Nosological Models in Psychiatry

1994 ◽  
Vol 164 (2) ◽  
pp. 232-240 ◽  
Author(s):  
Pierre Pichot
Keyword(s):  
The Self ◽  
The Earth ◽  
The Face ◽  
The Way

“Nature, in the production of diseases, is uniform and consistent; so much so, that for the same disease in different persons the symptoms are for the most part the same; and the self-same phenomena that you could observe in the sickness of a Socrates you would observe in the sickness of a simpleton. Just so the universal characters of a plant are extending to every individual of the species; and whoever (I speak in the way of illustration) should accurately describe the colour, the taste, the smell, the figure, etc. of the single violet would find that his description held good, there or thereabout, for all the violets of that particular species upon the face of the earth.”

Supreme Scooper

1998 ◽  
Vol 74 (4) ◽  
pp. 511-513
Author(s):  
Tom Appleton
Keyword(s):  
High Water ◽  
Initial Attack ◽  
Water Capacity ◽  
The Earth ◽  
The Face ◽  
The Way

Canadair's CL-415 amphibious aircraft is arguably the most advanced firefighting waterbomber on the face of the earth. With its high water capacity and advanced performance, it leads the way in rapid initial attack to contain fires.

scholarly journals Ruin philosophy, poetic discourse and the collapse of meta-narratives in Aleksandr Kushner's poetry of the 1970s

Nordlit ◽  
2017 ◽  
Author(s):  
Andreas Schönle
Keyword(s):  
The Self ◽  
Close Reading ◽  
Poetic Discourse ◽  
Philosophical Background ◽  
The Face ◽  
Creative Forces ◽  
Bear Witness ◽  
Shed Light ◽  
The Way

This article offers an analysis of the trope of ruin in the poetry of Aleksandr Kushner (born 1936), in particular through a close reading of two of his poems: “In a slippery graveyard, alone” and “Ruins”. The analysis of these poems is preceded by an overview of ruin philosophy from Burke and Diderot to Simmel and Benjamin, with particular emphasis on the way the trope of ruin contemplation stages a confrontation between the self and what transcends it (death, history, nature, etc.). This philosophical background serves as a heuristic tool to shed light on the poetry of Kushner. Through the trope of ruin, Kushner explores the legitimacy of poetic speech after the collapse of all meta-narratives. Kushner has no truck with Diderot's solipsism, nor with Hegel's bold narrative of progress, nor with Simmel's peaceful reconciliation with the creative forces of nature. Nor, really, does he intend to bear witness to history, the way Benjamin does in the faint anticipation of some miracle. Instead, Kushner posits the endurance of a community united not around a grand project, but around the idea of carrying on in the face of everything, muddling through despite the lack of hopes for a transformational future and making the most of fleeting moments of positivity that emerge out of the fundamental serendipity of history.

Face to Face, Hand to Hand: Relations of Exchange in Hamlet

2019 ◽  
pp. 109-131
Author(s):  
Emily Shortslef
Keyword(s):  
The Self ◽  
The Other ◽  
Ethical Relation ◽  
Face To Face ◽  
Mutual Awareness ◽  
The Face ◽  
Sense And Respond ◽  
The Way

In this essay, Emily Shortslef reads three linked encounters between Hamlet and Laertes in Act 5 of Hamlet—their fight at Ophelia’s grave, Hamlet’s recollection of this event in his subsequent expression of remorse, and their fatal duel before Claudius—in relationship to Levinas’s conceptualization of the face-to-face encounter as the ethical relation. She shows how Levinas’s notion of the self as constituted through the encounter with irreducible and unknowable alterity makes these scenes visible as moments in which the self is called into question by the other. At the same time, in contrast to Levinas’s famously asymmetrical concept of relationality and responsibility, the relationality that emerges in these scenes—one generated by the risk inherent in fighting on stage—necessitates mutual awareness of the other’s presence, careful attunement to movement, and reciprocal gestures of provocation and response. Each character discloses himself through the way that their facing bodies sense and respond to the other’s motion. In these antagonistic but collaborative encounters between Hamlet and Laertes, Shakespeare stages a relation of exchange that at the end of the play will also enable an exchange of forgiveness.

