Research Note: Shanghai's Lexicographical Publishing House Library's Holdings on Republican Period Popular Culture and Education

1997 ◽  
Vol 22 (2) ◽  
pp. 103-112
Author(s):  
Robert Culp
2021 ◽  
pp. 135481662110482
Author(s):  
Chew Ging Lee ◽  
Shi-Min How

Limited studies have empirically shown that the inbound tourism of South Korea (hereafter Korea) is positively influenced by Hallyu, a Korean popular culture. Conceptually, some studies have suggested that in recent years, the popularity of Korean popular music is greater than Korean dramas, which spread Hallyu beyond the boundary of Korea since the late 1990s. This research note is the first attempt to analyse the effects of the two main aspects of Hallyu: broadcast, inclusive of Korean dramas and variety shows, and Korean popular music, on Korea’s inbound tourism. The findings suggest that broadcast has a stronger positive impact than Korean popular music on Korea’s inbound tourism because broadcast improves the destination image by featuring locations.


1989 ◽  
Vol 41 (1) ◽  
pp. 308-313
Author(s):  
William Michelsen

Grundtvig in Normal Danish.Helge Grell: The Spirit of the Creator and the Spirit of the People. An examination of Grundtvig’s ideas about peoples and popular culture, and their connection with his Christian view. Anis Publishing House, Århus. 346 pp.A Human First, A Christian Next. Helge Grell’s dissertation on Grundtvig under debate. Edited by Jens Holger Schjørring, the writers, and Anis Publishing House. Århus, 1988. 101 pp.Grundtvig’s prose is difficult to read, even for Danes. In this book Helge Grell has made his ideas about people, nations, and popular culture readable and intelligible. He has also examined Grundtvig’s relations with the non-Danish writers who have dealt with nationality and nationalism, and whom Grundtvig has known. The main problem has been whether Grundtvig - particularly in his writings from 1810 to 1865 - misused Christianity for the purpose of nationalistic propaganda against Germany, which he has been accused of, especially as regards the time around the two Schleswig wars, 1848-50 and 1864.The book is a chronological study of Grundtvig’s ideas from 1810 to 1865 which shows that his thoughts about peoples and popular culture have grown out of the particular philosophy and theology of creation that Grundtvig developed after his Christian revival in 1810 and which found its practical theological form especially in his years as pastor from 1821, and during his three journeys to England 1829-1831. From 1821 Grundtvig sees God’s work of creation as an act of love, which in the course of history has led Him to include the creation of peoples and popular culture. Grundtvig now sees the Holy Ghost as the spirit of human history who creates an interaction between God’s word and man’s word in its national form: the mother tongue, and who works through the spirit of a people. His ideas about people and popular culture are thus brought into connection with the Mosaic-Christian view of human life as a whole.To Grundtvig the Jewish people with its particular history constitutes what he understands by an "artificial people” in which the national spirit has, ’’with marvellous artistry”, created a unique God-chosen people from whose history Christianity was to develop (Selected Works, vol.V, p. 401-425). Grundtvig substitutes the phrase for Fichte’s "normal people”. Grell writes in this connection: ”The view of man of this people, developed through Christianity, must stand as normative in the interaction with the spirits of the two other great peoples, i.e., those of Greece and the Nordic countries, in order that they may serve universal history, and all other peoples are evaluated (by Grundtvig) in comparison with them." Grundtvig uses the term "natural peoples” for these two other principal peoples, i.e., peoples whose history can be traced chronologically, and who have preserved a living connection with the people’s spirit through a living mother tongue.A people’s spirit is regarded by Grundtvig as an image of God’s creator- spirit, just as poetry with its imagery is. Grell has made a more elaborate examination of Grundtvig’s theology of the Word in his preliminary study for the dissertation "The Creator Word and the Figurative Word”, which was published in 1980 and was reviewed in Grundtvig Studies 1982. It is also included in the German summary appended to the dissertation. It is through this close connection between Grundtvig’s theology of the Creation and his theology of the Word that Grell succeeds in defending Grundtvig against the accusations of nationalistic propaganda. Grell rightly claims that it is this key theme in his writings that must be attacked if one wants to make any effective criticism of his ideas about peoples and popular culture.Grell’s two theses are not directed against any other view of Grundtvig’s thinking. Only in the conclusion of the work did it appear that his dissertation might be read as an alternative to Kaj Thanings understanding of Grundtvig ("A Human Being First...”, Dissertation, Copenhagen 1963). A good deal of the debate during and after the public defence has therefore turned on this question, which in the dissertation is only brought up in the comprehensive notes. The dialogue between Thaning and Grell clearly demonstrates the mutual respect of the two scholars, but causes neither of them to change their attitudes or standpoint.


