Historical Research on the Self and Emotions

2009 ◽  
Vol 1 (4) ◽  
pp. 302-315 ◽  
Author(s):  
William M. Reddy

Research on this topic in Europe and North America has reached a new stage. Prior to 1970, historians told a story of progress in which modern individuals gradually gained mastery of emotions. After 1970 this older approach was put into doubt. Since 1990 research into the history of emotions has increasingly relied on a new methodology, based on the assumption that emotion is a domain of effort, and that it is possible to document variance between emotional standards, on the one hand, and the greater or lesser success of individuals in conforming to them, on the other. Emotional standards are now assumed to display a history that is not progressive, but reflects distinctive features of each period.

Author(s):  
Nicholas Birns

The emergence of the trade paperback in the 1980s crucially transformed the way in which Australian literature was received in North America. The publication history of Patrick White on the one hand and Glenda Adams and Peter Carey on the other shows how younger writers actually made more of a cultural impact, despite White’s Nobel Prize, because the form in which they met the reading public was one freed from the modernist binary between high and low culture. The 1980s saw the emergence of a more globalized and more culturally pluralistic world—though also one much more pervaded by multinational capital—in which Australian writers flourished.


2021 ◽  
Vol 9 (2) ◽  
pp. 211-223 ◽  
Author(s):  
Alejandro Patat

In the last ten years, Noi credevamo (We Believed) (Martone 2010) has been the subject of a very careful criticism interested not only in its historical-ideological implications but also in its semiotic specificities. The purpose of this article is to summarize the cardinal points of these two positions and to add to them some critical observations that have not been noted so far. On the one hand, it is a matter of highlighting how, as a historical film, the work is connected with the history of emotions, a recent historiographical trend that aims to detect the narrative devices of ideological propaganda and the diffusion of feelings since the late eighteenth century. On the other hand, the article proposes a new interpretation of Mario Martone’s film, starting with the analysis of phenomena that are not only historical but also technical and structural.


Author(s):  
KIMIYO MURATA-SORACI ◽  

How are we to responsively belong to tradition? This paper retrieves the concept of self-tradition (Sichüberlieferung) in Heidegger’s magnum opus Being and Time (1927). We will take as a guiding light Heidegger’s designation of a mode of his phenomenology as “phenomenology of the inapparent” expressed in the 1973 Zähringen Seminar. We will pay special heed to the function of the middle voice, neutrality of Da-sein, and tautology in the question of Being and history and bring to light the relation between authentic temporality and authentic historicity in a tautological turning of the selfsame. We will make a remark on the delay of Da-sein’s authentic historicity in the light of the “self-tradition” which marks Heidegger’s non-metaphysical response to the heritage of metaphysics of presence. In the wake of the phenomenology of the inapparent, we will turn to Derrida’s 2008 text The Animal that Therefore I Am to explore Derrida’s different approach to free the “I am” from that of Heidegger’s Dasein whose being is set in Jeweilig-Jemeinigkeit. We will show how Derrida’s invention of animot enables him and us to speak with the voices of our non-human animal others and enables us to free ourselves from the fixities of presence of the present in our thought, language, and sensitivity. In a relay of the two philosophers’ reading of us and their ways of self-overcoming of man as rational animal, we will learn to be in question and to learn to relate to one another without reducing one to the other and other to the one.


2021 ◽  

Autonomous use of violence — whether for vengeance or in a feud — can potentially endanger community safety. The contributors to this volume depict the logic and narrative strategies used to validate the autonomous use of violence on the one hand, and examine attempts to delegitimise such violence through legal and religions norms on the other. In doing so, they focus on the endeavours of theologians to discredit violence used in a feud as a danger to the salvation of an individual’s soul and as a threat to everyone’s safety. As emotions are often cited as an argument for both justifying and rejecting violent action, some of the studies in this anthology also contribute to the history of emotions. With contributions by Maria Pia Alberzoni, Zdeněk Beran, Matthias Berlandi, Simone Brehmer, Maximilian Diesenberger, Jan Hirschbiegel, Peter Hoppenbrouwers, Marius Kraus, Stephen Mossman, Christine Reinle, Stefan Tebruck, Anna-Lena Wendel, Christian Wenzel, Klaus Wolf and Lidia Luisa Zanetti Domingue.


2020 ◽  
pp. 73-97
Author(s):  
Oxana G. Truhlarova ◽  
◽  
Simona Korycankova ◽  

The aim of the present article is to trace the establishment of the Russian and Czech historical lexicography and conduct a comparative study of the features of historical dictionaries of these languages. Historical dictionaries of the Czech and Russian languages served as the subject matter of the study. The dictionaries are reviewed chronologically and analyzed according to several lexicographical criteria: time of creation, pool of sources, extent of vocabulary, entry structure, manner of representation of a word’s lexical meaning. Historical lexicography is distinguished by a certain terminological vagueness and ambiguity. Thus, the term “historical dictionary” can mean, on the one hand, a lexicographical study that represents the history of words in the course of a certain epoch in a language’s evolution. On the other hand, dictionaries that explain the meaning of words used in ancient writings can also be termed historical. Such ambiguity signifies that the subject of historical lexicography has not received sufficient attention, either in regards to individual languages, or the Slavic lexicography as a whole. This study has isolated the following stages in the development of the Czech and Russian historical lexicography: (1) 17th–18th centuries – scientific study of vocabulary gives rise to predecessors of historical dictionaries (wordlists, lexicons), (2) 19th century – descriptions of vocabulary stress diachronic changes, giving rise to the first historical dictionaries, (3) 20th century – historical lexicography joins linguistics as a distinct branch of scientific study. A methodology for the compilation of historical dictionaries is developed, many new historical dictionaries are compiled that encompass the entire span of a language’s history, as well as only certain formative stages of the Russian or Czech language. (4) Late 20th – early 21st centuries – conceptual changes to the editorial approach to the structure and compilation of historical dictionaries, the relevance of publishing the dictionaries in the printed form is debated. The introduction of IT into the linguistic science has enabled an expansion of the dictionary database. The practice of creating language corpora has given historical lexicography a new direction and made the material accessible to a wide circle of users. The following can be counted among the distinctive features of the Czech and Russian historical lexicography: a keen interest in the history of language on the part of Czech researchers at even the early stages of the linguistic science, adherence to Western European examples by Czech lexicographers, most historical dictionaries of the Czech language have never been published in full because the work on them has either been suspended or discontinued altogether. In the Russian historical lexicography, on the other hand, there is an intense ongoing effort to create new dictionaries.