scholarly journals Phenomenology and the Possibility of Religious Experience

Open Theology ◽  
2017 ◽  
Vol 3 (1) ◽  
Author(s):  
Ronald L. Mercer
Keyword(s):  
Religious Experience ◽  
Religious Language ◽  
The Self ◽  
Human Beings ◽  
Theological Turn ◽  
Human Situation ◽  
The Face ◽  
The Subject ◽  
The Way ◽  
Idea Of God

AbstractWork in what has been known as the theological turn in French phenomenology describes the way in which human beings are always, already open to a religious encounter. This paper will focus on Levinas as a proper transcendental phenomenologist as would be characterized by parts of Husserl and Husserl’s last assistant Eugen Fink. What Levinas does in his phenomenology of the face/other (which gets tied up in religious language) is to describe an absolute origin out of which the subject arises. This point of origin structures the self in such a way as to always, already be open to that which overflows experience and, thus, makes possible the very experience of an encounter with the numinous. Such an approach to religious experience for which I am arguing simply takes Levinas at his word when he declares “The idea of God is an idea that cannot clarify a human situation. It is the inverse that is true.” (“Transcendence and Height”) Understanding the structure of the subject as open to that which cannot be reduced/totalized/ encapsulated is to recognize that the human situation is ready for the possibility of religious experience.

scholarly journals Porcupine and Other Stories: Legal Relations in Secwépemcúlecw

2018 ◽  
Vol 48 (1) ◽  
pp. 153-201
Author(s):  
Hadley Friedland ◽  
Bonnie Leonard ◽  
Jessica Asch ◽  
Kelly Mortimer
Keyword(s):  
Research Unit ◽  
Indigenous Law ◽  
The Past ◽  
The Earth ◽  
Political Relations ◽  
The Face ◽  
The University ◽  
The Way

For thousands of years, Secwépemc laws (like other Indigenous laws) related to the Secwépemc lands, or “Secwépemcúlecw,” developed and were learned and practiced within a context where the personhood of Secwépemc individuals, as well as animals and the earth itself, was not in dispute. Nor was the existence, legitimacy or efficacy of Secwépemc laws. All of these crucial legal relationships still exist, and are ongoing. However, for the past 150 years or so, Secwépemc laws, and people, have lived in relation to something quite distinct — a set of laws that were jurispathic in nature —laws that would not recognize or tolerate any other law but themselves. The Secwépemc Nation’s resilience and perseverance in upholding and revitalizing Secwépemc laws in the face of this colonial disregard, attests to their strength and enduring value. In this article, the authors discuss the purpose, as well as some of the methods, outcomes and limits of the Secwépemc Lands and Resources Laws project produced in collaboration with the University of Victoria Indigenous Law Research Unit. They then examine present interactions between Secwépemc and state land and resources laws operating within Secwépemcúlecw, including the challenges and limited opportunities that exist within the way these legal and political relations are currently structured and implemented on the ground. Finally, they draw on the Secwépemc “Story of Porcupine” to suggest a constructive way forward towards a more mutually respectful Nation-to-Nation relationship between the Secwépemc people and the Canadian State.

New Prospects—The Structure of Sea Lanes

1976 ◽  
Vol 29 (4) ◽  
pp. 350-357
Author(s):  
R. B. Richardson
Keyword(s):  
Marine Environment ◽  
Considerable Progress ◽  
New Order ◽  
Modern Life ◽  
Self Help ◽  
The Earth ◽  
Learned Societies ◽  
The Face ◽  
The Right ◽  
The Way

There has been considerable progress within the last three years in the evolution of various traffic procedures in coastal and waterway areas. Society at last seems to be awakening to the need for some order and conformity as a means of protecting the marine environment. And sea people have accepted that communications—like steam—have altered the face of the Earth. Learned societies and professional institutions have each played their part on the new frontiers of sea affairs and we have between us not been backward in promoting our ideas as to what the new order could be. We begin to acknowledge that we belong to our times.We have used the bones of Torrey Canyon and her more recent successors in the Dover, Magellan and Malacca Straits to climb out of an age of obstinate rejection into one of enlightened self-help. Modern life does not tarry with yesterday, and the headlines of past accidents are not necessarily the right titles for future remedies. But they are very useful pointers along the way. Perhaps at last we have understood the nature of the traffic question and can now begin to seek the answers with a broader base of consensus.