Author(s):  
Александр Флорентинович Эсоно

Статья посвящена особому подвиду немецких летучих листков XVII века с изображением городов. Включение подобных произведений в общепринятое понятие летучего листка требует убедительных доказательств, так как город является также объектом топографической гравюры. Однако анализ особенностей таких летучих видов позволяет воспринимать их как синтетическое произведение барокко, которое с помощью различных методов превращало топографическое изображение города в своеобразный портрет, узнаваемый из-за своей характерности. Таким образом, подобные портреты городов становились частью массовой культуры, являлись не только проявлением обобщенного интереса Нового времени к окружающему миру, но и выступали как развлекательная, возможно, даже туристическая продукция, создатели которой неизменно следовали барочным правилам правдоподобия. Одним из самых удачных для изучения примеров может служить издательство Пауля Фюрста в Нюрнберге, которое специализировалось на создании высококачественных летучих листков, привлекая к работе профессиональных граверов и поэтов. Из издательства Фюрста вышло значительное число летучих листков с изображением европейских городов, которые базировались на современных топографических гравюрах. The article is concerned to a special subspecies of German broadsheets of 17th century which were depicting cities. The inclusion of such works in the generally accepted concept of a broadsheet requires convincing evidence, because the city is also an object of topographic views. However, an analysis of the characteristics of such this subspecie of German broadsheets allows us to perceive them as a synthetic work of Baroque, which, using various methods, turned the topographic view of the city into a kind of portrait, recognizable because of its specificity. Thus, such portraits of cities became part of popular culture, they were not only a manifestation of the generalized interest of the Modern era to the world, but also was kind of entertainment, perhaps even a tourist product, and the creators of it invariably followed the rules of Baroque verisimilitude. One of the most successful cases for studying concrete examples is the publishing house of Paul Furst in Nuremberg, which specialized in creating high-quality broadsheets, involving professional engravers and poets in his work. A significant number of Fursts broadsheets which were depicting European cities were based on modern topographic views.


Author(s):  
Seyhan Bozkurt

This chapter explores the work and impact of Remzi Bengi and Yasar Nabi Nayir, two significant figures in the realm of culture planning and cultural exchange during the early Republican Period in Turkey. Bengi was an editor and the owner of Remzi Publishing House, a renowned publishing house, whilst Yasar Nabi Nayir, also an editor and publisher, was the proprietor of the journal Varlik and the Varlik Publishing House. This chapter argues that, in light of their significant contributions to publishing and translation activities of the period in question and their pioneering roles in the development of new culture repertoires and the cultural evolution of the same period, they should not be seen simply as editors and publishers but also as idea-makers, culture entrepreneurs and, indeed, “carriers” of life images.


2020 ◽  
Vol 29 (3S) ◽  
pp. 638-647 ◽  
Author(s):  
Janine F. J. Meijerink ◽  
Marieke Pronk ◽  
Sophia E. Kramer

Purpose The SUpport PRogram (SUPR) study was carried out in the context of a private academic partnership and is the first study to evaluate the long-term effects of a communication program (SUPR) for older hearing aid users and their communication partners on a large scale in a hearing aid dispensing setting. The purpose of this research note is to reflect on the lessons that we learned during the different development, implementation, and evaluation phases of the SUPR project. Procedure This research note describes the procedures that were followed during the different phases of the SUPR project and provides a critical discussion to describe the strengths and weaknesses of the approach taken. Conclusion This research note might provide researchers and intervention developers with useful insights as to how aural rehabilitation interventions, such as the SUPR, can be developed by incorporating the needs of the different stakeholders, evaluated by using a robust research design (including a large sample size and a longer term follow-up assessment), and implemented widely by collaborating with a private partner (hearing aid dispensing practice chain).


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