2007 ◽  
Vol 30 ◽  
pp. 37-47
Keyword(s):  

This year, was I expected, to have been a quiet year with me. and I hoped and expected that I should be able to employ much of my time on my projected history of North America. But I soon found myself differently occupied. I had the affairs of several persons in my hands at the commencement of the year but as I was, as I thought, resolved not to enter into any more private concerns of other people which were likely to occupy much of my time, I took what pains I could to finish with those I had already undertaken and then intended to proceed steadily with to the conclusion of my own memoirs, and then with the History of North America. I did neither the one nor the other.


2020 ◽  
Vol 3 (1) ◽  
pp. 29-52
Author(s):  
Miguel Saralegui

This article focuses on the relation of two varieties of history of philosophy and the concept of research. In this paper are distinguished two different prototypes of research in the frame of history of philosophy, the intensive and the extensive. In the first part is claimed that the hybrid character of the concept of history of philosophy, on the one hand, and the relation with the canon, on the other hand, determine these forms research. Then, the main features of the intensive and the extensive researches are explained and it is showed that all practices of research in the field of history of philosophy depend on this two prototypes. Finally some conclusions are provided in order to consider a much balanced relation between historical research and philosophical activity.


Author(s):  
Stefan Krause ◽  
Markus Appel

Abstract. Two experiments examined the influence of stories on recipients’ self-perceptions. Extending prior theory and research, our focus was on assimilation effects (i.e., changes in self-perception in line with a protagonist’s traits) as well as on contrast effects (i.e., changes in self-perception in contrast to a protagonist’s traits). In Experiment 1 ( N = 113), implicit and explicit conscientiousness were assessed after participants read a story about either a diligent or a negligent student. Moderation analyses showed that highly transported participants and participants with lower counterarguing scores assimilate the depicted traits of a story protagonist, as indicated by explicit, self-reported conscientiousness ratings. Participants, who were more critical toward a story (i.e., higher counterarguing) and with a lower degree of transportation, showed contrast effects. In Experiment 2 ( N = 103), we manipulated transportation and counterarguing, but we could not identify an effect on participants’ self-ascribed level of conscientiousness. A mini meta-analysis across both experiments revealed significant positive overall associations between transportation and counterarguing on the one hand and story-consistent self-reported conscientiousness on the other hand.


Author(s):  
Colby Dickinson

In his somewhat controversial book Remnants of Auschwitz, Agamben makes brief reference to Theodor Adorno’s apparently contradictory remarks on perceptions of death post-Auschwitz, positions that Adorno had taken concerning Nazi genocidal actions that had seemed also to reflect something horribly errant in the history of thought itself. There was within such murderous acts, he had claimed, a particular degradation of death itself, a perpetration of our humanity bound in some way to affect our perception of reason itself. The contradictions regarding Auschwitz that Agamben senses to be latent within Adorno’s remarks involve the intuition ‘on the one hand, of having realized the unconditional triumph of death against life; on the other, of having degraded and debased death. Neither of these charges – perhaps like every charge, which is always a genuinely legal gesture – succeed in exhausting Auschwitz’s offense, in defining its case in point’ (RA 81). And this is the stance that Agamben wishes to hammer home quite emphatically vis-à-vis Adorno’s limitations, ones that, I would only add, seem to linger within Agamben’s own formulations in ways that he has still not come to reckon with entirely: ‘This oscillation’, he affirms, ‘betrays reason’s incapacity to identify the specific crime of Auschwitz with certainty’ (RA 81).


1995 ◽  
Vol 31 (8) ◽  
pp. 301-309 ◽  
Author(s):  
Govert D. Geldof

In integrated water management, the issues are often complex by nature, they are capable of subjective interpretation, are difficult to express in standards and exhibit many uncertainties. For such issues, an equilibrium approach is not appropriate. A non-equilibrium approach has to be applied. This implies that the processes to which the integrated issue pertains, are regarded as “alive”’. Instead of applying a control system as the model for tackling the issue, a network is used as the model. In this network, several “agents”’ are involved in the modification, revision and rearrangement of structures. It is therefore an on-going renewal process (perpetual novelty). In the planning process for the development of a groundwater policy for the municipality of Amsterdam, a non-equilibrium approach was adopted. In order to do justice to the integrated character of groundwater management, an approach was taken, containing the following features: (1) working from global to detailed, (2) taking account of the history of the system, (3) giving attention to communication, (4) building flexibility into the establishing of standards, and (5) combining reason and emotions. A middle course was sought, between static, rigid but reliable on the one hand; dynamic, flexible but vague on the other hand.


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