Power of Darkness: Narrative and Biographical Reflexivity in A Series of Unfortunate Events

2008 ◽  
Vol 1 (2) ◽  
pp. 200-212
Author(s):  
ELIZABETH BULLEN
Keyword(s):  
The Self ◽  
Risk Society ◽  
Project Risk ◽  
Young Readers ◽  
The World ◽  
The Face ◽  
High Earning ◽  
Textual Culture ◽  
Children’S Exposure ◽  
Central Claim

This paper investigates the high-earning children's series, A Series of Unfortunate Events, in relation to the skills young people require to survive and thrive in what Ulrich Beck calls risk society. Children's textual culture has been traditionally informed by assumptions about childhood happiness and the need to reassure young readers that the world is safe. The genre is consequently vexed by adult anxiety about children's exposure to certain kinds of knowledge. This paper discusses the implications of the representation of adversity in the Lemony Snicket series via its subversions of the conventions of children's fiction and metafictional strategies. Its central claim is that the self-consciousness or self-reflexivity of A Series of Unfortunate Events} models one of the forms of reflexivity children need to be resilient in the face of adversity and to empower them to undertake the biographical project risk society requires of them.

When Silence Strikes: Derrida, Heidegger, Mallarmé

2018 ◽  
Vol 40 (2) ◽  
pp. 238-262
Author(s):  
Rodrigo Therezo
Keyword(s):  
The Earth ◽  
The Future ◽  
The Way

This paper attempts to rethink difference and divisibility as conditions of (im)possibility for love and survival in the wake of Derrida's newly discovered—and just recently published—Geschlecht III. I argue that Derrida's deconstruction of what he calls ‘the grand logic of philosophy’ allows us to think love and survival without positing unicity as a sine qua non. This hypothesis is tested in and through a deconstructive reading of Heidegger's second essay on Trakl in On the Way to Language, where Heidegger's phonocentrism and surreptitious nationalism converge in an effort to ‘save the earth’ from a ‘degenerate’ Geschlecht that cannot survive the internal diremption between Geschlechter. I show that one way of problematizing Heidegger's claim is to point to the blank spaces in the ‘E i n’ of Trakl's ‘E i n Geschlecht’, an internal fissuring in the very word Heidegger mobilizes in order to secure the future of mankind.

‘A pinch of unseen, unguarded dust’: The World and Self in Thomas Hardy's Poems

2018 ◽  
Vol 8 (1) ◽  
pp. 49-66
Author(s):  
Monika Szuba
Keyword(s):  
The Body ◽  
The Self ◽  
Phenomenological Philosophy ◽  
The Earth ◽  
The World ◽  
The Universe ◽  
Recurrent Theme ◽  
Body Subject

The essay discusses selected poems from Thomas Hardy's vast body of poetry, focusing on representations of the self and the world. Employing Maurice Merleau-Ponty's concepts such as the body-subject, wild being, flesh, and reversibility, the essay offers an analysis of Hardy's poems in the light of phenomenological philosophy. It argues that far from demonstrating ‘cosmic indifference’, Hardy's poetry offers a sympathetic vision of interrelations governing the universe. The attunement with voices of the Earth foregrounded in the poems enables the self's entanglement in the flesh of the world, a chiasmatic intertwining of beings inserted between the leaves of the world. The relation of the self with the world is established through the act of perception, mainly visual and aural, when the body becomes intertwined with the world, thus resulting in a powerful welding. Such moments of vision are brief and elusive, which enhances a sense of transitoriness, and, yet, they are also timeless as the self becomes immersed in the experience. As time is a recurrent theme in Hardy's poetry, this essay discusses it in the context of dwelling, the provisionality of which is demonstrated in the prevalent sense of temporality, marked by seasons and birdsong, which underline the rhythms of the world.

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