Educational and Cultural Frameworks

2008 ◽  
pp. 213-213
Keyword(s):  
Cultural Frameworks

Forging Aztecness: Twentieth-Century Mexican Musical Nationalism in Twenty-First Century Los Angeles

2020 ◽  
Vol 52 ◽  
pp. 127-146
Author(s):  
KRISTINA F. NIELSEN
Keyword(s):  
United States ◽  
Los Angeles ◽  
Mexican American ◽  
Historical Analysis ◽  
The United States ◽  
First Century ◽  
Ethnographic Fieldwork ◽  
Cultural Frameworks ◽  
Music Research ◽  
Siglo Xx

Abstract (Spanish/English)Forjando el Aztecanismo: Nacionalismo Musical Mexicano del Siglo XX en el siglo XXI en Los ÁngelesHoy en día, un creciente número de músicos mexico-americanos en los Estados Unidos tocan instrumentos indígenas mesoamericanos y réplicas arqueológicas, lo que se conoce como “Música Azteca.” En este artículo, doy a conocer cómo los músicos contemporáneos de Los Ángeles, California, recurren a los legados de la investigación musical nacionalista mexicana e integran modelos antropológicos y arqueológicos aplicados. Al combinar el trabajo de campo etnográfico con el análisis histórico, sugiero que los marcos musicales y culturales que alguna vez sirvieron para unir al México pos-revolucionario han adquirido una nuevo significado para contrarrestar la desaparición del legado indígena mexicano en los Estados Unidos.Today a growing number of Mexican-American musicians in the United States perform on Indigenous Mesoamerican instruments and archaeological replicas in what is widely referred to as “Aztec music.” In this article, I explore how contemporary musicians in Los Angeles, California, draw on legacies of Mexican nationalist music research and integrate applied anthropological and archeological models. Pairing ethnographic fieldwork with historical analysis, I suggest that musical and cultural frameworks that once served to unite post-revolutionary Mexico have gained new significance in countering Mexican Indigenous erasure in the United States.

The Detraditionalization of Intimacy Reconsidered

2005 ◽  
Vol 23 (3) ◽  
pp. 286-311 ◽  
Author(s):  
Neil Gross
Keyword(s):  
Intimate Relationships ◽  
The United States ◽  
Sexual Intimacy ◽  
Moral Communities ◽  
Cultural Frameworks ◽  
The World ◽  
Relative Decline ◽  
Modern Era ◽  
Late Modern ◽  
The U.S

This essay challenges those strains of contemporary social theory that regard romantic/ sexual intimacy as a premier site of detraditionalization in the late modern era. Striking changes have occurred in intimacy and family life over the last half-century, but the notion of detraditionalization as currently formulated does not capture them very well. With the goal of achieving a more refined understanding, the article proposes a distinction between “regulative” and “meaning-constitutive” traditions. The former involve threats of exclusion from various moral communities; the latter involve linguistic and cultural frameworks within which sense is made of the world. Focusing on the U.S. case and marshaling various kinds of empirical evidence, the article argues that while the regulative tradition of what it terms lifelong, internally stratified marriage has declined in strength in recent years, the image of the form of couplehood inscribed in this regulative tradition continues to function as a hegemonic ideal in many American intimate relationships. Intimacy in the United States also remains beholden to the tradition of romantic love. That these meaning-constitutive traditions continue to play a central role in structuring contemporary intimacy suggests that detraditionalization involves the relative decline only of certain regulative traditions, a point that calls into question some of the normative assessments that often accompany the detraditionalization thesis.

scholarly journals Reconciling Western and Arab Feminisms

1970 ◽  
pp. 62-65
Author(s):  
Azza Basarudin
Keyword(s):  
Middle Eastern ◽  
Cross Cultural ◽  
Historical Background ◽  
Arab Women ◽  
Multiple Factors ◽  
Cultural Frameworks ◽  
Cultural Dialogue ◽  
National Boundaries ◽  
North And South ◽  
East West

This article attempts to address how Western and Arab (North and South) feminists are able to envision solidarity and empower women across local and national boundaries through (1) connecting local and global gender issues and (2) reconciling Western feminist scholarships and Arab women’s culturally specific positions in international and cross-cultural frameworks. Given the historical background of the Middle East, there is a need to understand multiple factors such as class, nation, racism, sexism, colonialism and imperialism that influence Arab women’s struggles for liberation. Arab women’s struggles cannot be defined and situated in a context that removes the diversity of their historical experiences, location, religion and cultural factors. I would like to examine how Arab women are marginalized within the sphere of Western feminism(s) because they have been portrayed as passive victims instead of active participants seeking mobility and changes in their society. In dismantling the binary construct of East/West, liberated/oppressed, colonizers/colonized and progressive/backwards in global feminist discourses, there is an urgent need for a cross-cultural dialogue between Western and Arab feminisms in order to create space that allows differences to be recognized and examined, and crafting a meeting point for women to relate across their differences. For Western feminists trying to make sense of Middle Eastern issues and Arab women’s struggles, solidarity will remain elusive unless they recognize that women’s experiences and struggles cannot be separated from race, class, nation, colonization and imperialism.

