fico ◽  
Antonio Pennetta ◽  
Giulia Rella ◽  
Antonella Savino ◽  
Valentina Terlizzi ◽  
...  
Keyword(s):  
Analytical Approach ◽  
Wall Paintings ◽  
Painting Techniques

Painting Techniques

Parnassus ◽  
1938 ◽  
Vol 10 (7) ◽  
pp. 28
Author(s):  
Raphael Doktor
Keyword(s):  
Painting Techniques

EXCEPTION TO THE RULE: HOW ADAPTATION GENIUS MATTEO RICCI FAILED TO UNDERSTAND CHINESE PAINTING

2020 ◽  
pp. 126-135
Author(s):  
Dinara V. Dubrovskaya ◽  
Keyword(s):  
Host Country ◽  
Qing Dynasty ◽  
Second Generation ◽  
Interesting Case ◽  
Chinese Painting ◽  
Great Opportunity ◽  
Matteo Ricci ◽  
Jesuit Mission ◽  
Visual Materials ◽  
Painting Techniques

The article looks into an interesting case of artistic accommodation, which for a number of reasons did not happen during the time of the leader and one of the founders of the Jesuit mission in China, Matteo Ricci (1552–1610), a successful preacher and author of the so called ‘Matteo Ricci Rules’, justifying the need to adapt missionary activities and preaching to the beliefs, traditions and culture of the host country. The author proposes for her analysis two opposite figures — the Chinese Jesuit of the second generation, provincial landscape painter Wu Li (1632–1718) and Italian painter who worked at the court of the emperors of the Manchu Qing dynasty Giuseppe Castiglione (Lan Shining; 1688–1766), trying to show the long way of the adaptation of artistic techniques from the time of the mission’s founder Matteo Ricci, who did not accept and did not understand Chinese painting, and Wu Li, who did not see the value of European painting, to Lan Shining and his patrons, the Qing emperors, who created a sophisticated ‘Occidentalist’ style, combining features of Western and Chinese painting. The author concludes that Matteo Ricci, even though he used visual materials in his sermons as an aid to verbal preaching, missed the great opportunity of preaching through the brush, while Giuseppe Castiglione and his colleagues, European masters working at court, essentially continued to use ‘Ricci’s Rules’ and the accommodative method of preaching through the adaptation of European painting techniques to the Chinese ones, using the appropriate direct wishes and orders of the crowned representatives of the non-Chinese dynasty.

MIXED MEDIA SEBAGAI ALTERNATIF PENCIPTAAN LUKISAN DI MUSEUM RUDY ISBANDI SURABAYA

2016 ◽  
Vol 10 (02) ◽  
pp. 15-22
Author(s):  
Suhendroyono Suhendroyono ◽  
Novita Nugraheni
Keyword(s):  
Positive Impact ◽  
Mixed Media ◽  
3 Dimensional ◽  
Works Of Art ◽  
Museum Development ◽  
Used Goods ◽  
Painting Techniques

Mixed Media developments in the manufacture of paintings at the Museum Rudy Isbandi has evolved with new innovations to be able to attract the attention of visitors. Utilization of used goods for Mixed Media painting techniques as an alternative of making the painting a positive impact on the environment even though not all of the junk could dimanfaatakn to be a painting that transform media and creative. The use of second-hand goods can produce works of art that manifold visual and 3-dimensional character who is able to make the artists are interested in collecting. The facilities provided by the Museum Rudy Isbandi not been standardized to make visitors comfortable. Keywords: Rudy Isbndi Museum, Development of Mixed Media, Utilization of thrift, appeal used goods

Sign in / Sign up

Export Citation Format

Share Document