Industrial design & design theory

2013 ◽  
pp. 603-672
2013 ◽  
Vol 318 ◽  
pp. 174-176 ◽  
Author(s):  
Ren Qiang Lin ◽  
He Li ◽  
Meng Ma ◽  
Wen Wang

At present, many domestic and international products' design are promoted the design concept based on the user experience or user awareness. It has been generally aware of the industrial design is no longer just belong to the narrow shape and design areas, therefore a correct understanding of user experience and user awareness is very necessary, whereas in the study of design theory, a lot of people have user experience mixed with user awareness as one concept, it's a truth that the both are closely linked, while there are certain differences between them, if they are mixed together, it will not only narrow us thinking play space, but also disable to achieve greater breakthroughs in the design process of innovation, on the contrary if the correct understanding and reasonable use of the both and furthermore transplanted into the design of the product, for the current field of industrial design, it is a huge reform and innovation.


Author(s):  
Alexander N. Brezing ◽  
Manuel Lo¨wer

It is generally accepted that superior products result from a balanced consideration of both “technology” and “aesthetic design”. Nonetheless, the gap between the two professions of the “design engineer” and the “industrial designer” has not been bridged since their origination in the course of industrialization [7]. One possible approach to enhance the collaboration of both disciplines is to teach the basics of the respective other’s. In Germany, the main work following this approach of trying to prepare engineers for design collaborations is the VDI guideline 2424 (“The Industrial Design Process”) [21], which was worked out and released in three parts from 1984 to 1988 by a group of engineering design researchers and industrial designers. As no accepted industrial design theory could be identified at that time, the authors of the guideline tried to apply some of engineering design methodology’s proven methods taken from the VDI guideline 2221 [19] that seemed to fit to industrial design. That approach ultimately failed, as the authors of the guideline had to conclude themselves in the opening remarks of its last part [21]. Even if the guideline is still officially in use for the lack of a replacement, it is hardly used in engineering education. Since then however, accepted theoretical approaches have been produced by industrial design research that allow for the definition of an interdisciplinary theory on product development. This paper introduces these approaches and arranges them together with models of engineering design methodology to serve as a basis for a design theory that explains both domains’ competences and responsibilities. A function-oriented product model is set up that illustrates existing interdependencies by classifying a technical product/project according to the relative importance of its technical function (engineering’s competence) on the one hand and its semiotic functions (industrial design’s competence) on the other. The realization of industrial design’s competence as signification and the organization of its devices according to the model of semiotic functions explain existing organizational problems of interdisciplinary design practice. It is demonstrated why industrial design cannot proceed according a purely technical design process such as the one defined in the VDI guideline 2221 and what implications that has on interdisciplinary design projects.


Author(s):  
Nikita Lebedev

Relevance of the covered in this article questions of referring to standardization in the course of design engineering is defined nu the observed over the recent decade changes in the character of organization of the surrounding a human object world, its complication and growing disarray. The subject of research is the specificity of implementation of standardization principles in project engineering of industrial design with emphasis on interpretation of the latter as the activity on development of user experience. Special attention is given to the description and analysis of experience of referring to project capabilities of standardization in the course of developing design for industrial testing equipment. The author examines the modern research in the area of industrial design, as well classical works in the field of design theory. The scientific novelty consists in determination and specification of the role of standardization in modern industrial design, which currently underlies the development of experience of user interaction. An important outcome became the creation of a project, which novelty is substantiated by international patent. The result of implementation of standardization principles in the course of design engineering of control and protection mechanisms of testing equipment lies in the complex solution of such tasks, as ensuring stylistic unity of the entire product line, ergonomics of operators’ positions, conservation of material, human and time resources. The author outlines the prospects of implementation of standardization in industrial design in the nearest futures due to the need for bringing a growing array of technical devices to a common standard.


Author(s):  
Shannan Clark

Chapter 7 explores how the ideal of creativity evolved within the postwar culture industries, with a particular focus on developments in advertising and industrial design. Following the defeat of the Popular Front, many culture workers from the mid-1950s through the early 1970s came to believe that their rising affluence set them in a new realm of freedom beyond necessity. Nonetheless, the ethos of creativity in postwar America clashed with the forces of consumer capitalism that still constrained the autonomy of culture workers. This tension was particularly evident in the creative revolution that swept New York’s advertising industry during the 1960s, but, as the chapter shows, it also influenced the evolution of industrial design theory and practice during the heyday of postwar prosperity.


2013 ◽  
Vol 321-324 ◽  
pp. 553-557
Author(s):  
Fang Tian Ying ◽  
Jian Xing Cai ◽  
Qi Wang ◽  
Ye Tao ◽  
Chao Chen ◽  
...  

Emotion has inalienablerelationship with culture. Nowadays, there is an increasing tread in designersto integrate culture elements in product designs. Based on previous emotional design theory,we made a thorough analysis from three levels respectively: visceral level, behavior level and reflective level and tried to work out a culturaldesign method with the purpose of integrating culture withtechnologically industrial design. Subsequently, to validate this method, we developed an interactivelamp design with multi-sensor technology, which called “Lightceremony”, inspired by a specialcultural element, tea ceremony.


2010 ◽  
Vol 37-38 ◽  
pp. 313-316
Author(s):  
Xi Song

Although Chinese industrial design has developed for over 30 years, the combination of design principles and practice could not meet the challenges of the new era. Design management could be used in reconstructing the core competence of Chinese enterprises. An atmosphere of effective communication and respect for each other is useful in achieving design objective. Design-appraising system will be eventually established by integrating design theory with practice.


2011 ◽  
Vol 71-78 ◽  
pp. 2063-2067 ◽  
Author(s):  
Chang Xian Cheng

Today’s industrial design has gone beyond the traditional product design. China is in the transfer process from the world's manufacturing plant to the world's manufacturing center. Chinese manufacturing industry is transiting from mass production and mass marketing to brand competition and design competition; China’s industrial design is moving from design for products and design for industrial enterprises to design for the market and users, and from basic industries- and technology-oriented model to sales- and marketing-oriented and brand- and user-oriented model. The importance of implementing user-friendly design principles and applying ergonomic principles to sustainable design in Industrial design is increasingly becoming the consensus of the industries. In today's information society, the media industry is charged with an irreplaceable task of information manufacture and dissemination. A variety of devices (including electronic, optical, mechanical equipment and instruments, and even household facilities and equipment, etc.) used by the modern media industry need the direct contact, operation or use of the operator. Design and manufacture of these devices need to apply modern ergonomic design theory and research results. In this paper, the importance of ergonomics, the features and research aspects of modern ergonomics, developing trends of ergonomics, and the application of ergonomics in the media industry are described.


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