scholarly journals The phenomenon of signed music in Deaf culture

2021 ◽  
Vol 20 (4) ◽  
pp. 259-271
Author(s):  
Marina Radić-Šestić ◽  
Mia Šešum ◽  
Ljubica Isaković
Keyword(s):  
Technological Development ◽  
Deaf Culture ◽  
Past Century ◽  
Deaf Community ◽  
The Past ◽  
Art Form ◽  
Cultural Frameworks ◽  
Musical Perception ◽  
Musical Elements

Introduction. Music in the Deaf community is a socio-cultural phenomenon that depicts a specific identity and way of experiencing the world, which is just as diverse, rich and meaningful as that of members of any other culture. Objective. The aim of this paper was to point out the historical and socio-cultural frameworks, complexity, richness, specific elements, types and forms of musical expression of members of the Deaf community. Methods. The applied methods included comparative analysis, evaluation, and deduction and induction system. Results. Due to limitations or a lack of auditive component, the members of Deaf culture use different communication tools, such as speech, pantomime, facial expressions and sign language. Signed music, as a phenomenon, is the artistic form which does not have long history. However, since the nineties of the past century and with technological development, it has been gaining greater interest and acknowledgement within the Deaf community and among the hearing audience. Signed music uses specific visuo-spatial-kinaesthetic and auditive elements in expression, such as rhythm, dynamism, rhyme, expressiveness, iconicity, intensity of the musical perception and the combination of the role of the performer. Conclusion. Signed music as a phenomenon is an art form that incorporates sign poetic characteristics (lyrical contents), visual musical elements and dance.

Radical Botany: An Introduction

2019 ◽  
pp. 1-27
Author(s):  
Natania Meeker ◽  
Antónia Szabari
Keyword(s):  
Seventeenth Century ◽  
New Media ◽  
Scientific Knowledge ◽  
Cultural Frameworks ◽  
Historical Periods

This chapter uncovers a tradition of radical botany in which plants participate in the effort to imagine new worlds and envision new futures. Offshoots of this tradition wend their way from the seventeenth century into the twenty-first, moving through different historical periods and cultural frameworks and gradually taking on global significance. In a context where modernity is often equated with the exploitation and brutalization of nature, the authors, critics, filmmakers, and theorists whose works are introduced here develop an understanding of vegetality as driving the production of technology, scientific knowledge, and new media forms. This chapter includes a survey of critical plant studies (including the work of Michael Marder, Jeffrey T. Nealon, and Natasha Myers) to show how, in this emergent field, plants remain partners with humans in modernity, even as both plants and humans find themselves under threat by forces that vastly outstrip their abilities to master, grasp, or model them.

scholarly journals The struggle for respectability: Methodism and Afro-Caribbean culture on 19th century Nevis

1990 ◽  
Vol 64 (3-4) ◽  
pp. 93-114 ◽  
Author(s):  
Karen Fog Olwig
Keyword(s):  
19Th Century ◽  
Caribbean Culture ◽  
Cultural Frameworks ◽  
English Speaking ◽  
Caribbean Population ◽  
The Relationship

The relationship between the English Methodists and the Afro-Caribbean population was one informed by different cultural frameworks as well as different class interests. The author examines the missionizing activities in the English-speaking Caribbean, in particular Nevis.

scholarly journals Suspended transitions and affective orderings: From troubled monogamy to liminal polyamory

2017 ◽  
Vol 27 (2) ◽  
pp. 183-197 ◽  
Author(s):  
Giazú Enciso Domínguez ◽  
Joan Pujol ◽  
Johanna F. Motzkau ◽  
Miroslav Popper
Keyword(s):  
Intimate Relationships ◽  
Personal Transformation ◽  
Cultural Frameworks ◽  
Monogamous Relationship

While monogamy is the norm for romantic and intimate relationships in contemporary western societies, having other sexual and affective interactions alongside a monogamous relationship is a common practice. Instead of a unilateral and/or covert non-monogamy, polyamory promises a consensual, ethical, and responsible non-monogamy. The personal transformation of normative cultural frameworks is fundamental to the experience of “becoming polyamorous.” This article explores such occasions using the notion of liminality in order to illustrate the phenomenon of “liminal hotspots.” Focusing on a specific and exemplary case describing the first stages of a polyamorous relationship, the paper explores the reordering of social formations involved. In this case, “becoming polyamorous” is expressed through a process of suspended transition where categories can be described as both/and monogamous/polyamorous and neither/nor monogamous/polyamorous.

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