Crime Control versus Social Work Approaches in the Context of the “3P” Paradigm: Prevention, Protection, Prosecution

2011 ◽  
pp. 116-141
1996 ◽  
Vol 29 (3) ◽  
pp. 282-298
Author(s):  
Warwick Tie

The New Zealand Corrections Division has historically used the voluntary social work sector as a means of regulating criminality ‘at a distance’. Shifts in the modes through which the Division has related to the voluntary sector are analyzed here using Santos' form of legal-pluralist theory. That theory suggests that innovative forms of legal regulation are created when divergent modes of law interpenetrate one another. These new modes of legal power then attempt to regulate sociality by constructing the subjectivity of those with which they interact. This article suggests that the Corrections Division is itself characterised by dual forms of subjectivity, namely communitarian and proceduralist. The tension between these has become evident as the Division has sought to inculcate a proceduralist subjectivity within the voluntary sector, so as to construct voluntary sector agencies as self-regulating subjects. The tension exists between the Division's need to use the voluntary sector as a means by which it can regulate criminality, and to construct and respect that sector as an autonomous entity. Moreover, the imposition of a proceduralist subjectivity, because it is an imposition, has the potential to diminish the ability of those agencies to control crime and/or to critique its social construction.


2014 ◽  
Vol 23 (4) ◽  
pp. 173-186 ◽  
Author(s):  
Deborah Hinson ◽  
Aaron J. Goldsmith ◽  
Joseph Murray

This article addresses the unique roles of social work and speech-language pathologists (SLPs) in end-of-life and hospice care settings. The four levels of hospice care are explained. Suggested social work and SLP interventions for end-of-life nutrition and approaches to patient communication are offered. Case studies are used to illustrate the specialized roles that social work and SLP have in end-of-life care settings.


2015 ◽  
Author(s):  
Marie Connolly ◽  
Louise Harms
Keyword(s):  

Author(s):  
Jeeyun Oh ◽  
Mun-Young Chung ◽  
Sangyong Han

Despite of the popularity of interactive movie trailers, rigorous research on one of the most apparent features of these interfaces – the level of user control – has been scarce. This study explored the effects of user control on users’ immersion and enjoyment of the movie trailers, moderated by the content type. We conducted a 2 (high user control versus low user control) × 2 (drama film trailer versus documentary film trailer) mixed-design factorial experiment. The results showed that the level of user control over movie trailer interfaces decreased users’ immersion when the trailer had an element of traditional story structure, such as a drama film trailer. Participants in the high user control condition answered that they were less fascinated with, absorbed in, focused on, mentally involved with, and emotionally affected by the movie trailer than participants in the low user control condition only with the drama movie trailer. The negative effects of user control on the level of immersion for the drama trailer translated into users’ enjoyment. The impact of user control over interfaces on immersion and enjoyment varies depending on the nature of the media content, which suggests a possible trade-off between the level of user control and entertainment outcomes.


1995 ◽  
Vol 40 (7) ◽  
pp. 664-665
Author(s):  
Thomas J. Berndt
Keyword(s):  

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